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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Which
Sheetmusicplus
Not classified
7,670
Piano & keyboards
Piano solo
4,759
Piano, Voice
1,245
Piano, Vocal and Guitar
1,070
Easy Piano
775
Organ
549
C Instruments
291
1 Piano, 4 hands
146
Piano Accompaniment
73
Accordion
71
Piano Trio: piano, violin, cello
70
2 Pianos, 4 hands
33
Organ, Trumpet (duet)
19
Piano Quartet: piano, 2 violins, cello
18
Organ, Piano (duet)
17
Piano Quintet: piano, 2 violins, viola, cello
16
Harpsichord
15
Piano Quartet: piano, violin, viola, cello
13
Piano (band part)
7
Keyboard
3
Fake Book
2
2 Pianos, 8 hands
2
Piano ensembles
1
Big Note Piano
1
Accordion ensemble
1
2 Accordions
1
+ 20 instrumentations
-
Retract
Guitars
Guitar
409
Guitar notes and tablatures
407
Melody line, (Lyrics) and Chords
69
Ukulele
68
2 Guitars (duet)
62
4 Guitars (Quartet)
31
Bass guitar
30
Dulcimer
22
Mandolin
21
Piano, Guitar (duet)
15
Guitar Ensemble
14
Banjo
13
Lyrics and Chords
13
Guitar (band part)
12
Mandolin, Piano (duet)
10
3 Guitars (trio)
10
Guitar, Violin, Cello (trio)
4
2 Dulcimers (duet)
3
2 Mandolins (duet)
2
Baritone Ukulele
1
Guitar, String Quartet
1
Dobro
1
Mandolin, Guitar (duet)
1
2 Ukuleles
1
Plectrum Orchestra
1
+ 20 instrumentations
-
Retract
Voice
Choral SATB
2,234
Choral 3-part
864
Choral 2-part
807
Choral Unison
422
Vocal duet, Piano
271
Choral TTBB
244
Choral SSAA
159
Vocal duet
148
Soprano voice, Piano
94
Tenor voice, Piano
48
Alto voice, Piano
48
Baritone voice, Piano
46
High voice
37
Choral SSAATTBB
22
Voice solo
20
Medium voice, Piano
15
Low voice, Piano
13
Mezzo-Soprano voice, Piano
10
Tenor voice
10
Choral
9
Choral SSATB
8
Soli, Mixted choir and accompaniment
6
Soprano voice
4
Choral SSATTB
4
Low voice
3
Voice, Guitar
2
Choral SSAB a cappella
2
Choral SATBB
1
Vocal duet, Organ
1
Choral SAATB A Cappella
1
Choral SATTBB A Cappella
1
Choral SSAB, Piano
1
+ 27 instrumentations
-
Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
495
Saxophone Quartet: 4 saxophones
406
Flute and Piano
387
Clarinet and Piano
301
Clarinet Quartet: 4 clarinets
286
Flute, Oboe, Clarinet, Bassoon
265
Alto Saxophone and Piano
241
Saxophone Quintet: 5 Saxophones
233
Oboe, Piano (duet)
208
Flute
202
Flute Quartet: 4 flutes
198
2 Saxophones (duet)
194
Tenor Saxophone and Piano
178
Soprano Saxophone and Piano
166
Saxophone ensemble
160
2 Flutes (duet)
157
Clarinet Ensemble
144
Clarinet
142
Alto Saxophone
130
2 Clarinets (duet)
126
3 Clarinets (trio)
100
Flute ensemble
95
Clarinet Quintet: 5 clarinets
89
Saxophone (band part)
84
Flute and Guitar
81
Oboe (band part)
75
Tenor Saxophone
75
Flute, Violin, Piano
58
Flute Trio: 3 flutes
56
Flute, Clarinet (duet)
54
3 Saxophones (trio)
53
Clarinet, Guitar (duet)
46
Flute Quintet : 5 flutes
46
Baritone Saxophone, Piano
44
Saxophone, Clarinet (duet)
38
English horn, Piano
37
Clarinet, Violin (duet)
31
Flute, Clarinet and Bassoon.
29
2 Oboes (duet)
29
Recorder Ensemble
28
Flute, Oboe, Clarinet (trio)
26
Bass Clarinet, Piano
25
Flute, Oboe, Bassoon
24
Recorder Quartet
23
2 Recorders (duet)
22
Flute, Violin
22
Clarinet (band part)
21
Oboe, Bassoon (duet)
21
Clarinet, Trumpet (duet)
20
Flute, Saxophone (duet)
15
Descant (Soprano) Recorder
15
Oboe, Flute
15
Oboe, Clarinet (duet)
14
English Horn, Guitar (duet)
13
Oboe
13
Oboe, Clarinet, Bassoon (trio)
13
Clarinet and Viola
13
Flute, Harp and Cello
12
Harmonica
12
Flute, Trumpet (duet)
11
Saxophone and Guitar
11
Clarinet, Bassoon (duet)
11
Treble (Alto) Recorder
11
Recorder
11
Flute (band part)
10
Flute, Clarinet, Piano (trio)
9
2 Flutes, Piano
9
Flute, Viola (duet)
9
Flute, Organ (duet)
8
Soprano Saxophone
8
Flute, Violoncello
8
Flute, Cello, Piano (trio)
7
Saxophone
7
3 Recorders (trio)
6
Descent (Soprano) Recorder, Piano
6
2 Clarinets, Bassoon
6
Saxophone and Organ
6
Clarinet, Cello (duet)
5
Flute, Violin and Violoncello
5
Oboe, Guitar (duet)
5
English Horn
5
Ocarina
5
5 Recorders
5
Saxophone and Harp
4
Piccolo, Piano
4
Piccolo
4
Treble (Alto) Recorder, Piano
4
Tenor Recorder
4
2 Clarinets, Piano
4
Flute and Strings Trio
3
2 Saxophones, Piano
3
Flute, Clarinet, Horn and Bassoon (Quartet)
3
Oboe, Harp
3
Flute, harp and violin
3
Pennywhistle
3
Clarinet, Harp (duet)
3
Clarinet, Trombone (duet)
3
Flute, Basso continuo
3
Oboe, Cello
2
Flute, Oboe (duet)
2
Flute, French horn (duet)
2
2 English horns and Pianoforte
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Baritone Saxophone
2
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
Flute, Bassoon, and Piano
2
Treble (Alto) Recorder, Basso continuo
2
Flute, Viola and Piano
2
Bass Clarinet
2
Clarinet Quintet: Clarinet, String Quartet
2
Flute, Trombone (duet)
2
4 Oboes
2
Clarinet, Cello, Piano (trio)
2
Recorder, Piano
2
Oboe ensemble
1
Flute, Violin, Violoncello and Piano
1
Oboe, Bassoon and Piano
1
Descant (Soprano) Recorder, Basso continuo
1
Flute, Clarinet, Violin (trio)
1
2 Recorders, Guitar
1
Eb Instruments
1
Wind ensemble
1
Flute, Orchestra
1
2 Oboes, 2 Horns and 2 Bassoons
1
Flute, Oboe, Piano (trio)
1
Oboe, Violin, Piano
1
Clarinet, Organ
1
Oboe, Clarinet and Piano (Trio)
1
Clarinet, Bassoon, Piano (trio)
1
Flute, Cello, Guitar
1
Bagpipe
1
+ 126 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
487
Brass quartet : 2 trumpets, trombone, tuba
327
Trombone and Piano
224
Trumpet
222
Trumpet, Piano
214
French Horn and Piano
135
Brass Quartet: 2 trumpets, horn, trombone
113
Trumpet ensemble
102
Trombone
95
Trombone ensemble
67
Tuba and Piano
66
2 Trombones (duet)
57
Brass Quartet
56
French horn
56
Trombone (band part)
53
Brass Quartet: 4 trombones
51
Euphonium, Piano (duet)
49
2 Trumpets (duet)
43
Trumpet (band part)
41
Tuba
41
English horn, Piano
37
Brass Quartet: 4 horns
29
Trumpet, Trombone (duet)
28
Trumpet, Horn (duert)
26
Trumpet, Saxophone (duet)
26
2 French horns (duet)
24
Horn Ensemble
20
French horn (band part)
15
3 Trumpets (trio)
14
English Horn, Guitar (duet)
13
Brass Quartet: 4 trumpets
12
2 Tubas (duet)
11
3 Trombones (trio)
9
Euphonium
8
Tuba (band part)
8
Trombone, Organ
7
4 Tubas
7
Tuba and Organ
7
Brass Trio
6
2 Euphoniums (duet)
5
English Horn
5
Brass Quartet: 2 trumpets, 2 trombones
5
Trumpet and Guitar
4
3 French horns (trio)
4
2 Euphoniums and 2 Tubas
4
3 Tubas (trio)
3
Clarinet, Horn (duet)
3
Bb Instruments
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
French Horn and Harp
2
Trombone, Tuba (duet)
2
2 English horns and Pianoforte
2
Bass Trombone
2
Bass Clef Instruments
2
2 Trumpets, Keyboard (piano or organ)
2
Trombone, Horn (duet)
1
Trumpet, Harp
1
Euphonium, Tuba (duet)
1
Horn and Organ
1
Trumpet, Trombone, Piano
1
Tuba ensemble
1
3 Euphoniums
1
Horn, Cello (duet)
1
+ 58 instrumentations
-
Retract
Strings
Harp
1,035
String Quartet: 2 violins, viola, cello
1,024
Violin and Piano
511
Cello, Piano
332
Violin
273
Viola, Piano
269
String Trio: violin, viola, cello
205
Cello
155
Violin, Cello (duet)
151
2 Violins (duet)
117
Viola
80
Violin (band part)
59
2 Cellos (duet)
56
Piano Trio: Violin, Viola, Piano
53
2 Violas (duet)
51
String Trio: 2 violins, cello
50
Violin, Viola (duet)
47
Violin, Guitar (duet)
46
String Quintet: 2 violins, viola, cello, bass
46
2 Harps (duet)
46
Double Bass
45
Viola (band part)
43
Double bass, Piano (duet)
43
4 Cellos
35
Violin ensemble
31
Viola ensemble
29
Doublebass (band part)
25
Cello, Guitar (duet)
24
Viola, Cello (duet)
18
Cello (band part)
16
String Quartet : 4 violas
16
String Trio: 3 violins
15
Viola, Guitar (duet)
15
Harp, Flute (duet)
13
Harp, Violin (duet)
12
Harp and mandolin
11
String Quintet: 2 violins, 2 violas, cello
11
String Trio: 3 cellos
11
String quartet: 4 violins
9
Violin, Organ
7
Violin, Bassoon (duet)
6
Harp, Voice
6
String Trio: 3 violas
5
Cello, Organ
5
String Trio: 2 violins, viola
4
Harp, Cello (duet)
4
Violoncello, Basso continuo
4
Cello, String Bass (duet)
4
Cello Ensemble
4
Viola and Bassoon
3
2 Violins, Piano
3
Cello, Orchestra
3
4 Double Basses
3
Viola, Organ
2
Viola and Harp
2
Harp, Trombone (duet)
2
Harp and Piano
2
2 Double basses (duet)
2
Violin, Clarinet, Piano (trio)
1
Harp, Violin, Violoncello
1
Violin, Tuba (duet)
1
Harp and Organ
1
4 Harps
1
Autoharp
1
+ 59 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,889
String Orchestra
552
Orchestra
544
Brass ensemble
389
Handbells
307
Jazz Ensemble
281
Chamber Orchestra
247
Marching band
128
Jazz combo
91
Percussion Ensemble
48
Drums
40
Percussion (band part)
16
Marimba
11
School Ensemble
9
Vibraphone
7
Drum (band part)
6
Orchestra, Violin
5
Piano and Orchestra
5
Xylophone, Piano
4
Xylophone
3
Vibraphone and Marimba
2
Snare drums
2
Brass Quintet: other combinaisons
2
2 Marimbas
1
2 Xylophones
1
Percussion
1
Marimba and Organ
1
+ 22 instrumentations
-
Retract
Others
Musical course - Solfege
2
Music Theory
1
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551
Which Way America?
#
String Orchestra
#
Marsha Chusmir Shapiro
#
Which Way America?
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Imagine Music - Digital
#
SheetMusicPlus
String orchestra - Digital Download SKU: IZ.OMS154 Composed by Marsha Chusmir Shapiro. Score and Parts. 12 pages. Imagine Music - Digital #OMS154. Publis...
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String orchestra - Digital Download SKU: IZ.OMS154 Composed by Marsha Chusmir Shapiro. Score and Parts. 12 pages. Imagine Music - Digital #OMS154. Published by Imagine Music - Digital (IZ.OMS154). 9 x 12 in inches.This composition poses an unanswered question: Which wayAmerica? It suggests that we are at a turning point asa country, where we have choices to make about our direction. Is it a question about politics, world leadership,economics, social or moral values? If the director is so inclined, this might provide an opportunity for students tothink and write about where they wish to see the country headed.
$40.00
Recordare (from "Requiem") (F) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
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String Orchestra
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INTERMEDIATE/ADVANCED
#
Classical
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1112894 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Booksh...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1112894 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 44 pages. Regis Bookshar #714847. Published by Regis Bookshar (A0.1112894). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Orchestra - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Orchestra, consisting of 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (44 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Orchestra, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$40.00
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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String Orchestra
#
Contemporary
#
Therese Brenet
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Thérèse Brenet: Poème de Ja
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Musik Fabrik Music Publishing
#
SheetMusicPlus
String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music P...
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String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95
Paul Wehage : Concertino for alto saxophone and string orchestra: score and solo part
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String Orchestra
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INTERMEDIATE/ADVANCED
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Paul Wehage
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Paul Wehage : Concertino for a
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.533114 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 74 pages. Musik Fa...
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String Orchestra - Level 4 - Digital Download SKU: A0.533114 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 74 pages. Musik Fabrik Music Publishing #550765. Published by Musik Fabrik Music Publishing (A0.533114). The Concertino for alto saxophone and string orchestra was written for and is dedicated to saxophonist Nuno Miguel Silva. The work is in three movements. The first movement, “Introduction and Allegro†begins with an introductory passage which leads to an extended cadenza. The allegro uses a contrasting set of two themes, one of which is syncopated and dancelike, the other which is lyrical and expressive. The Aria which follows is in an ABA lied form with extended passage work for the soloist at the return of the theme. The Rondo-finale is a rollicking scherzo which is presented in a variety of forms, first in the saxophone and then in the violins, after several developmental passages and a final cadenza, returns to end the work with a final flourish. A reduction for alto saxophone is avaialble as a different item. The orchestral parts are available on rentel from the publisher.
$29.95
The Edmund Fitzgerald - Concerto for Piano and Strings
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String Orchestra
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ADVANCED
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Contemporary
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4...
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
I Got The Blues - Easy string ensemble (Mixed Abilities) for flexible instrumentation
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String Orchestra
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BEGINNER
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Austin Ralphson
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I Got The Blues - Easy string
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Austin Ralphson
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SheetMusicPlus
String Orchestra - Level 1 - Digital Download SKU: A0.563591 Composed by Austin Ralphson. Blues,Concert,Instructional,Standards. Score and parts. 39 page...
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String Orchestra - Level 1 - Digital Download SKU: A0.563591 Composed by Austin Ralphson. Blues,Concert,Instructional,Standards. Score and parts. 39 pages. Austin Ralphson #4317691. Published by Austin Ralphson (A0.563591). Children (and adults) who learn a musical instrument will always progress at different rates. Students also develop some of the many skills involved in instrumental playing faster than other skills.The Mixed Abilities School Ensemble Series for Easy String Orchestra has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts).Each piece has a total of 5 different parts which are fully interchangeable between violins, violas and cellos (double basses can double the cello parts). So whether you have 15 violins and a viola, or 3 violins, or 4 cellos or whatever, the pieces will still work well together. All parts are provided for all instruments.Part 5 uses long notes on open strings. The other parts gradually increase in difficulty up to Part 1, which uses first and second positions. The teacher should select appropriate parts for the players in the group.I GOT THE BLUES is the second piece in this series, and uses typical Blues characteristics such as syncopation and swung quavers. It also includes a section in which any player can improvise; suggested notes to use in the solo are provided along with backing figures.Please listen to the mp3 file, which is an electronic example of the piece being played with 4 violin parts and a cello on Part 5.The purchaser of this product may print as many copies of the parts as required in order for the piece to work successfully with the ensemble. They must not copy, print or distribute the score or parts for others who have not purchased the product independently.Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.ralphsonstrings.com
$9.99
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
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String Orchestra
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Classical
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Prelude and Fugue in C major f
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Upstream Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and...
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String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
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String Orchestra
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INTERMEDIATE
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic P...
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String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
Early Americans
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String Orchestra
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INTERMEDIATE
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Contemporary
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Marsha Chusmir Shapiro
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Early Americans
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Marsha Shapiro
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.963581 Composed by Marsha Chusmir Shapiro. Contemporary. Score and parts. 29 pages. Marsha Shapiro ...
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String Orchestra - Level 3 - Digital Download SKU: A0.963581 Composed by Marsha Chusmir Shapiro. Contemporary. Score and parts. 29 pages. Marsha Shapiro #3866181. Published by Marsha Shapiro (A0.963581). Grade 3: Early Americans is an original composition for string orchestra which depicts the people from three periods of early American development: the era of the Native Americans, the Colonial Period and the time of Westward Expansion. In the first part (I Native Americans), solo celli imitates the beat of a drum over which the first violin plays a plaintive modal melody which is later layered in canonic style by the other strings. The second section (II Colonists) depicts the classical European dance style brought to the colonies with Yankee Doodle superimposed over the top. In the final section, Westward Expansion (III Pioneers) is symbolized by the square dance tune which is also posed in canonic style.
$35.00
Above the Palm Trees
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String Orchestra
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BEGINNER
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Traditional Iraqi Folk Song
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Dena El Saffar
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Above the Palm Trees
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Songburd Music
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SheetMusicPlus
String Orchestra - Level 1 - Digital Download SKU: A0.1473895 Composed by Traditional Iraqi Folk Song. Arranged by Dena El Saffar. Classical,Folk,Multicu...
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String Orchestra - Level 1 - Digital Download SKU: A0.1473895 Composed by Traditional Iraqi Folk Song. Arranged by Dena El Saffar. Classical,Folk,Multicultural,Traditional,World. 24 pages. Songburd Music #1051616. Published by Songburd Music (A0.1473895). One of the most well-known love songs of the Middle East is an Iraqi love song called Fog el Nakhl, which translates in English to “Above the Palm Trees.” The iconic melody, which begins at measure 32, is couched within an original melody that serves as an introduction and then reappears at the end to gently bring the song to a close. The entire piece is in a mode called Maqam Hijaz, which is built on the notes D, Eb, F#, G, A, Bb, C, and D.
$60.00
Pi - Symphony | F Major
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String Orchestra
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Classical
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Srikanth RC Cherukupalli
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Srikanth RC Cherukupalli
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Pi - Symphony | F Major
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Srikanth RC Cherukupalli
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SheetMusicPlus
String Orchestra - Digital Download SKU: A0.1023585 Composed by Srikanth RC Cherukupalli. Arranged by Srikanth RC Cherukupalli. Classical. Score and part...
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String Orchestra - Digital Download SKU: A0.1023585 Composed by Srikanth RC Cherukupalli. Arranged by Srikanth RC Cherukupalli. Classical. Score and parts. 66 pages. Srikanth RC Cherukupalli #6057773. Published by Srikanth RC Cherukupalli (A0.1023585). Ø PI : PI has been his First Symphony and it has FOUR Movements. Ø This Symphony has 4 phases,1. First phase is of Sonata Form, which is named as Lines2. Second movement, the lines will turn into Curves. Composer (Srikanth RC Cherukupalli) had used 3rd & 5th Degrees to make the lines to Curves. So the name of this movement is Curves.3. Third Movement is an Uneven Movement, Composer (Srikanth RC Cherukupalli) had introduced 2 scales E Minor and its relative Major (G Major) to make all uneven shapes to a Parabolic Shape, The name of this movement is Uneven Hyperbolas.4. Fourth Movement is a parabolic which will eventually turn into to a circle, Composer (Srikanth RC Cherukupalli) had majorly used 3rd, 5th and 7th degree which is the end of symphony, so the Name of this movement is Parabolas
$17.99
Vivaldi – Concerto in D RV 208 "Grosso Mogul" Score and parts (PDF)
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String Orchestra
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ADVANCED
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Classical
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Antonio Vivaldi
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Sneakwood Editions
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Vivaldi – Concerto in D RV 2
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Sneakwood Editions
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.890766 Composed by Antonio Vivaldi. Arranged by Sneakwood Editions. Baroque,Classical. Score and pa...
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String Orchestra - Level 5 - Digital Download SKU: A0.890766 Composed by Antonio Vivaldi. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 34 pages. Sneakwood Editions #4781033. Published by Sneakwood Editions (A0.890766). Vivaldi’s violin concerto in D major, RV 208, survives in three manuscripts:Vivaldi’s autograph score, conserved in Turin. [This edition is based on this source]A copy of the parts, conserved in the Landesbibliothek Mecklenburg-Vorpommern Günther Uecker [de] in Schwerin.Another copy of the parts conserved in Cividale del Friuli.The Grosso Mogul title appears on the Schwerin manuscript, which was written before 1717. According to Michael Talbot, the name of the concerto can possibly be linked to Domenico Lalli’s Il gran Mogol opera libretto, a setting of which had been presented in Naples in 1713. Later settings of this libretto include Giovanni Porta’s, staged in Venice in 1717, and Vivaldi’s RV 697 (1730).The Schwerin and Cividale del Friuli copies of the concerto contain two variants of extended cadenzas for unaccompanied violin, in the first and last movements of the concerto. The autograph version indicates where such cadenzas can be inserted in these movements, but does not contain the cadenzas. A manuscript with the written-out cadenzas must have been circulating before c. 1713–1714 when Bach transcribed such version for solo organ (BWV 594).An earlier version of the concerto, RV 208a, was probably composed by c. 1712–1713. This version has a different middle movement than the RV 208 version.Vivaldi seems to have had no supervision over the Op. 7 collection, published around 1720 in Amsterdam by the Roger firm, in which the older RV 208a version of the concerto was retained.This version of the concerto does not contain the extended cadenzas, nor an indication where such cadenzas could be inserted. (Wikipedia)www.snakewoodeditions.com
$18.00
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Endless Possibility
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String Orchestra
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INTERMEDIATE
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Jaret Reddick and Tomoya Ohtan
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Radikal Soda
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Endless Possibility
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Radikal Soda
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.518849 Composed by Jaret Reddick and Tomoya Ohtani. Arranged by Radikal Soda. Classical,Multicultur...
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String Orchestra - Level 3 - Digital Download SKU: A0.518849 Composed by Jaret Reddick and Tomoya Ohtani. Arranged by Radikal Soda. Classical,Multicultural,Pop,Rock,Video Game,World. Score and parts. 97 pages. Radikal Soda #129547. Published by Radikal Soda (A0.518849). Endless Possibility, or Super Sonic vs. Perfect Dark Gaia, as heard in Sonic Unleashed, arranged for string orchestra featuring optional flutes! A powerful, grandiose piece which promises plenty of time in the spotlight for every instrument! This arrangement includes the full score and sheet music for each individual instrument, divided into two sets: sheet music for practice (which are more easily read) and sheet music for performance (which are 4 pages maximum).
$50.00
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
FLOATING SNOWFLAKES for string orchestra (The First Nowell)
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String Orchestra
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BEGINNER
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Garth M
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Garth M
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FLOATING SNOWFLAKES for string
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Garth M. Williams
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SheetMusicPlus
String Orchestra - Level 1 - Digital Download SKU: A0.837256 Composed by Garth M. Williams (Socan). Arranged by Garth M. Williams (Socan). Christmas,Inst...
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String Orchestra - Level 1 - Digital Download SKU: A0.837256 Composed by Garth M. Williams (Socan). Arranged by Garth M. Williams (Socan). Christmas,Instructional,Spiritual. Score and parts. 14 pages. Garth M. Williams (Socan) #2885181. Published by Garth M. Williams (Socan) (A0.837256). Floating Snowflakes is a wonderful Christmas arrangement which begins with an original Christmas melody, which is then merged with the Christmas carol The First Nowell. This composition is written for young string players who are beginning to experience the joy of playing in an orchestra. The arrangement includes a third violin part as well as a piano part which can be used for rehearsal or for performance as well. In addition, the Garth Williams has included the Scale of D Major, plus Rhythm and Melodic Patterns. Instructors can use these as great warmups to the piece.
$15.95
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
The Irish Washerwoman for Eclectic String Ensemble
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String Orchestra
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EASY
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Laura Chegwidden
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violin, viola, cello
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The Irish Washerwoman for Ecle
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Laura Chegwidden
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.812107 Arranged by Laura Chegwidden. Folk,Holiday,World. Score and Parts. 10 pages. Laura Chegwidde...
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String Orchestra - Level 2 - Digital Download SKU: A0.812107 Arranged by Laura Chegwidden. Folk,Holiday,World. Score and Parts. 10 pages. Laura Chegwidden #3534555. Published by Laura Chegwidden (A0.812107). What do you do when you have an unusual ensemble? Arrange something specially for them! The Irish Washerwoman is a traditional Irish folk song which is so old that no one knows who wrote it. Its melody is familiar to many people because of its wide use over many many years. This arrangement is for an ensemble with an experienced viola and cello section, but a violin and double bass section that are still learning. This upbeat arrangement is perfect for beginning musicians to perform in school or even in competitions. If you would like an arrangement which places the more difficult lines in other parts please contact me using the links below.The arrangement goes for approx. 2 min. This purchase includes a score and parts for all performers; violin, viola, cello and double bass. It would work best for players of a beginning intermediate level. It is set in the key of G major, which is perfect for stringed instruments.Laura Chegwidden is a pianist, cellist, double bassist and singer from Toowoomba Australia. She recently graduated with distinction from the University of Newcastle with a B.MUS majoring in Cello and Composition. For more arrangements like this one or for any questions you can contact Laura through her facebook page: www.facebook.com/lchegmusic/
$7.99
Concerto for Oboe and Bassoon in C minor.
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
#
George Frideric Handel
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Arte Nova Music Lab
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Concerto for Oboe and Bassoon
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Arte Nova Music Lab
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standar...
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String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html
$30.00
8 Small Studies
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String Orchestra
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EASY
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Harald Genzmer
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8 Small Studies
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Schott Music - Digital
#
SheetMusicPlus
Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy - Digital Download SKU: S9.Q21101 Composed by Harald Genzmer. This edition: score. Concertino. Downloadabl...
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Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy - Digital Download SKU: S9.Q21101 Composed by Harald Genzmer. This edition: score. Concertino. Downloadable, Score. Duration 19' 15. Schott Music - Digital #Q21101. Published by Schott Music - Digital (S9.Q21101). Harald Genzmer (1909–2007) did a lot for young up-and-coming musicians, and there certainly is many a string instrument player who remembers school orchestra times in which the 'Sinfonietta' was programmed. But the probably most prominent Hindemith pupil wrote much more valuable educational music: In the years 1960 to 1996 he created '8 Little Studies for String Orchestra' which are brilliant miniatures of medium difficulty dealing with special musical issues, such as dotted rhythm or change of time. The pieces can either be played separately or be formed into little suites. They are perfect for the work in school, hobby and amateur orchestras. And in spite of all educational intentions: This is enjoyable music which is fun to play!
$21.99
8 Small Studies
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String Orchestra
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EASY
#
Harald Genzmer
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8 Small Studies
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Schott Music - Digital
#
SheetMusicPlus
Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy - Digital Download SKU: S9.Q21623 Composed by Harald Genzmer. This edition: set of parts. Concertino. Down...
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Vl 1, Vl 2, Va, Vc, Kb string orchestra - easy - Digital Download SKU: S9.Q21623 Composed by Harald Genzmer. This edition: set of parts. Concertino. Downloadable, Set of parts. Duration 19' 15. Schott Music - Digital #Q21623. Published by Schott Music - Digital (S9.Q21623). Harald Genzmer (1909–2007) did a lot for young up-and-coming musicians, and there certainly is many a string instrument player who remembers school orchestra times in which the 'Sinfonietta' was programmed. But the probably most prominent Hindemith pupil wrote much more valuable educational music: In the years 1960 to 1996 he created '8 Little Studies for String Orchestra' which are brilliant miniatures of medium difficulty dealing with special musical issues, such as dotted rhythm or change of time. The pieces can either be played separately or be formed into little suites. They are perfect for the work in school, hobby and amateur orchestras. And in spite of all educational intentions: This is enjoyable music which is fun to play!
$67.99
Avalon for Eclectic String Ensemble
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String Orchestra
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EASY
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Ragtime
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Jazz
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Al Jolson, Buddy DeSylva, and
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Laura Chegwidden
#
Avalon for Eclectic String Ens
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Laura Chegwidden
#
SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.812106 Composed by Al Jolson, Buddy DeSylva, and Vincent Rose. Arranged by Laura Chegwidden. Jazz,R...
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String Orchestra - Level 2 - Digital Download SKU: A0.812106 Composed by Al Jolson, Buddy DeSylva, and Vincent Rose. Arranged by Laura Chegwidden. Jazz,Ragtime. Score and Parts. 10 pages. Laura Chegwidden #3534553. Published by Laura Chegwidden (A0.812106). What do you do when you have an unusual ensemble? Arrange something specially for them! Avalon is a fantastic 1920s jazz tune which lends itself to an ensemble of any type. This arrangement is for an ensemble with an experienced viola and cello section, but a violin and double bass section that are still learning. This upbeat arrangement is perfect for beginning musicians to perform in school or even in competitions. If you would like an arrangement which places the more difficult lines in other parts please contact me using the links below. The arrangement goes for approx. 2 min. This purchase includes a score and parts for all performers; violin, viola, cello and double bass. It would work best for players of a beginning intermediate level. It is set in the key of G major, which is perfect for stringed instruments. Laura Chegwidden is a pianist, cellist, double bassist and singer from Toowoomba Australia. She recently graduated with distinction from the University of Newcastle with a B.MUS majoring in Cello and Composition. For more arrangements like this one or for any questions you can contact Laura through her facebook page: www.facebook.com/lchegmusic/
$7.99
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