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Place In This World
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Place In This World
String Orchestra
Sheetmusic to print
19 sheet music found
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1
New World Anthem (String Orchestra)
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String Orchestra
#
INTERMEDIATE
#
Paul Barker Music
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New World Anthem
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Paul Barker Music
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.725159 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festiva...
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String Orchestra - Level 3 - Digital Download SKU: A0.725159 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival,Patriotic. Score and Parts. 18 pages. Paul Barker Music #3683089. Published by Paul Barker Music (A0.725159). The ‘New World Anthem’ is a stoic musical journey towards freedom and liberty. Powerful Melodic themes and harmonic grandeur give this spirited work a special place in any musical performance. Suitable for Concerts, Festivals and Orchestral Clinics. May also be performed as a String Chamber Group. Additional arrangements available for: String Quintet & Piano Solo
$29.95
The Bedouin of Wyrms
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String Orchestra
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INTERMEDIATE
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Jonathon Erickson
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The Bedouin of Wyrms
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J. Erickson Compositions
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1324947 Composed by Jonathon Erickson. 21st Century,Contemporary. 61 pages. J. Erickson Composition...
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String Orchestra - Level 3 - Digital Download SKU: A0.1324947 Composed by Jonathon Erickson. 21st Century,Contemporary. 61 pages. J. Erickson Compositions #913165. Published by J. Erickson Compositions (A0.1324947). Continuing the tradition of pieces based on characters in the Dungeons and Dragons game that I run, The Bedouin of Wyrms follows a young ranger who struggles to find a place in the world, trying to find out how to deal of moral quandaries with no correct answer. Despite this, Sylveon Jastire keeps a kind heart and solemn sense of purpose. The Passionate Sylveon Jastire is young and adventurous, with the naivete to match. With this outlook, she cares about only one thing; protecting her family by entering the wilds and taking care of any threats before they even have the chance to become problems. The Lamented and The Headstrong Sylveon, known colloquially as Silver, learns the difficulties of the world, and that nothing is as straight-forward as it was at her desert temple home. In the second movement, Silver learns the consequences actions have on the world, both good and bad. In the third, her resolve tightens as she doubles down on her ideals. This proves to be a good thing, as her tenacity eventually leads to her liberation. The Free Silvers work has paid off. Through a strong belief in her ideals and a little flexibility in her methods, Silver has Met countless friends, slain countless evils, and saved the brother she never knew she had from an evil that lurked beneath. Now nothing holds her back and Silver has grown to be one of the strongest people in Verdai.
$14.99
What Was I Made For?
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String Orchestra
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INTERMEDIATE
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Billie Eilish
#
Leonard Ingrande
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What Was I Made For?
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Ingrande Music Production
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1422018 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Leonard Ing...
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String Orchestra - Level 3 - Digital Download SKU: A0.1422018 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Leonard Ingrande. Contemporary,Film/TV,Pop,Rock,Singer/Songwriter. 19 pages. Ingrande Music Production #1003338. Published by Ingrande Music Production (A0.1422018). What was I Made For? is a soulful ballad that delves into the universal question of purpose and self-discovery. Â With poignant lyrics and a haunting melody, this arrangement for string orchestra and flex instrumental solos, explores the journey of introspection, gappling with one's place in the world, and the search for meaning in life. Â A beautiful and touching addition to your next concert! Â This arrangement invites listeners to reflect on their own existential inquiries. Â Through its introspective and stirring arrangement, What Was I Made For? resonates deeply with anyone who has ever questioned their purpose or felt adrift in the vastness of existence.
$65.00
'Re-Creation'
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String Orchestra
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Contemporary
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Craig Michael Davis
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'Re-Creation'
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Jack Harrison Inc.
#
SheetMusicPlus
String Orchestra - Digital Download SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison ...
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String Orchestra - Digital Download SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Published by Jack Harrison Inc. (A0.1022594). 'Re-Creation' Program Notes What is time, and where did it come from? These two questions consumed my thought process while writing Re-Creation. Upon completing the piece, I was no closer to answering those questions, but what I could answer became clear: could I write a piece in which time ceases to exist? In order to do this, I decided early on to throw out conventional notation that tends to restrict most performers. As my thought process evolved, I began contemplating the idea of juxtaposing the continuum of timelessness against the traditional view of time. Not only did this free me from the confines of a specific time, it opened up the entire spectrum of time, creating the possibility of infinity and the eternal existence of the continuity of time that invariably existed from the earliest sketches of this piece. The early sketches of this piece were written in my coastal Californian studio during the summer months of 2014, and because of this, Re-Creation represents not only a freedom of time, but also a sound world unique to California’s breathtaking coast. However, the impetus for this piece was the opening chapters of the book of Genesis, portraying the creation of the world in seven days. In this respect, the usage of three and seven play and important roll in the overall structure of this piece. Re-Creation was also inspired by a vacation I had taken a year before where I drove up the coast, stopping in small towns periodically, to collect poems from local authors. One collection of poems from Jeanie Greensfelder entitled, Biting the Apple, caught my attention. Reading through the poems, I began to realize that each poem was unique in that it marked a special time and place in the authors life, ultimately providing the reader with an autobiographical time capsule. The arch of the author’s life was thus on display for the world to read inevitably transforming her life, rather than her work, into the work of art. My hope for The Creation is that it portrays a snapshot of the Californian coast in which it was written, so that it can have a life of it’s own, free from the confines of it’s author and any concert hall it is performed in.
$15.00
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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String Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Vieuxtemps Violin Concerto No 5 Op. 37 for Violin and String Orchestra
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String Orchestra
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ADVANCED
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Classical
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Henri Vieuxtemps
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Paul Wood
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Vieuxtemps Violin Concerto No
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.1434225 Composed by Henri Vieuxtemps. Arranged by Paul Wood. Romantic Period. 122 pages. MyMusicSco...
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String Orchestra - Level 5 - Digital Download SKU: A0.1434225 Composed by Henri Vieuxtemps. Arranged by Paul Wood. Romantic Period. 122 pages. MyMusicScores.com #1014445. Published by MyMusicScores.com (A0.1434225). Belgian virtuoso violinist and composer Henri Vieuxtemps gifted the world with his Violin Concerto No. 5 in A minor, Op. 37, a masterwork of the Romantic era. Completed in 1859, this concerto was dedicated to his friend Hubert Léonard, who requested it as a challenging test piece for violin students at the Brussels Conservatory.Despite its origins as a student test piece, the Violin Concerto No. 5 has secured its place in the repertoire as a beloved showcase of violin artistry. Its popularity endures among both audiences and performers, making it a frequent choice for concerts and competitions.Our expertly arranged edition for violin and string orchestra maintains the spirit and integrity of Vieuxtemps' original composition as well as bringing this iconic work within reach of smaller ensembles.The PDF file contains the score and all parts.
$35.99
Serra do Caraça - Caraça´s Mountain
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String Orchestra
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BEGINNER
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Gilson Silva
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Serra do Caraça - Caraça´s
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Gilson Silva
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SheetMusicPlus
String Orchestra - Level 1 - Digital Download SKU: A0.967509 Composed by Gilson Silva. Contemporary,Standards,World. Score and parts. 10 pages. Gilson Si...
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String Orchestra - Level 1 - Digital Download SKU: A0.967509 Composed by Gilson Silva. Contemporary,Standards,World. Score and parts. 10 pages. Gilson Silva #4993585. Published by Gilson Silva (A0.967509). Serra do Caraça is one of the most beautiful tourist spots in the state of Minas Gerais, Brazil. Known for housing a gothic-style sanctuary, the place is surrounded by history and natural beauty. The work Serra do Caraça was inspired by the vision of the great mountain. The composer creates moments of stateness representing the rocky mountain. Then begins an adventure with ups and downs in this beautiful and mysterious landscape.
$15.00
June 14, 1940
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String Orchestra
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INTERMEDIATE
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Gary D
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June 14, 1940
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DR GARY D BELSHAW
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.796682 Composed by Gary D. Belshaw. 20th Century,Contemporary,Standards. Score and parts. 67 pages....
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String Orchestra - Level 3 - Digital Download SKU: A0.796682 Composed by Gary D. Belshaw. 20th Century,Contemporary,Standards. Score and parts. 67 pages. DR GARY D BELSHAW #3531727. Published by DR GARY D BELSHAW (A0.796682). 67 pages, including score and a complete set of string parts: 8-8-5-5-5. Duration 4 minutes.Subtitled: The Birth of the French Resistance Movement During World War II. The Arc de Triomphe is one of the most famous monuments in Paris, in France - indeed, in the world. It stands at the western end of the Champs-Élysées. On the date given in the title of this composition, the German Army marched through the monument and down the historic street, marking the beginning of the German occupation of France. The date also marks the beginning of one of the most historic - and heroic - movements in history to regain the freedoms which were suddenly lost on that day.June 14, 1940, serves as an artistic rendering of that moment in history, as well as the years that followed. The music is at times hesitant, awkward, restrained. These are traits of the heroes who risked their lives for the cause. Each of the fours verses builds in intensity. The fourth verse, the most impassioned, fades slowly away, as if returning to hiding places or pushing ever deeper underground. A bridge between verses 2 and 3 (Rehearsal B) struggles to offers hope in dark times. A brief scene of 12-tone rows lends a sense of the kind of striking and then hiding for which such freedom fighters are known. The ambience of the entire work is a tribute to heroism, to those who risk everything for a noble purpose or cause.Perfect for use in a patriotic or other historical educational event, as well as in recital or concert. The music could serve as a background for a visual presentation on World War II or any of its components. Offer this work for church or community observances of National Holidays, such as Memorial Day, Veterans Day.
$24.99
Cheers and Song
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String Orchestra
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Contemporary
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Adrian Pang
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Cheers and Song
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Adrian Pang
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SheetMusicPlus
String Orchestra - Digital Download SKU: A0.867373 Composed by Adrian Pang. Contemporary. Score and parts. 15 pages. Adrian Pang #2803859. Published by A...
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String Orchestra - Digital Download SKU: A0.867373 Composed by Adrian Pang. Contemporary. Score and parts. 15 pages. Adrian Pang #2803859. Published by Adrian Pang (A0.867373). A composition that placed second at the state level of Reflections in 2015, this piece depicts how the world would be a better place with the power of music. Cheers and Song brings people together and places a smile on their face, enticing them to dance along.
$9.99
Un Poco Loco
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String Orchestra
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EASY
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Walt Disney
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Adrian Molina and Germaine Fra
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Michael Linert
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https://youtu
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Un Poco Loco
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Michael Linert
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1233596 Composed by Adrian Molina and Germaine Franco. Arranged by Michael Linert. Film/TV,Mariachi...
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String Orchestra - Level 2 - Digital Download SKU: A0.1233596 Composed by Adrian Molina and Germaine Franco. Arranged by Michael Linert. Film/TV,Mariachi,Multicultural,World. Score and Parts. 81 pages. Michael Linert #829179. Published by Michael Linert (A0.1233596). Play and Sing Un Poco Loco from Disney's Coco!  This Multi-Level Masterpiece arrangement is scored for mariachi and string orchestral ensembles in a festival arrangement with a variety of levels from first-year players and beyond! Watch and Listen on YouTube! --> https://youtu.be/V1wBfV9cxFYEach purchase of this score/parts allows for 40 musicians to use this sheet music for one calendar year from purchase date.Here is some information to help make this arrangement work best! 1.    All parts in this arrangement can be played simultaneously in a festival-style performance. 2.    The most basic way to play this piece and have it sound like the piece would be to have the violin or viola part (normal or advanced) and a bass instrument (guitarrón, bass, or cello) playing while one or more singers play. 3.    Instruments could play the vocal parts, if necessary. 4.    Adding the foundational, normal, or advanced armonia (guitar, vihuela, or other chordal instruments) would enhance quite a bit. 5.    Adding the normal or advanced trumpet parts would add another layer. Their part doubles the violin/viola parts in most places, but there’s a part near the middle where their part varies to add complexity to the counterpoint. 6.    The foundational violin, viola, cello, bass, guitar, and trumpet parts (normal sheet music) are in unison. They are a mixture of melody/harmonic writing and the bass parts. These parts should be played alongside 2 and 3 listed above. (4 and 5 too if you can!) 7.    The Foundational Notes sheets are one note per measure. In this piece, they are the main tonic chord tones. In this piece (but not in all Multi-Level Masterpieces), they also happen to be the basic major chords. These parts should be played alongside 2 and 3 listed above. (4, 5, and 6 too, if you can!)8.    If you have questions or happen to notice mistakes along the way, please do let me know (ML@michaellinert.com). My current terms of use at the time of publishing allow for use of this sheet music for one year from purchase date. This is so that I can continue to enhance these Multi-Level Masterpieces based on feedback from people performing them! I will likely also add additional instrumental parts (mainly band/general music) in the future. Thank you, and I hope you will enjoy!
$49.99
A Pizzicato Christmas Smash
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String Orchestra
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INTERMEDIATE
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Christmas
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John Sarno
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jtsarno publishing
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God Rest Ye Merry, Gentlemen
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A Pizzicato Christmas Smash
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John T Sarno
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.904424 Composed by John Sarno. Arranged by jtsarno publishing. Christmas. Score and parts. 34 pages...
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String Orchestra - Level 3 - Digital Download SKU: A0.904424 Composed by John Sarno. Arranged by jtsarno publishing. Christmas. Score and parts. 34 pages. John T Sarno #6471851. Published by John T Sarno (A0.904424). This is a fun piece for an intermediate-level string orchestra. It is the third arrangement of mine that is a mash-up of traditional Christmas carols. This arrangement features religious Christmas carols. Included are: Angles We Have Heard on High; God Rest Ye Merry, Gentlemen; O Come, O Come, Emmanuel; Away in a Manger; Cradle Song (Away in a Manger); Joy to the World; In the Bleak Midwinter. In different places in the piece, different string sections play different melodies at the same time. There is a triangle part to be played as a fun part. There is a Flute solo, but it can be played on any C instrument. More instructions are given at the end of the score for how these parts should be played. While it is mostly a pizzicato piece there are some bowing sections. It also gives the player a challenge to play pizzicato while holding the bow in certain sections. This is a great piece for your Christmas/Winter Concert. Approximately 6:30 John Sarno
$19.99
Dominican Republic NationalAnthem for String Orchestra
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String Orchestra
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INTERMEDIATE
#
Keith Terrett
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Keith Terrett
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Dominican Republic NationalAnt
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1503869 By Keith Terrett. By José Rufino Reyes y Siancas 1882. Arranged by Keith Terrett. Instruct...
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String Orchestra - Level 3 - Digital Download SKU: A0.1503869 By Keith Terrett. By José Rufino Reyes y Siancas 1882. Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Standards,Traditional,World. 12 pages. Keith Terrett #1079321. Published by Keith Terrett (A0.1503869). The national anthem of the Dominican Republic (Spanish: Himno nacional de República Dominicana), also known by its incipit Valiant Quisqueyans (Spanish: Quisqueyanos valientes), was composed by José Rufino Reyes y Siancas (1835–1905), and its lyrics were authored by Emilio Prud'Homme (1856–1932).José Reyes was inspired to create a national anthem for the Dominican Republic after having seen the Argentine National Anthem in the Parisian newspaper El Americano. In 1883, he invited his friend Emilio Prud'Homme to write lyrics for the anthem.The first version of Prud'Homme's lyrics was published in the weekly newspaper El Eco de la Opinion on 16 August 1883, and the first public performance of the anthem took place the next day on 17 August in Respectable Hope Lodge No. 9 in Santo Domingo. Though the music was an instant success, several objections were made to the lyrics for having various historical inaccuracies. In 1897, Prud’Homme submitted revised lyrics, which stand to this day.On 7 June 1897, the Congress of the Dominican Republic passed an act adopting Himno Nacional with the original music and revised lyrics as the country's official national anthem; however, then-President Ulises Heureaux (1846–1898) vetoed the act, because the lyric's author, Prud’Homme, was an opponent of the president and his administration.[1] In 1899, Heureaux was assassinated, and the political disorder that ensued prevented the national anthem's legal adoption until 30 May 1934, when Himno Nacional was officially adopted and signed into law.
$8.99
Three American Folk Hymns (Set of Orchestral Parts)
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String Orchestra
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INTERMEDIATE/ADVANCED
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Sacred music
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William Hawley
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Three American Folk Hymns
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William Hawley
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.889753 Composed by William Hawley. Contemporary,Praise & Worship. Score and parts. 15 pages. Willia...
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String Orchestra - Level 4 - Digital Download SKU: A0.889753 Composed by William Hawley. Contemporary,Praise & Worship. Score and parts. 15 pages. William Hawley #6551249. Published by William Hawley (A0.889753). This is the complete Set of Orchestral Parts for William Hawley's Three American Folk Hymns. The download includes permission to print and photocopy multiple copies as necessary for performance by the string orchestra. The work was commissioned by the Vocal Arts Ensemble of Cincinnati, Earl Rivers, Director. The World Premiere took place, with the Cincinnati Chamber Orchestra, in Memorial Hall, Cincinnati, Ohio, March 22, 2009, Earl Rivers, Conductor. The live World Premiere recording is available separately at SMP Press, as are the Full Score and Vocal Score. Performance Duration: 9 minutes. ASCAP https://williamhawley.net.
$5.99
The Shadow of the Falling Lead - Score Only
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String Orchestra
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ADVANCED
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Apostolos Paraskevas
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The Shadow of the Falling Lead
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Silver Sickle Publications
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.1350504 By Apostolos Paraskevas. By Apostolos Paraskevas. 21st Century,Contemporary,Multicultural,W...
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String Orchestra - Level 5 - Digital Download SKU: A0.1350504 By Apostolos Paraskevas. By Apostolos Paraskevas. 21st Century,Contemporary,Multicultural,World. 30 pages. Silver Sickle Publications #935314. Published by Silver Sickle Publications (A0.1350504). In the echoes of history, where the ravages of war leave indelible scars on the fabric of humanity, there emerges a haunting melody that seeks to articulate the unspeakable pain and devastation wrought by the shadow of falling lead. The Shadow of the Falling Lead is a musical composition born out of a deep and poignant reflection on the profound impact of bombing during wartime.As the symphony unfolds, it endeavors to traverse the emotional landscape of those whose lives have been forever altered by the relentless rain of destruction. Each note serves as an empathetic brushstroke, painting the canvas of despair with the hues of sorrow, resilience, and the human spirit's enduring will to survive.The title itself evokes the grim reality of warfare, where the shadow of falling lead becomes an ominous specter, casting darkness over the lives it touches. This composition seeks to transcend the boundaries of language, inviting listeners to immerse themselves in the somber beauty of the music and connect with the shared humanity that unites us all.As we embark on this musical journey, may The Shadow of the Falling Lead serve as a solemn reminder of the cost of conflict and the imperative to strive for a world where the echoes of such devastation become but distant memories, replaced by the harmonious chords of peace and understanding.A solo violin ends this journey as a mother lamenting for her lost children. Â
$25.00
The Irish Washerwoman for Eclectic String Ensemble
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String Orchestra
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EASY
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Laura Chegwidden
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violin, viola, cello
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The Irish Washerwoman for Ecle
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Laura Chegwidden
#
SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.812107 Arranged by Laura Chegwidden. Folk,Holiday,World. Score and Parts. 10 pages. Laura Chegwidde...
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String Orchestra - Level 2 - Digital Download SKU: A0.812107 Arranged by Laura Chegwidden. Folk,Holiday,World. Score and Parts. 10 pages. Laura Chegwidden #3534555. Published by Laura Chegwidden (A0.812107). What do you do when you have an unusual ensemble? Arrange something specially for them! The Irish Washerwoman is a traditional Irish folk song which is so old that no one knows who wrote it. Its melody is familiar to many people because of its wide use over many many years. This arrangement is for an ensemble with an experienced viola and cello section, but a violin and double bass section that are still learning. This upbeat arrangement is perfect for beginning musicians to perform in school or even in competitions. If you would like an arrangement which places the more difficult lines in other parts please contact me using the links below.The arrangement goes for approx. 2 min. This purchase includes a score and parts for all performers; violin, viola, cello and double bass. It would work best for players of a beginning intermediate level. It is set in the key of G major, which is perfect for stringed instruments.Laura Chegwidden is a pianist, cellist, double bassist and singer from Toowoomba Australia. She recently graduated with distinction from the University of Newcastle with a B.MUS majoring in Cello and Composition. For more arrangements like this one or for any questions you can contact Laura through her facebook page: www.facebook.com/lchegmusic/
$7.99
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