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Cello, Piano
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12 sheet music found
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1
A Whole New World
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1458238 Composed by Alan Menken an…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1458238 Composed by Alan Menken and Tim Rice. Arranged by Harry Walker. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Wedding. Score and part. 11 pages. SCORE EDITIONS #1037214. Published by SCORE EDITIONS (A0.1458238). A Whole New World is the signature song from Disney's 1992 animated feature film Aladdin, with music by Alan Menken and lyrics by Tim Rice. A duet originally recorded by singers Brad Kane and Lea Salonga in their respective roles as the singing voices of the main characters Aladdin and Jasmine, the ballad serves as both the film's love and theme song. Lyrically, A Whole New World describes Aladdin showing the confined princess a life of freedom and the pair's acknowledgment of their love for each other while riding on a magic carpet. In this version, the composition was arranged for Cello and Piano by Harry Walker.
$5.99
5.49 €
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Cello, Piano
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Alan Menken and Tim Rice
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A Whole New World
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SCORE EDITIONS
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SheetMusicPlus
Voice of the Broken Plains - Cello & Piano
Cello, Piano
Cello,Piano - Digital Download SKU: A0.1061464 Composed by James Michael Stevens. A…
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Cello,Piano - Digital Download SKU: A0.1061464 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,World. Full Performance. Duration 172. James M Stevens Music ASCAP #4303601. Published by James M Stevens Music ASCAP (A0.1061464). This is the cello and piano performance of Stevens' Voice of the Broken Plains.
$1.99
1.82 €
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Cello, Piano
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James Michael Stevens
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Voice of the Broken Plains - Cello & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
An die Musik (To Music) for Violoncello Solo and Piano accompaniment
Cello, Piano
Piano Duet, Piano Accompaniment, Cello - Early Intermediate - Digital Download Comp…
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Piano Duet, Piano Accompaniment, Cello - Early Intermediate - Digital Download Composed by Franz Schubert (1797-1828). Arranged by Flavio Regis Cunha. Romantic Period, Repertoire, Wedding, Graduation, Recital. Score, Solo Part. 8 pages. Published by Flavio Regis Cunha
Franz Schubert composed his lied "An die Musik" (German for "To Music") in March 1817 originally for solo voice and piano, with text from a poem by his friend Franz von Schober. The arrangement that we present here was written for cello and piano. <br> <br> A hymn to the art of music, it is one of the best-known songs by Schubert. Its greatness and popularity are generally attributed to its harmonic simplicity, sweeping melody, and a strong bass line that effectively underpins the vocal line.<br> <br> This beautiful piece appears in In the final episode of Netflix Series "Unorthodox", the timelines converge as Esty auditions for a scholarship that could guarantee her a future pursuing music in Berlin. Having been told by one of her new friends that she doesn't have the skills as a pianist -- despite having taken secret lessons back in Brooklyn -- Esty chooses to sing. She first performs Schubert's "An die Musik," which she picks because it was a favorite of hers and her grandmothers. "An die Musik" is quite literally an ode to music, and is a fitting choice for Esty, for whom music is a lifeline. But her voice doesn't quite match it.
$6.99
6.4 €
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Cello, Piano
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Franz Schubert (1797-1828)
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An die Musik
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SheetMusicPlus
Sonate F-Dur (First edition of 1st version)
Cello, Piano
Cello and piano - advanced - Digital Download SKU: S9.Q52946 For piano and violo…
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Cello and piano - advanced - Digital Download SKU: S9.Q52946 For piano and violoncello. Composed by Richard Strauss. This edition: score and part. Complete edition - piano - score - violoncello. Downloadable, Score and part. Duration 26 minutes. Schott Music - Digital #Q52946. Published by Schott Music - Digital (S9.Q52946). Key: F major.The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss’s early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current edition as a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the development section (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss’s Cello Sonata now makes it possible to follow Strauss’s compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance. (from the foreword by the editors).
$34.99
32.06 €
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Cello, Piano
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Richard Strauss
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Sonate F-Dur
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Schott Music - Digital
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SheetMusicPlus
Bach: Wachet auf for Cello & Piano
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastia…
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Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.86 €
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Cello, Piano
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Johann Sebastian Bach
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Bach: Wachet auf for Cello & Piano
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jmsgu3
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SheetMusicPlus
Annabel Lee (piano and cello)
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1030324 Composed by Kat Richardson…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1030324 Composed by Kat Richardson. Contemporary,New Age,Romantic Period. Score and part. 5 pages. Kat Richardson Voice #6317405. Published by Kat Richardson Voice (A0.1030324). Inspired by Edgar Allan Poe's poem by the same name, Annabel Lee is a two and a half minute piece laden with gravitas and nostalgia. If you have loved and lost in any capacity, the music will likely resonate with you. Composed by Kat Richardson (ASCAP), katrichardsonvoice.com.
$2.99
2.74 €
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Cello, Piano
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Kat Richardson
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Annabel Lee
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Kat Richardson Voice
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SheetMusicPlus
Amazing Grace for cello and piano (easy)
Cello, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.810226 Composed by Anonymous, John…
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Cello,Piano - Level 1 - Digital Download SKU: A0.810226 Composed by Anonymous, John Newton, and William Walker. Arranged by Daniel C. M. Christian,Concert,Standards. Score and part. 3 pages. Daniel C. M. #5800781. Published by Daniel C. M. (A0.810226). This arrangement is based on the original publication from William Walker's Southern Harmony where the music is basically a 3 voices choral and this arrangement is almost just a transcription to piano and cello . The melody has little changes as the way it is interpreted today but keeps almost the same harmony from the original. It is written in a straight easy way for players to enjoy. Although the title of the piece comes from the hymn written by John Newton this is only an instrumental arrangement.
$3.99
3.66 €
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Cello, Piano
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Anonymous, John Newton, and William Walker
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Amazing Grace for cello and piano
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Daniel C. M.
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SheetMusicPlus
Oseh Shalom (Cello & Piano) - He Who Makes Peace
Cello, Piano
Cello Solo - Level 4 - Digital Download SKU: A0.861003 Composed by David S. Abramsk…
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Cello Solo - Level 4 - Digital Download SKU: A0.861003 Composed by David S. Abramsky. Contemporary,Hanukkah,Jewish,Wedding. Individual part. 6 pages. David S. Abramsky #4784127. Published by David S. Abramsky (A0.861003). Calming soothing hopeful how beautiful! -- words used by recent listeners to this new and lovely melody--a new setting of the cherished Oseh Shalom Jewish liturgical prayer for peace. In this arrangement, the cello is the voice. The music has a simple, processional-like theme. As the music walks faithfully forward, it gives hope to the listener--a hope for a future peace that only God can provide.
$2.50
2.29 €
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Cello, Piano
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David S
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Oseh Shalom
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David S. Abramsky
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.5 €
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Cello, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Maybe Later
Cello, Piano
Instrumental Duet Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.93…
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Instrumental Duet Cello,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.934976 Composed by Fadi Diab. 20th Century,Contemporary,New Age. Score and parts. 10 pages. Offbeat Music #4406994. Published by Offbeat Music (A0.934976). In the hustle and bustle of the day this fast paced piece explores the business of the day. The all too common response of being too busy and saying maybe later is repeated by the cello as a male voice and the piano as the female response. This piece is ideal for intermediate to advanced players.
$2.99
2.74 €
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Cello, Piano
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Fadi Diab
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Maybe Later
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Offbeat Music
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SheetMusicPlus
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