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Cello, Piano
Sheetmusic to print
8 sheet music found
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1
The Dreaming Poet and his Cello
Cello, Piano
Cello,Piano - Digital Download SKU: A0.1251900 By Scholler. By Scholler. Arranged b…
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Cello,Piano - Digital Download SKU: A0.1251900 By Scholler. By Scholler. Arranged by Scholler. Classical,Contemporary,Film/TV,Multicultural,New Age,World. Score and part. 3 pages. Scholler #846118. Published by Scholler (A0.1251900). Within the realm of neo-classical music, the piano and violoncello unite to create a harmonious alliance that captivates the listener's soul. Their melodic conversations form a gentle dialogue, evoking a profound sense of calmness and tranquility. The nuanced performance of each instrument showcases the technical virtuosity and emotive qualities inherent in this captivating genre.Embrace the transformative power of musicSchollermusic
$3.99
3.68 €
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Cello, Piano
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Scholler
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The Dreaming Poet and his Cello
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Scholler
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.53 €
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Cello, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Saint-Saëns: The Swan for Cello & Piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.37 €
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Cello, Piano
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Camille Saint-Saens
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Saint-Saëns: The Swan for Cello & Piano
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jmsgu3
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SheetMusicPlus
Oh! Susanna
Cello, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.1258913 Composed by Stephen Foster…
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Cello,Piano - Level 1 - Digital Download SKU: A0.1258913 Composed by Stephen Foster. Arranged by Glauco Fernandes. Chamber,Children,Classical,Instructional,Traditional. Score and part. 3 pages. Glauco Fernandes #852160. Published by Glauco Fernandes (A0.1258913). Exclusive Sheet Music! Cello and Piano Arrangement of Oh Susanna Calling all cellists and pianists! We are delighted to present to you the sheet music for a captivating cello and piano arrangement of the beloved melody Oh Susanna! This arrangement allows you to explore the expressive qualities of the cello while creating a harmonious musical dialogue with the piano.The arrangement has been carefully crafted to showcase the unique characteristics of both the cello and piano. The beautiful melodies and harmonies are shared between the two instruments, creating a captivating blend of sound. As you play, you'll experience the rich and resonant tones of the cello blending seamlessly with the melodic and harmonic support of the piano.Imagine the soulful and lyrical sound of the cello soaring above the gentle accompaniment of the piano as you perform Oh Susanna. Each note and phrase will transport you and your audience to a world of musical enchantment.The sheet music is designed for cellists and pianists of different skill levels. Each part has been carefully notated to ensure an enjoyable and rewarding performance, allowing you to showcase your musicality and interpretive skills. From delicate passages to powerful moments, this arrangement will highlight the unique capabilities of both instruments.Don't miss out on the opportunity to add this beautiful cello and piano arrangement of Oh Susanna to your repertoire. Experience the joy of performing this timeless melody, engaging in a musical conversation with the piano. Order your sheet music today and embark on a musical journey filled with emotion and artistic expression!Elevate your cello playing, captivate your audience, and savor the pleasure of performing this beloved melody. The music is waiting for you. Get your sheet music today and immerse yourself in the captivating world of Oh Susanna!
$1.99
1.83 €
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Cello, Piano
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Stephen Foster
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Oh! Susanna
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Glauco Fernandes
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SheetMusicPlus
Lullaby Variation (For Cello and Piano)
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.511813 Composed by Han-Ki Kim. Chi…
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Cello,Piano - Level 4 - Digital Download SKU: A0.511813 Composed by Han-Ki Kim. Children,Contemporary,Multicultural,Standards,World. Score and part. 13 pages. Han-Ki Kim #6600115. Published by Han-Ki Kim (A0.511813). The theme of the original song Byeoljigi composed by Junhee Lim consists of a 16-bar melody, but this composer rearranged it to a 16-bar melody. the Korean pentatonic scale “Doremisola†is mostly used for the the melody. The overall framework is an introduction/theme and three variations/cadenza/finale/end. Through the theme, it creates a musical updraft until the second variation, and in the third variation, there is a relaxed atmosphere, and then a cadenza singing a conversation between a mother singing a lullaby and a baby enjoying in her dreams. The figure of the mother is the theme melody played with the G string, and the figure of the child is the cheerful high notes composed of the first five notes of the theme, “Mi re Do Re mi.†It then ends with a brilliant finale and a short ending. Attached music file is recorded by Violin, it's just for a referrence.
$5.20
4.79 €
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Cello, Piano
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Han-Ki Kim
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Lullaby Variation
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Han-Ki Kim
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SheetMusicPlus
Just As I Am, Gospel Hymn for Cello and Piano
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.592933 Composed by Charlotte Ellio…
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Cello,Piano - Level 2 - Digital Download SKU: A0.592933 Composed by Charlotte Elliott. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6413451. Published by David McKeown (A0.592933). Just as I Am is a beautiful hymn arranged here for Solo Cello and Piano.Just as I Am was written by Charlotte Elliott in 1835. Billy Graham was moved to conversion by the hymn in 1936 and helped the song reach a wider audience by often using it in his crusades.
$2.49
2.29 €
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Cello, Piano
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Charlotte Elliott
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Just As I Am, Gospel Hymn for Cello and Piano
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David McKeown
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SheetMusicPlus
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