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You've selected:
A Conversation
Violin and Piano
Sheetmusic to print
8 sheet music found
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1
Conversation
Violin and Piano
Piano,Violin - Digital Download SKU: A0.1023162 Composed by Albert Dadykin. Contemp…
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Piano,Violin - Digital Download SKU: A0.1023162 Composed by Albert Dadykin. Contemporary. 9 pages. Albert Dadykin #4840857. Published by Albert Dadykin (A0.1023162). Conversation is a work for violin and piano. When I wrote this music, it was an interesting conversation between mother and daughter. On numerous questions adults always quietly and wisely respond. I wish you pleasant music playing!
$9.95
8.95 €
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Violin and Piano
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Albert Dadykin
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Conversation
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Albert Dadykin
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SheetMusicPlus
We Don't Talk About Bruno
Violin and Piano
Small Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.623696 By Carolina…
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Small Ensemble Piano,Violin - Level 3 - Digital Download SKU: A0.623696 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Rose Hashimoto. Broadway,Film/TV,Latin,Musical/Show,Pop. Score and parts. 10 pages. Rose Hashimoto #232785. Published by Rose Hashimoto (A0.623696). A complete arrangement of the song in the original key, so you can play along with the recording! Parts are conversationally distributed between two violins, with a piano accompaniment part, for a fun chamber music experience.
$12.99
11.68 €
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Violin and Piano
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Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy
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We Don't Talk About Bruno
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Rose Hashimoto
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SheetMusicPlus
Elegia
Violin and Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1155480 Composed by Fernando Duar…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1155480 Composed by Fernando Duarte. Chamber,Classical. 8 pages. ArrangeMe #755758. Published by ArrangeMe (A0.1155480). When poetry, the elegy has a tender and sad tone written as a lament for the death of someone dear. Here, as music, albeit without words, it seeks to express the same feeling. Faced with the recent loss of his father, composer Fernando Duarte writes true lamentations in the form of melodies that wander through almost the entire length of the violin and piano. Themes announced by a very expressive violin, while the piano supports it in constant modulation in harmony, are followed by others where the two instruments sometimes in unison, sometimes alternating, but always talking to each other, paint the soundscape that seeks to express in music the pain of loss. Sixths and harmonics on the violin, references to the small melodic cells of the first part in the development, a climax with the violin playing octaves in fortissimo together with a no less aggressive piano, is followed by a melodic conversation with a decreasing dynamic that prepares the return of the second theme, for then the piece to rest in an ending built on the luminous Lydian mode, with an ascending and increasingly serene and peaceful melody, until total rest in a last breath. A reminder that even in the midst of pain, we still have the hope of resurrection. #piano and violin #elegy #elegia #piano e violino.
$9.00
8.09 €
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Violin and Piano
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Fernando Duarte
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Elegia
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ArrangeMe
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SheetMusicPlus
Violin Sonata No.2
Violin and Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.518940 Composed by Han-Ki Kim. 20…
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Piano,Violin - Level 5 - Digital Download SKU: A0.518940 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. 34 pages. Han-Ki Kim #129612. Published by Han-Ki Kim (A0.518940). Violin Sonata Sonata No.2 “Ong Hye Ya†The first movement is in 3/4 time, and in normal sonata form, there are two contrasting themes. In this movement, there is a contrast between the oriental and western characteristics. The first theme is oriental and the second theme is characterized by a Western character. The second movement is in 4/4 time, and it is composed in ABA format in which the theme of a slow nature is exchanged between instruments. The third movement is in 3/8 time, and the lively and humorous theme A and the slow B theme are written in ABA format. The 4th movement is in the form of a variation in which the theme of “Ong Heaâ€, the nickname of the sonata seen in 4/4/time, is cited. An exciting conversation continues. The colorful arpeggio and colorful bariolage are used to heighten the musical atmosphere. This theme originated in Kungsangdo province, south Korea. The meanning of “Ong Hye Ya†is the sound of peoples harvesting barleys. Excited reaction word of on old Korean mostly used in traditional folk songs to uplift the hard work of harvesting. Dedicated to prof. Siyeon Ryu. Music file is 1st movement only, just for a reference.
$14.99
13.48 €
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Violin and Piano
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Han-Ki Kim
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Violin Sonata No.2
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Han-Ki Kim
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SheetMusicPlus
Saint-Saens: The Swan for Violin and Piano
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint…
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Piano,Violin - Level 3 - Digital Download SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #847642. Published by jmsgu3 (A0.1254029). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
31.43 €
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Violin and Piano
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Camille Saint-Saens
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Saint-Saens: The Swan for Violin and Piano
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jmsgu3
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SheetMusicPlus
Just As I Am, Gospel Hymn for Violin and Piano
Violin and Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.592934 Composed by Charlotte Elli…
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Piano,Violin - Level 2 - Digital Download SKU: A0.592934 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. 4 pages. David McKeown #6413455. Published by David McKeown (A0.592934). Just as I Am is a beautiful hymn arranged here for Solo Violin and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
$2.49
2.24 €
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Violin and Piano
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Charlotte Elliott
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Just As I Am, Gospel Hymn for Violin and Piano
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David McKeown
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SheetMusicPlus
Handel: Largo from Xerxes for Violin & Piano
Violin and Piano
Violin & Piano - Intermediate - Digital Download Composed by George Frideric Hand…
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Violin & Piano - Intermediate - Digital Download Composed by George Frideric Handel (1685-1759). Arranged by James M. Guthrie, ASCAP. Baroque Period, General Worship, Repertoire, Wedding, Recital. Score, Set of Parts. 9 pages. Published by jmsgu3
Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from "Xerxes"<br> Suitable for any venue requiring meditative music. Excellent choice for a recital encore.<br> <br> Xerxes<br> Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s “Largo,” Handel has, on the contrary, clearly marked "Larghetto" in the score.<br> <br> Handel Background<br> George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany.<br> <br> Career in England<br> It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London.<br> <br> Legacy<br> Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded.<br> <br> <br> <br> Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
29.63 €
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Violin and Piano
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George Frideric Handel
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Handel: Largo from Xerxes for Violin & Piano
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jmsgu3
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SheetMusicPlus
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