Download Digital Sheet Music of Run With The Wind for String Orchestra

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PIANO & KEYBOARDS

Piano solo 33 Piano, Voice 9 Piano, Vocal and Guitar 7 C Instruments 3 Organ 1

Easy Piano 1

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GUITARS

Guitar notes and tablatures 10 Guitar 2 Banjo 1 Lyrics and Chords 1

VOICE

Choral SATB 10 Vocal duet 3 Choral 3-part 1 Choral TTBB 1

WOODWIND

Saxophone Quartet: 4 saxophones 55 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 41 Flute, Oboe, Clarinet, Bassoon 29 Saxophone Quintet: 5 Saxophones 17 Flute ensemble 16

Clarinet Quartet: 4 clarinets 14 3 Clarinets (trio) 11 Saxophone ensemble 10 Clarinet Ensemble 9 Flute Quartet: 4 flutes 7 3 Saxophones (trio) 5 Clarinet Quintet: 5 clarinets 5 Flute Trio: 3 flutes 4 Flute, Clarinet and Bassoon. 4 Flute, Oboe, Clarinet (trio) 4 Flute, Oboe, Bassoon 4 2 Clarinets (duet) 3 Oboe, Clarinet, Bassoon (trio) 3 Oboe, Piano (duet) 2 2 Saxophones (duet) 2 Recorder Quartet 2 Ocarina 2 Alto Saxophone 2 Clarinet, Bassoon (duet) 1 Flute Quintet : 5 flutes 1 3 Recorders (trio) 1 Flute, Clarinet, Horn and Bassoon (Quartet) 1 Oboe, Bassoon (duet) 1 Recorder, Piano 1 2 Flutes (duet) 1 Flute and Piano 1 Flute 1 Flute, Harp and Cello 1

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WOODBRASS

Brass Quintet: 2 trumpets, horn, trombone, tuba 9 Brass Quartet: 2 trumpets, horn, trombone 1 Brass quartet : 2 trumpets, trombone, tuba 1 Tuba ensemble 1 Euphonium, Piano (duet) 1

Trombone and Piano 1

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STRINGS

Violin and Piano 7 String Quartet: 2 violins, viola, cello 4 String Trio: violin, viola, cello 2 Violin 2 Viola 1

String Trio: 3 violins 1

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PERCUSSION & ORCHESTRA

Concert band 36 Orchestra 12 String Orchestra 4 Marching band 3 Brass ensemble 3

Drums 3 Jazz Ensemble 2 Handbells 2 Chamber Orchestra 1

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Run With The Wind

String Orchestra

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4 sheet music found

Irish National Anthem (Unofficial) for String Orchestra String Orchestra

String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…(+)

String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra. A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy). "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway. On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team. There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora. The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent. Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree". Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences. In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.) The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason. You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it? If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".) My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger: Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments. The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Contact Publisher Related Scores

$8.99 8.29 € #String Orchestra #trad #Irish National Anthem #Music for all Occasions #SheetMusicPlus

The Edmund Fitzgerald - Concerto for Piano and Strings String Orchestra

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…(+)

String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgeraldâ€™s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgeraldâ€™s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the shipâ€™s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, Weâ€™re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Andersonâ€™s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (Weâ€™re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethovenâ€™s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.

$9.99 9.21 € #String Orchestra #Geoffrey Peterson #The Edmund Fitzgerald - Concerto for Piano and Strings #Geoffrey Peterson #SheetMusicPlus

ATON part 4-Musikalische Szene - bassoon and strings String Orchestra

String Orchestra - Level 3 - Digital Download SKU: A0.576182 Composed by David Wari…(+)

String Orchestra - Level 3 - Digital Download SKU: A0.576182 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 13 pages. David Warin Solomons #4559. Published by David Warin Solomons (A0.576182). ATON is a stage play written by Manfred Strolz and Otmar RÃ¼tzler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein BÃ¼hnenstÃ¼ck von Manfred Strolz and Otmar RÃ¼tzler geschrieben, das Ã„gypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die Ã¤gyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafÃ¼r zu schreiben. Die Musik ist fÃ¼r verschiedene KrÃ¤fte wÃ¤hrend des StÃ¼ckes komponiert: vom vollen Orchester (HolzblÃ¤ser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit FlÃ¶te und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche spÃ¤ter nach Aton fÃ¼r das vollstÃ¤ndige Bild. FÃ¼r jede Komposition enhÃ¤lt die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste AuffÃ¼hrung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.

$5.00 4.61 € #String Orchestra #David Warin Solomons #ATON part 4-Musikalische Szene - bassoon and strings #David Warin Solomons #SheetMusicPlus

In paradisum from Requiem Songs (Downloadable Choral/Full Score) String Orchestra

Soprano solo or unison treble choir, violin, harp, and organ or string orchestra - Medium …(+)

Soprano solo or unison treble choir, violin, harp, and organ or string orchestra - Medium - Digital Download SKU: MQ.8103-E Composed by David Conte. 9/11 Service, Funeral. Instrument part. 8 pages. Duration 12 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8103-E. Published by E. C. Schirmer Music Company - Digital (MQ.8103-E). Latin.Commissioned by the American Music Research Center, Boulder, Colorado, Thomas Riis, director, in loving memory of Don Campbell. The work received its premiere performance at lâ€™Ã‰glise de la Sainte-TrinitÃ©, Paris, on October 24, 2013 by Alexis GalpÃ©rine, violin, Magali LÃ©ger, soprano, Saori Kikuchi, harp, and Carolyn Shuster Fournier, organist. The work consists of three Latin texts from the Requiem Mass. The first, Exaudi, is in â€œLarghettoâ€ tempo and serves as a prelude. The second, Dies IrÃ¦, marked â€œAllegro agitato,â€ is an intense and dark scherzo in D minor with chromatic runs in the organ and violin which accompany the soprano. A central, more lyrical section follows based on the â€œLacrymosaâ€ text in a slower tempo, leading to the songâ€™s only serene moment: â€œPie Jesu Domine.â€ The â€œDies Iraeâ€ music returns, and the song ends violently and decisively. The third song, In Paradisum, introduces the harp. The soprano melody is modeled very closely on the Gregorian chant based on this text. A gentle climax occurs on the text â€œhabeas eternam,â€ and the song slowly winds down to its end, having laid to rest lifeâ€™s struggles in the eternity of heaven. Duration: 12:30.

$2.25 2.07 € #String Orchestra #David Conte #In paradisum from Requiem Songs #E. C. Schirmer Music Company - Digital #SheetMusicPlus