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You've selected:
Sing Gently
Violin and Piano
Sheetmusic to print
6 sheet music found
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1
Flow Gently, Sweet Afton, - Piano and Violin
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Violin and Piano
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Folkloric/Traditional
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Cindy Blevins
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Flow Gently, Sweet Afton, - Pi
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Cindy Blevins
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SheetMusicPlus
Arranged by Cindy Blevins. Folk. Sheet Music Single. 7 pages. Published by Cindy Blevins (S0.324727). - Sheet Music Single - Folk - Cindy Blevins...
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Arranged by Cindy Blevins. Folk. Sheet Music Single. 7 pages. Published by Cindy Blevins (S0.324727). - Sheet Music Single - Folk - Cindy Blevins
$4.99
Claude Debussy: Sérénade for violin and piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pa...
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Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
Take Time to Be Holy (Violin Duet with Piano accompaniment)
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Violin and Piano
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EASY
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Take Time to Be Holy
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1046278 By Sharon Wilson. By George C. Stebbins and William D...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.1046278 By Sharon Wilson. By George C. Stebbins and William D. Longstaff. Arranged by Sharon Wilson. 20th Century,Folk,Praise & Worship,Sacred. Score and parts. 17 pages. Sharon Wilson #650784. Published by Sharon Wilson (A0.1046278). Here is an instrumental trio (for two VIOLINS with PIANO accompaniment) of the familiar hymn Take Time to Be Holy by George C. Stebbins. This gently flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by William D. Longstaff: Take time to be holy, speak oft with thy Lord; Abide in Him always, and feed on His Word. Make friends of God's children, help those who are weak, Forgetting in nothing His blessing to seek. All three instruments lead with the melody at times, even the PIANO. VIOLIN 1 plays the melody for the first verse and then all three instruments alternate playing the melody for the second verse and ending tag. This flowing instrumental arrangement is an ideal selection for a worship setting and a valuable addition to your sacred string repertoire. Duration 2:00. The range for each part is as follows: VIOLIN 1 – F#4 to B5; VIOLIN 2 – A3 to E5. All notes for both VIOLINS are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (6 pages) with all parts on each page2. separate scores for each VIOLIN part (2 pages each) and PIANO (3 pages)3. a combined VIOLIN 1 and VIOLIN 2 score (2 pages) This hymn represents KINDNESS and is one of the 10 songs in the collection inspired by Galatians 5:22-23: The Fruit of the Spirit (10 Hymns for Violin Duet with Piano Accompaniment)Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
Nearer, My God, to Thee (Easy Violin Solo with Piano Accompaniment)
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Violin and Piano
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BEGINNER
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Sharon Wilson
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Sharon Wilson
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Nearer, My God, to Thee
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Sharon Wilson
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SheetMusicPlus
Piano,Violin - Level 1 - Digital Download SKU: A0.565529 By Sharon Wilson. By Lowell Mason. Arranged by Sharon Wilson. Contemporary,Film/TV,Romantic Peri...
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Piano,Violin - Level 1 - Digital Download SKU: A0.565529 By Sharon Wilson. By Lowell Mason. Arranged by Sharon Wilson. Contemporary,Film/TV,Romantic Period,Sacred,Wedding. 6 pages. Sharon Wilson #4729051. Published by Sharon Wilson (A0.565529). Here is a beautiful instrumental duet arrangement (for VIOLIN solo with PIANO accompaniment) of the beloved hymn tune BETHANY by Lowell Mason. This gently flowing arrangement encourages contemplation and meditation making it an ideal selection for worship services, weddings, or funerals.The VIOLIN leads with the melody for most of the song with only 4 measures near the end where the PIANO plays melody. The song begins in the key of C major with the VIOLIN on the D and G strings. For the second verse, the PIANO transitions to the key of D major and the VIOLIN plays an octave higher using the A and E strings more. All notes for the VIOLIN are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes a 4-page combined score with both VIOLIN and PIANO parts on each page plus a separate 1-staff score for the VIOLIN solo (1 page). This arrangement is one of the 10 songs in the collection Praise Him with Stringed Instruments: Collection of 10 Hymns for Violin Solo with Piano.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
O Come All Ye Faithful for Violin & Piano
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Violin and Piano
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BEGINNER
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Christmas
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Wade
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James M
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O Come All Ye Faithful for Vio
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 1 - Digital Download SKU: A0.548518 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 4 pages. Jmsgu3 #3388143. Publ...
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Piano,Violin - Level 1 - Digital Download SKU: A0.548518 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 4 pages. Jmsgu3 #3388143. Published by jmsgu3 (A0.548518). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page.O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$26.95
8 Swinging Xmas Carols for Violin & Piano
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Violin and Piano
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INTERMEDIATE
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Christmas
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Keith Terrett
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for Vio
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Keith Terrett
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1314618 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Praise & Worshi...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1314618 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Praise & Worship,Traditional. 30 pages. Keith Terrett #903372. Published by Keith Terrett (A0.1314618). Eight jazzy xmas carols arranged for Violin & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.
$15.99
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