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String Orchestra
Sheetmusic to print
12 sheet music found
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1
Cyclone
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String Orchestra
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INTERMEDIATE
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Daniel Baldwin
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Cyclone
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Imagine Music - Digital
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SheetMusicPlus
String orchestra - Grade 3 - Digital Download SKU: IZ.OMS141 Composed by Daniel Baldwin. Pathways Series. Score and Parts. 26 pages. Imagine Music - Digi...
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String orchestra - Grade 3 - Digital Download SKU: IZ.OMS141 Composed by Daniel Baldwin. Pathways Series. Score and Parts. 26 pages. Imagine Music - Digital #OMS141. Published by Imagine Music - Digital (IZ.OMS141). 9 x 12 in inches.Cyclone was commissioned by my good friend Doug Beyer in the spring of 2009. His plan was to premiere the piece with his group (he was teaching at Garden City Community College at the time) that next fall. Unfortunately, the strings program was cut at the end of that semester and he never had the chance program the piece. It was premiered in May of 2013 by the Tabor College Symphonic Orchestra under my direction. It was inspired by the painting Twisted Ironies, a beautiful portrayal of a tornado, which was given to the composer as a gift by the artist. The drum set part was added at the suggestion of a string teacher in the community. The piece alternates dramatic lyricism with driving string and percussion statements. There is an optional first violin solo as well as a drum set solo, which will add some flair to you concert!
$40.00
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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String Orchestra
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Contemporary
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Therese Brenet
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Thérèse Brenet: Poème de Ja
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music P...
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String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95
Drag Me Down (9-Piece Digital Pack)
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String Orchestra
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INTERMEDIATE
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Pop music
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One Direction
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Larry Moore
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Drag Me Down
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Hal Leonard - Digital
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SheetMusicPlus
Level 3-4 - Digital Download SKU: HX.337027 By One Direction. Arranged by Larry Moore. This edition: scorch. Pop. 1 pages. Duration 110. Hal Leonard - Di...
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Level 3-4 - Digital Download SKU: HX.337027 By One Direction. Arranged by Larry Moore. This edition: scorch. Pop. 1 pages. Duration 110. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.337027).
Digital Pack includes
:
Drag Me Down - Conductor Score (Full Score)
Drag Me Down - Violin 1
Drag Me Down - Violin 2
Drag Me Down - Violin 3 (Viola Treble Clef)
Drag Me Down - Viola
Drag Me Down - Cello
Drag Me Down - Bass
Drag Me Down - Piano
Drag Me Down - Percussion
$50.00
Drag Me Down - Conductor Score (Full Score)
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String Orchestra
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INTERMEDIATE
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Pop music
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One Direction
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Larry Moore
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Drag Me Down - Conductor Score
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Hal Leonard - Digital
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SheetMusicPlus
String Orchestra - Level 3-4 - Digital Download SKU: HX.337019 By One Direction. Arranged by Larry Moore. This edition: scorch. Pop. 8 pages. Duration 11...
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String Orchestra - Level 3-4 - Digital Download SKU: HX.337019 By One Direction. Arranged by Larry Moore. This edition: scorch. Pop. 8 pages. Duration 110. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.337019).
$5.00
The Menagerie for String Orchestra
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String Orchestra
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INTERMEDIATE
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Graham Boag
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The Menagerie for String Orche
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Graham Boag
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1383453 Composed by Graham Boag. 21st Century,Classical,New Age. 329 pages. Graham Boag #967895. Pu...
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String Orchestra - Level 3 - Digital Download SKU: A0.1383453 Composed by Graham Boag. 21st Century,Classical,New Age. 329 pages. Graham Boag #967895. Published by Graham Boag (A0.1383453). When I started writing this piece, I didn’t have a title in mind but as it developed, I began to think that it sounded like a mixture of different bird song in one place. The only thing I was sure about was, I wanted it to be minimalist in style with ideas morphing into each other and letting that process shape the music.  “The Menagerie†is written for String Orchestra and is around 8’ 25†in duration. From the initial one note pedal tone, the piece evolves providing melodic and rhythmic nuances which create the music and direction.
$45.00
The Edmund Fitzgerald - Concerto for Piano and Strings
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String Orchestra
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ADVANCED
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Contemporary
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4...
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
Springtime Mantleth Every Bough for String Orchestra
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String Orchestra
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INTERMEDIATE
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Thomas Morley
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Lisa Ochoco
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Springtime Mantleth Every Boug
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Lisa L Ochoco
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.560156 Composed by Thomas Morley. Arranged by Lisa Ochoco. Concert,Renaissance. Score and parts. 13...
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String Orchestra - Level 3 - Digital Download SKU: A0.560156 Composed by Thomas Morley. Arranged by Lisa Ochoco. Concert,Renaissance. Score and parts. 13 pages. Lisa L Ochoco #6535135. Published by Lisa L Ochoco (A0.560156). Thomas Morley was one of the most well-known English composers of madrigals during the Renaissance. His music is still widely performed by singers today. It is assumed that he studied music and/or sung under the direction of William Byrd. Morley's madrigal compositions stand out from other Renaissance pieces because of their lighter tone and quicker tempos.
$6.00
I Love You
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String Orchestra
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INTERMEDIATE/ADVANCED
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Pop music
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Billie Eilish
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Emeric I
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I Love You
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Emeric I. Panyko
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1187783 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Emeric I. P...
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String Orchestra - Level 4 - Digital Download SKU: A0.1187783 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Emeric I. Panyko. Hip-Hop,Pop,R & B,Singer/Songwriter. Score and Parts. 18 pages. Emeric I. Panyko #787398. Published by Emeric I. Panyko (A0.1187783). This score is an interpretation of Billie Eilish's i love you for string orchestra (Violin I and II, Viola, Cello, and Bass). It is at a difficulty level appropriate for an advanced high school-level string orchestra.The original song is emotive, heartbreaking, and desperate. My effort to capture this can be seen in the contrast between the bright, dramatic dynamic changes (from fff to ppp) and the humble, nimble pizzicato passages, making for a captivating take on Eilish's masterpiece. I am careful to not allow one instrument to tyrannize the vocals. The resonance of the acoustic guitar in the original is emulated by a synced pizz.-and-arco passage at the end. Playing direction informs the interpreter to the emotional direction of the piece.
$100.00
Divertimento for Strings: FULL SCORE
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String Orchestra
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John McNeil Johnston
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Divertimento for Strings: FULL
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John M. Johnston
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SheetMusicPlus
String Orchestra - Digital Download SKU: A0.1010888 Composed by John McNeil Johnston. Contemporary,Standards. Score and parts. 18 pages. John M. Johnston...
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String Orchestra - Digital Download SKU: A0.1010888 Composed by John McNeil Johnston. Contemporary,Standards. Score and parts. 18 pages. John M. Johnston #2914155. Published by John M. Johnston (A0.1010888). Johnston: Divertimento for Strings: Full Score OnlyDivertimento for Strings was written for advanced Youth or High School string orchestra. It is an exploration of counterpoint, chromaticism, and texture within a construct of playability. As a ‘teaching piece’, it can be useful to point out the various forms: I. Allegro is in a bare-bones Sonata Allegro form. II. Adagio is reminiscent in the latter bars of a Habanera. III. Waltz is just that, a wistful, swirling dance movement. IV. Gigue hearkens back to the Baroque style in compound meter, and is embellished with 19th century chromatic harmonies. This piece was originally written for the Wilton High School Orchestra • Wilton, CT, USA under the direction of, and at the suggestion of Marshall Meade in 2016. I hope you enjoy it! - Mac Johnston Instrumentation: Violins 1A & B, Violins 2 A & B, Violas, Violoncellos 1 & 2, and Double Basses. Copyright © 2016 John McNeil Johnston • all rights reserved.
$75.00
Scream and Variations - full score - Score Only
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String Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Simon Watkins
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Scream and Variations - full s
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Simon Watkins
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1206485 Composed by Simon Watkins. Contemporary. Score and parts. 32 pages. Simon Watkins #804688. ...
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String Orchestra - Level 4 - Digital Download SKU: A0.1206485 Composed by Simon Watkins. Contemporary. Score and parts. 32 pages. Simon Watkins #804688. Published by Simon Watkins (A0.1206485). A piece for string orchestra. Borne of a growing sense of unease in 2019 about the direction of travel in the world, the dark and disturbing nature of this piece is I hope more catharsis than valediction. Framed by six orchestral 'screams', a set of variations explores other emotional regions including sadness, resignation, mischief, stillness, hope and light. The climax, though also a scream is however one of more defiance than frustration.If all that doesn't sound too gloomy, string orchestras of mixed capabilities might find this an enjoyable challenge! Parts can be made available separately on this site.
$11.99
Farewell Dream Garden for Soprano, Flute, and String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Dosia McKay
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Farewell Dream Garden for Sopr
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Gavia Music
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.876668 Composed by Dosia McKay. 20th Century,Contemporary. Score and parts. 23 pages. Gavia Music #...
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String Orchestra - Level 4 - Digital Download SKU: A0.876668 Composed by Dosia McKay. 20th Century,Contemporary. Score and parts. 23 pages. Gavia Music #63367. Published by Gavia Music (A0.876668). A note from the composer: I wrote Farewell Dream Garden for the International Music in the Garden Composers’ Competition Wroclaw - Kraków 2010/2011. The competition was sponsored by the Botanical Gardens of Wroclaw to commemorate the 200th anniversary of their founding. The guidelines of the competition suggested a musical portrayal of times of day in the garden and I chose to depict nighttime, or more specifically, dreaming. My idea of a night garden is deeply lyrical, emotional, and colorful. Broadly arching phrases of the soprano vocalise, ebbs and flows of the string orchestra, and intricate flute textures all compound to make Farewell one of my most romantic and spectacular compositions to date. The composition won the second prize in the competition. For Soprano, Flute, and String Orchestra (4, 4, 3, 2, 1, or larger)Total duration 11:30 Copyright 2010 Dosia McKay / Gavia Music (ASCAP) Watch performance by Sylwia Olszyńska, soprano, and Renata Guzik, flute, with The Orpheus Orchestra under the direction of Jan Baryła: https://www.youtube.com/watch?v=deq746QS3HcPerusal score only.
$15.00
Sinfonia XI F major
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String Orchestra
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Classical
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Felix Bartholdy Mendelssohn
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Sinfonia XI F major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
String Orchestra - Digital Download SKU: S9.Q49929 Composed by Felix Bartholdy Mendelssohn. This edition: set of parts. Eulenburg Orchestral Series. Down...
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String Orchestra - Digital Download SKU: S9.Q49929 Composed by Felix Bartholdy Mendelssohn. This edition: set of parts. Eulenburg Orchestral Series. Downloadable, Set of parts. Ernst Eulenburg & Co. GmbH - Digital #Q49929. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q49929). Key: F major.The Allgemeine Musikalische Zeitung, Leipzig 1827, reports that Mendelssohn, between the ages of 12-14, and under the guidance of his teacher Carl Friedrich Zelter, composed 'symphonies for strings alone in the style of C. P. E. Bach, which were then performed in the house of his highly refined and cultivated parents.' These remarkably fresh and precociously accomplished works were presented during Sunday musicales held at the Mendelssohn family residence and performed by members of the Berlin Court Orchestra under the direction of the composer himself. The instrumental parts are based on the recently-published Eulenburg study scores of the 12 Sinfonias for strings, newly-edited by Boris von Haken from the extant autograph MSS in the collection of the Staatsbibliothek zu Berlin - Stiftung Preussischer Kulturbestiz.
$28.99
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