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Here's To Twenty Years
Violin and Piano
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South Bay Angle for violin and piano
Violin and Piano
Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed…
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Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringo’s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didn’t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.
$28.00
26.2 €
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Violin and Piano
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Robert M
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South Bay Angle for violin and piano
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Robert M. Greenberg
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SheetMusicPlus
Plaintes arabes
Violin and Piano
Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q53352 Ar…
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Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q53352 Arabian Lament. Composed by Jeno Hubay. Edited by Wolfgang Birtel. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 5 pages. Schott Music - Digital #Q53352. Published by Schott Music - Digital (S9.Q53352). English • German.Hungarian composer and violinist Jenö Hubay, born Eugen Huber, received his musical training in Budapest and made his concert début with Viotti’s Violin Concerto No. 22 in A minor. He spent three years in Berlin, where he studied violin with Joseph Joachim. After his return he met Franz Liszt, who recommended that he travel to Paris. In that city he was a welcome guest at musical salons; he also formed a friendship with Henri Vieuxtemps. Hubay taught groups of violin students first in Brussels, then for a long time in Budapest. For twenty-five years he toured Europe as a virtuoso violinist, settling in Switzerland for a while before returning to Budapest for the rest of his life. His chamber compositions include a series of little pieces very probably written for his own use at musical salons, along with character pieces reminiscent of his Hungarian homeland and exotic pieces such as Plaintes arabes (Arabian Lament), an expressive and mournful lament on the violin. Plate no. 23388, published in 1882.
$3.99
3.73 €
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Violin and Piano
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Jeno Hubay
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Plaintes arabes
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Schott Music - Digital
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SheetMusicPlus
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