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Violin and Piano
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"Whenever, Wherever" for Violin and Piano-Video
Violin and Piano
Piano Accompaniment, Violin - Intermediate - Digital Download By Shakira. Arranged by…
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Piano Accompaniment, Violin - Intermediate - Digital Download By Shakira. Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Music Single. 8 pages. Published by F & N Enterprise
An excellent arrangement of the famous Song "Whenever, Wherever"<br> for Violin and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/lQrN_XSFkoY<br> <br> The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books "Jazz & Pop Piano Paradise" (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. ”This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8.” Lore Ruschiensky, Editor, (from the review in “The Canadian Music Teacher”) “Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations." Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School "I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume”. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.47 €
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Violin and Piano
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Shakira
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N Enterprise
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"Whenever, Wherever" for Violin and Piano-Video
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F & N Enterprise
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SheetMusicPlus
South Bay Angle for violin and piano
Violin and Piano
Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed…
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Instrumental Solo,Piano,Violin - Level 5 - Digital Download SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringo’s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didn’t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.
$28.00
25.08 €
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Violin and Piano
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Robert M
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South Bay Angle for violin and piano
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Robert M. Greenberg
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SheetMusicPlus
Mendelssohn: The Fair Melusina Overture, Op. 32 for Violin & Piano
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.551688 Composed by Felix Barthold…
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Piano,Violin - Level 3 - Digital Download SKU: A0.551688 Composed by Felix Bartholdy Mendelssohn. Arranged by James Guthrie, ASCAP. Instructional,Romantic Period,Standards. 77 pages. Jmsgu3 #5336993. Published by jmsgu3 (A0.551688). Mendelssohn's Op. 32, The Fair Melusina Overture is a concert overture inspired by the legend of Melusine, a water sprite who marries a mortal under certain conditions. The overture is not a literal retelling of the story but rather a reflection of its themes and moods. Mendelssohn held this work in high regard, characterized by its dreamy and fluid musical landscape, reflecting the happiness and unhappiness of the two main characters. The piece was initially received politely, but Mendelssohn subsequently revised it, and it remains the least familiar of his series of concert overtures. The overture is known for its harmonic power and is sometimes rendered in English as The Fair Melusine. The legend of the fair Melusina is a tale of a water sprite who marries a mortal man under the condition that he must never see her on a Saturday. However, he eventually breaks his promise, leading to the tragic fate of Melusina. She is often depicted as a mermaid, a serpent from the waist down, or a dragon, and her story is associated with themes of love, trust, and the consequences of betrayal. The legend has inspired various literary and musical works, including Felix Mendelssohn's The Fair Melusina Overture, which reflects the themes and moods of the story. The tale has been revisited and revised over the centuries and continues to captivate audiences with its tragic and romantic elements.
$26.95
24.14 €
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Violin and Piano
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Felix Bartholdy Mendelssohn
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Mendelssohn: The Fair Melusina Overture, Op. 32 for Violin & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Violin & Piano
Violin and Piano
Violin & Piano - Intermediate - Digital Download Composed by George Frideric Hand…
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Violin & Piano - Intermediate - Digital Download Composed by George Frideric Handel (1685-1759). Arranged by James M. Guthrie, ASCAP. Baroque Period, General Worship, Repertoire, Wedding, Recital. Score, Set of Parts. 9 pages. Published by jmsgu3
Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from "Xerxes"<br> Suitable for any venue requiring meditative music. Excellent choice for a recital encore.<br> <br> Xerxes<br> Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s “Largo,” Handel has, on the contrary, clearly marked "Larghetto" in the score.<br> <br> Handel Background<br> George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany.<br> <br> Career in England<br> It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London.<br> <br> Legacy<br> Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded.<br> <br> <br> <br> Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
29.52 €
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Violin and Piano
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George Frideric Handel
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Handel: Largo from Xerxes for Violin & Piano
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jmsgu3
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SheetMusicPlus
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