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Cello, Piano
Sheetmusic to print
3 sheet music found
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1
Grass Roots for Cello and Piano
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.755018 Composed by Sy Brandon. 20t…
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Cello,Piano - Level 4 - Digital Download SKU: A0.755018 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 36 pages. Sy Brandon #3243597. Published by Sy Brandon (A0.755018). Grass Roots was composed during 2009-2010 for tuba and piano and adapted for cello and piano by the composer in 2016. The inspiration for this composition was Ken Burn’s series on America’s National Parks. The composer was not only inspired by the beauty and grandeur of the parks, but also by the vision of a few people that turned into the reality, therefore the title of this composition. The first movement is called A Voice in the Wilderness and represents the voice of John Muir, who recognized the beauty of Yosemite and made an effort to preserve it for future generations. The lyrical sections reflect the beauty of the area and the chromaticism reflects the uncertainty of his efforts. Conflicts is the title of the second movement as it represents the opposing forces in the debate to create a national park system. Lively rhythm and counterpoint are used throughout the movement to express the opposing points of view and the heated arguments. The last movement, Manifestations is the realization of the dream of a national park system. The movement is lyrical and flowing and is designed to be both serene and awe-inspiring.
$14.99
13.8 €
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Cello, Piano
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Sy Brandon
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Grass Roots for Cello and Piano
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Sy Brandon
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SheetMusicPlus
Carson Cooman: Paradoxes: Sonata for Cello and Piano (1998)
Cello, Piano
Cello,Piano - Level 5 - Digital Download SKU: A0.533690 Composed by Carson Cooman. …
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Cello,Piano - Level 5 - Digital Download SKU: A0.533690 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Standards. Score and part. 25 pages. Musik Fabrik Music Publishing #3038631. Published by Musik Fabrik Music Publishing (A0.533690). Paradoxes: Sonata for Cello and Piano (1998) was written as a commission frommusicologist and cellist Larry KludgeThe conception and inspiration of this sonata had the idea of paradoxes behind it. Ouruniverse is certainly full of these paradoxes, and they range from the most practical in natureto the most highly philosophical in nature. Each of the movements in this work isparadoxical in a variety of musical ways. The movement titles present the foundation ideasfor each movement, stillness, brevity, and movement; however, those serve as only thebeginning for the paradoxes in the work. The first movement, Paradox of Stillness, openswith a statement of the main melodic theme for the work. The melody and pitches of thattheme are used in a variety of ways throughout. The second section serves as a contrast to theopening after which the opening section is recalled again for the close. The brief secondmovement, Paradox of Brevity, is a very fast moving movement for the cello and the piano.Driving rhythms and odd harmonic twists pervade the movement. The final movement,Paradox of Movement, opens with and sustains a moto perpetuo dance for almost the entiremovement with a break in the middle for a brief cadenza for the solo cello. A brief codabrings the movement to a close
$19.95
18.37 €
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Cello, Piano
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Carson Cooman
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Carson Cooman: Paradoxes: Sonata for Cello and Piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Roadside Inn - Schumann- Cello-Piano
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.844518 Composed by Robert Schumann…
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Cello,Piano - Level 2 - Digital Download SKU: A0.844518 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3490509. Published by Phil Beaman (A0.844518). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99
4.59 €
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Cello, Piano
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Robert Schumann
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Roadside Inn - Schumann- Cello-Piano
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Phil Beaman
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SheetMusicPlus
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