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You've selected:
In The Ghetto
Cello, Piano
Sheetmusic to print
3 sheet music found
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1
Beethoven - Larghetto for Cello and Piano
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.914905 Composed by Ludwig van Beet…
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Cello,Piano - Level 4 - Digital Download SKU: A0.914905 Composed by Ludwig van Beethoven. Arranged by G. Moreira. Classical,Concert,Graduation,Romantic Period,Standards. Score and part. 18 pages. R. Moreira #4802743. Published by R. Moreira (A0.914905). The Larghetto is an arrangement from the same movement of Beethoven's 2nd Symphony. Both the piano and cello parts were well thought and put together in a way, that the two instruments are equally important and get almost the same amount of wonderful phrases and accompaniment. This arrangement adds to the Cello's Repertoire a beautiful work from one of the greatest composers of all times. Complete second movement, without cuts or key changes. Aprox. duration: 11 minutes
$7.50
6.94 €
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Cello, Piano
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Ludwig van Beethoven
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Beethoven - Larghetto for Cello and Piano
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R. Moreira
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SheetMusicPlus
Sonate F-Dur (First edition of 1st version)
Cello, Piano
Cello and piano - advanced - Digital Download SKU: S9.Q52946 For piano and violo…
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Cello and piano - advanced - Digital Download SKU: S9.Q52946 For piano and violoncello. Composed by Richard Strauss. This edition: score and part. Complete edition - piano - score - violoncello. Downloadable, Score and part. Duration 26 minutes. Schott Music - Digital #Q52946. Published by Schott Music - Digital (S9.Q52946). Key: F major.The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss’s early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current edition as a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the development section (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss’s Cello Sonata now makes it possible to follow Strauss’s compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance. (from the foreword by the editors).
$34.99
32.36 €
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Cello, Piano
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Richard Strauss
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Sonate F-Dur
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Schott Music - Digital
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SheetMusicPlus
Handel: Largo (from Xerxes) for cello and piano
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.522291 Composed by G F Handel. Arr…
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Cello,Piano - Level 2 - Digital Download SKU: A0.522291 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Easter,Holiday. Score and part. 6 pages. Colin Kirkpatrick Publications #6632869. Published by Colin Kirkpatrick Publications (A0.522291). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in G major and the cello part is written in the bass clef throughout. The top note is the G above the bass clef (G4) and the piece generally requires the use of long and sustained bowing (indicted in the score), though the cello fingering has been omitted. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a cello recital.
$7.95
7.35 €
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Cello, Piano
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G F Handel
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
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