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We Are the Church - Clarinet
String Orchestra
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1
Irish National Anthem (Unofficial) for String Orchestra
String Orchestra
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.25 €
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String Orchestra
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trad
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
The Edmund Fitzgerald - Concerto for Piano and Strings
String Orchestra
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
9.17 €
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String Orchestra
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Geoffrey Peterson
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The Edmund Fitzgerald - Concerto for Piano and Strings
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Geoffrey Peterson
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SheetMusicPlus
Somewhere Only We Know
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.521855 By Keane. By Richard H…
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String Orchestra - Level 3 - Digital Download SKU: A0.521855 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Sherry Lewis. Film/TV. Score and Parts. 22 pages. Sherry Lewis Publishing #6504751. Published by Sherry Lewis Publishing (A0.521855). SOMEWHERE ONLY WE KNOW String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: YES Parts: 10 pages Time: 3'50 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
11.92 €
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String Orchestra
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Keane
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Somewhere Only We Know
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Sherry Lewis Publishing
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SheetMusicPlus
Joyful, Joyful We Adore Thee (Ode to Joy)
String Orchestra
String Orchestra - Level 1 - Digital Download SKU: A0.1258367 By Garritan Orchestra…
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String Orchestra - Level 1 - Digital Download SKU: A0.1258367 By Garritan Orchestra. By Ludwig van Beethoven, Henry van Dyke. Arranged by Ron Flintjer. Christian,Christmas,Praise & Worship,Religious,Sacred. Score and Parts. 9 pages. Ron Flintjer #851619. Published by Ron Flintjer (A0.1258367). The Hymn of Joy (often called Joyful, Joyful We Adore Thee) is a poem written by Henry van Dyke in 1907 with the intention of musically setting it to the famous Ode to Joy melody of the final movement of Ludwig van Beethoven's final symphony, Symphony No. 9.This is a perfect piece to be performed by your church string orchestra. To accommodate lack of instrumentation, if that should be, there is 1st violin, 2nd violins and violas are doubled, as are the cello and string bass. Even though composed for beginner easy level, this has a full orchestra sound, interesting harmonies and a beautiful sacred touch.tt.
$14.00
12.85 €
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String Orchestra
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Garritan Orchestra
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Joyful, Joyful We Adore Thee
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Ron Flintjer
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SheetMusicPlus
WE THREE KINGS - String Orchestra or Quartet - Intermediate
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.734340 Composed by John Henry…
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String Orchestra - Level 3 - Digital Download SKU: A0.734340 Composed by John Henry Hopkins Jr. Arranged by Dennis Ruello. Christian,Christmas,Holiday,Praise & Worship,Sacred. Score and parts. 13 pages. Chicory Music #2951949. Published by Chicory Music (A0.734340). We Three Kings, also known as We Three Kings of Orient Are or The Quest of the Magi, is a Christmas carol that was written by John Henry Hopkins, Jr. in 1857. At the time of composing the carol, Hopkins served as the rector of Christ Episcopal Church in Williamsport, Pennsylvania, and he wrote the carol for a Christmas pageant in New York City. Many versions of this song have been composed and it remains a popular Christmas carol. This intermediate level arrangement can be used for string quartet or string orchestra. It is in the string friendly key of e minor with no extremes in range or technique. Useful for performances at schools, churches or recitals. Performance time: approx.1 min. 55 sec.
$9.99
9.17 €
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String Orchestra
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John Henry Hopkins Jr
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WE THREE KINGS - String Orchestra or Quartet - Intermediate
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Chicory Music
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SheetMusicPlus
Angels We Have Heard on High (String Quintet)
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1260613 Composed by Tradition…
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String Orchestra - Level 3 - Digital Download SKU: A0.1260613 Composed by Traditional French Carol. Arranged by Wesley D. Peters. Christmas,Holiday,Sacred,Traditional. Score and Parts. 12 pages. Asbury Publishing #853806. Published by Asbury Publishing (A0.1260613). This string quintet is carefully arranged to provide something new to the listener while maintaining a sense of tradition. The second verse incorporates a 5/8 time signature and can be a good introduction to irregular time signatures for young intermediate players. It also works well for more advanced groups who are pressed for time during the busy holiday season. Appropriate for any Christmas church service or holiday concert. Could be performed by a quintet or a full string orchestra. Includes a score and the following parts:1st Violin2nd ViolinViolaCelloDouble Bass.
$16.99
15.59 €
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String Orchestra
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Traditional French Carol
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Angels We Have Heard on High
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Asbury Publishing
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SheetMusicPlus
Vivaldi – Sinfonia al Santo Sepolcro RV 169
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1266273 Composed by Antonio V…
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String Orchestra - Level 3 - Digital Download SKU: A0.1266273 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. Score and Parts. 12 pages. Sneakwood Editions #859004. Published by Sneakwood Editions (A0.1266273). The autograph is held in the Biblioteca Nazionale Universitaria di Torino (I-Tn, Giordano 34, Bl. 100-102). It is the only known copy of this work. The work was surely composed between 1725 and 1734.[2]  It is copied in full score format.In the known catalog of Vivaldi’s works we find another piece that shares the same title, it is the Sonata à 4 al Santo Sepolcro (Sonata in E flat major RV 130). Both pieces feature a similar structure: a slow introduction and a fugal movement.Sepolcri, or oratorios for the sepulchre, were a kind of composition that was performed at the Viennese courts during Holy Week. These were semi-staged oratorios. The examples that survive by Caldara or Fux show how the introductions of these oratorios always had the same scheme: a slow introduction followed by a fugal movement, just like the RV 169 and RV 130.These compositions are undoubtedly inspired by the Viennese, although it seems unlikely that Vivaldi wrote them as a commissioned work. However, it is possible that they were composed to support his application to the Viennese court.It is also quite probable that these pieces were intended to accompany some of the liturgical actions that were celebrated between Holy Thursday and Holy Saturday, such as the visit to the Sepulchers in Venetian churches.
$10.00
9.18 €
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String Orchestra
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Antonio Vivaldi
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Vivaldi – Sinfonia al Santo Sepolcro RV 169
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Sneakwood Editions
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SheetMusicPlus
Hallelujah
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.521593 By Lee DeWyze. By Leon…
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String Orchestra - Level 3 - Digital Download SKU: A0.521593 By Lee DeWyze. By Leonard Cohen. Arranged by Sherry Lewis. Pop. Score and Parts. 18 pages. Sherry Lewis Publishing #6233387. Published by Sherry Lewis Publishing (A0.521593). Hallelujah, String Orchestra, Intermediate Level for 1st and 2nd violins, viola, cello and string bass chords (eg. C, G, etc.) Score: 6 pages parts: 9 page time: 4'00 ABOUT THE DEMO....I cut the intro and a few measures in the demo only to get to the chorus as we're allowed 30 seconds of demo. MY QUARTET VERSIONS, in short notice usually work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$12.99
11.92 €
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String Orchestra
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Lee DeWyze
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https://www
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Hallelujah
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Sherry Lewis Publishing
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SheetMusicPlus
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