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Cello, Piano
Sheetmusic to print
21 sheet music found
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1
Must Jesus Bear The Cross Alone (with "Lonesome Valley") (Cello solo and Piano)
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.629139 Composed by George Nelson A…
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Cello,Piano - Level 2 - Digital Download SKU: A0.629139 Composed by George Nelson Allen, Spiritual. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score and part. 11 pages. Exultet Music #6268883. Published by Exultet Music (A0.629139). Two of the most celebrated hymns that are sung throughout Lent, Palm Sunday or Good Friday have now been freshly joined together into one anthem and scored for a Cello solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
4.61 €
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Cello, Piano
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George Nelson Allen, Spiritual
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Must Jesus Bear The Cross Alone
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Exultet Music
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SheetMusicPlus
Have You Ever Seen The Rain?
Cello, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.1096073 By Creedence Clearwater Re…
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Cello,Piano - Level 1 - Digital Download SKU: A0.1096073 By Creedence Clearwater Revival. By John Fogerty. Arranged by Josiel Oliveira. Multicultural,Pop,World. Score and part. 1 pages. M das Melodias #700024. Published by M das Melodias (A0.1096073). Play this beautiful song with your favorite instrument. Sheet music of the song Have You Ever Seen The Rain by Creedence Clearwater Revival for Cello. Easy level. Someone told me long ago There's a calm before the storm I know It's been coming for some time When it's over so they say It'll rain a sunny day I know Shining down like water I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day Yesterday and days before Sun is cold and rain is hard I know Been that way for all my time 'Til forever on it goes Through the circle, fast and slow I know It can't stop, I wonder I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day (Yeeaahh) I want to know Have you ever seen the rain I want to know Have you ever, ever seen the rain Coming down on a sunny day.
$4.99
4.61 €
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Cello, Piano
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Creedence Clearwater Revival
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Have You Ever Seen The Rain?
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M das Melodias
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SheetMusicPlus
O Come All Ye Faithful for Cello & Piano
Cello, Piano
Cello,Piano - Level 1 - Digital Download SKU: A0.548509 Composed by Wade. Arranged …
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Cello,Piano - Level 1 - Digital Download SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388103. Published by jmsgu3 (A0.548509). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.07 €
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Cello, Piano
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Wade
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O Come All Ye Faithful for Cello & Piano
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jmsgu3
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SheetMusicPlus
Jingle Bells for Cello & Piano
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.548655 Composed by James Pierpont.…
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Cello,Piano - Level 2 - Digital Download SKU: A0.548655 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408191. Published by jmsgu3 (A0.548655). Jingle Bells arranged for cello & piano with a fancy final verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.07 €
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Cello, Piano
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James Pierpont
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Jingle Bells for Cello & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo (from Xerxes) for cello and piano
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.522291 Composed by G F Handel. Arr…
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Cello,Piano - Level 2 - Digital Download SKU: A0.522291 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Easter,Holiday. Score and part. 6 pages. Colin Kirkpatrick Publications #6632869. Published by Colin Kirkpatrick Publications (A0.522291). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theater in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East. The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. The aria, known by its opening line Ombra mai fu is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...†Although this lovely melody has survived over the years, the opera itself was a complete failure when it was first performed in London in 1738. This arrangement is in G major and the cello part is written in the bass clef throughout. The top note is the G above the bass clef (G4) and the piece generally requires the use of long and sustained bowing (indicted in the score), though the cello fingering has been omitted. The piano part has been kept as simple as possible. Being so well-known, this piece would make a popular encore number for a cello recital.
$7.95
7.35 €
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Cello, Piano
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G F Handel
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Handel: Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
5 Beautiful Cello Solos for Fun - with FREE BACKING TRACKS and piano accompaniment to play along
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.564203 Composed by Camille Saint-S…
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Cello,Piano - Level 4 - Digital Download SKU: A0.564203 Composed by Camille Saint-Saens, Erik Satie, Giacomo Puccini, Robert Schumann, and Sergei Rachmaninoff. Arranged by Austin Ralphson. 20th Century,Opera,Romantic Period,Wedding. Score and part. 39 pages. Austin Ralphson #6274921. Published by Austin Ralphson (A0.564203). This is a book of 5 solo arrangements with piano accompaniment (or backing tracks). It contains some of the most beautiful and lyrical slow melodies ever composed. They range from Intermediate to Advanced level in difficulty; a solo part and a piano accompaniment are provided for each piece, as is a backing track on YouTube. This is the full list: 1. Nessun Dorma
$9.99
9.24 €
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Cello, Piano
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Camille Saint-Saens, Erik Satie, Giacomo Puccini, Robert Schumann, and Sergei Rachmaninoff
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5 Beautiful Cello Solos for Fun - with FREE BACKING TRACKS and piano accompaniment to play along
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Austin Ralphson
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SheetMusicPlus
Onward Christian Soldiers, Gospel Hymn for Cello and Piano
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.593157 Composed by Sabine Baring-G…
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Cello,Piano - Level 2 - Digital Download SKU: A0.593157 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6416503. Published by David McKeown (A0.593157). Onward Christian Soldiers is a beautiful gospel song arranged here for Solo Cello and Piano.Onward Christian Soldiers was written by Sabine Baring-Gould in 1865 and set to music by Arthur Sullivan in 1871. Churchill later chose the hymn to be sung at a wartime service when he met Roosevelt in 1941. In more recent times there have been attempts, some successful, some not, to alter the military flavor of the lyrics.
$2.49
2.3 €
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Cello, Piano
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Sabine Baring-Gould
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Onward Christian Soldiers, Gospel Hymn for Cello and Piano
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David McKeown
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SheetMusicPlus
We Don't Talk About Bruno
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.586424 By Carolina Gaitan, Mauro C…
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Cello,Piano - Level 3 - Digital Download SKU: A0.586424 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Martin Lass. Broadway,Hip-Hop,Latin,Musical/Show,Pop,R & B. Score and part. 9 pages. MA Lass & I Lass #195713. Published by MA Lass & I Lass (A0.586424). In this Level 2.5 (Intermediate) arrangement, Martin Lass has arranged the hit song, We Don't Talk About Bruno, for solo cello and piano accompaniment. Guitar chords and chord boxes are included. We Don't Talk About Bruno is a song from Disney's 2021 animated feature film, Encanto, with music and lyrics written by Lin-Manuel Miranda. It was released by Walt Disney Records as part of the film's soundtrack in November, 2021. It has achieved many accolades and charted No. 1 or Top Ten across the world, including No. 1 on US Billboard Hot 100. Wikipedia notes that, musically, We Don't Talk About Bruno eschews Disney's traditional formula of a sentimental ballad performed by a solo character, opting for a subdued, mid-tempo tune blending Latin music styles such as salsa and guajira with pop, hip hop, dance and Broadway elements, sung by an ensemble and climaxing in a polyphonic outro. This arrangement has been specifically tailored for intermediate-level cello while retaining all of the original elements of the song, as well as some original interpretative elements. The lead line combines some of the different voices in the original song. The key have been changed from the original C minor to the more cello-friendly G minor.
$7.99
7.39 €
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Cello, Piano
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Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy
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We Don't Talk About Bruno
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MA Lass & I Lass
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.55 €
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Cello, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Aria: 'Mon coeur s'ouvre à ta voix' (Act II) from Samson et Dalila, Op. 47 (arr. for Cello & Piano)
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1216978 Composed by Saint-Saëns…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1216978 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. 9 pages. ACORDO Sheet Music #813507. Published by ACORDO Sheet Music (A0.1216978). The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.The piece is written in D-flat major, which can be challenging for some string players. Therefore, there is a version in G major.
$7.20
6.66 €
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Cello, Piano
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Saint-Saëns, Camille
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Aria: 'Mon coeur s'ouvre à ta voix'
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ACORDO Sheet Music
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SheetMusicPlus
Aria: 'Mon coeur s'ouvre à ta voix' from Samson et Dalila, Op. 47 in G Major (for Cello & Piano)
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1216982 Composed by Saint-Saëns…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1216982 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. 9 pages. ACORDO Sheet Music #813511. Published by ACORDO Sheet Music (A0.1216982). The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.The original piece is written in D-flat major, which can be challenging for some string players. This version is transposed to G major for their convenience.
$7.20
6.66 €
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Cello, Piano
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Saint-Saëns, Camille
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Aria: 'Mon coeur s'ouvre à ta voix' from Samson et Dalila, Op. 47 in G Major
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ACORDO Sheet Music
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SheetMusicPlus
777
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1284034 By Silk Sonic. By (brandon…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1284034 By Silk Sonic. By (brandon Paak Anderson), Anderson .paak, Chris Brody Brown, Dernst Emile, and Peter Gene Hernandez. Arranged by MAJOR SCORE PUBLISHING TM. Classical,Funk,Pop,R & B,Soul. Score and part. 18 pages. Major Score Publishing #875207. Published by Major Score Publishing (A0.1284034). 777 Cello sheet music (with opt. piano) Our highly detailed and fun to play arrangement of this Silk Sonic classic can performed solo, with the recording as a duet with included piano accompaniment. The melody is based on the vocals sung by Bruno Mars and Anderson Paak. We have embellised the melody in some reas where they use the spoken word in the recording. Be sure to check out our full YouTube of our Cello and piano sheet music arrangement of 777 by Silk Sonic today!Whats included?Cello part (3 pages)Piano part (4 pages)Full Score (10 pages)FREE PIANO PLAY ALONG: YOUTUBEInstagram@majorscorepublishingTiktok@majorscorepublishingYouTube@majorscorepublishingPinterest@majorscorepublishingWebsitehttps://www.majorscorepublishing.com/duets
$8.99
8.31 €
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Cello, Piano
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Silk Sonic
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777
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Major Score Publishing
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SheetMusicPlus
Marry You
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.752303 By Bruno Mars. By Ari Levin…
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Cello,Piano - Level 2 - Digital Download SKU: A0.752303 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Rob Bushnell. Hip-Hop,Pop,R & B. Score and part. 12 pages. RBMusic #3502043. Published by RBMusic (A0.752303). Released in 2011, Marry You is a song by The Smeezingtons and sung by Bruno Mars. Its lyrics talk of spontaneous marriage and, as a result, has been used as a song to propose to. The song has mostly notably been covered by the cast of Glee in the eighth episode of the second season (in fact, this cover reached 32 on the Billboard Hot 100; the originally charted at 85).This arrangement is ideal for teachers or anyone who wants to play the same piece but have lots of different instruments to include because it is designed such that the piano part works with any of the different instruments that solo parts are available for. These include:Flute or Oboe: http://www.sheetmusicplus.com/title/20725677Cor Anglais*: http://www.sheetmusicplus.com/title/20725865Clarinet*: http://www.sheetmusicplus.com/title/20725802Soprano/Tenor Saxophone*: http://www.sheetmusicplus.com/title/20725828Alto/Baritone Saxophone*: http://www.sheetmusicplus.com/title/20725832Bassoon: http://www.sheetmusicplus.com/title/20725699Trumpet*: http://www.sheetmusicplus.com/title/20725820French Horn*: http://www.sheetmusicplus.com/title/20725865Tenor Horn*: http://www.sheetmusicplus.com/title/20725879Trombone (in Bass Clef)**: http://www.sheetmusicplus.com/title/20725793Trombone (in Treble Clef)**: http://www.sheetmusicplus.com/title/20725821Tuba (in Bass Clef): http://www.sheetmusicplus.com/title/20725794Tuba (in Treble Clef)†: http://www.sheetmusicplus.com/title/20725873Mallet Percussion (such as xylophone, vibraphone, marimba, etc.): http://www.sheetmusicplus.com/title/20725695Violin: http://www.sheetmusicplus.com/title/20725692Viola: http://www.sheetmusicplus.com/title/20725799Violoncello or Double Bass: http://www.sheetmusicplus.com/title/20725791 * Some of these solo parts are identical.** Also suitable for euphoniums.†Tuba in E-flat.
$6.50
6.01 €
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Cello, Piano
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Bruno Mars
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the originally charted at 85)
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Marry You
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RBMusic
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SheetMusicPlus
I Wish I Knew How It Would Feel To Be Free
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.791207 By Billy Taylor. By Billy T…
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Cello,Piano - Level 3 - Digital Download SKU: A0.791207 By Billy Taylor. By Billy Taylor. Arranged by Kevin P Holdgate. Contemporary. Score and part. 8 pages. Kevin P Holdgate #5371571. Published by Kevin P Holdgate (A0.791207). KPHMS Solo CollectionThis is a solo arrangement of the famous theme of the long-running UK TV program Film ... hosted by the celebrated film critic Barry Norman between 1972 and 1998.This is a great song in its own right and was famously sung by amongst others the great Nina Simone at the Montreux Jazz Festival.This arrangement is aimed at around Grade 5 (ABRSM/Trinity) standard and makes for some light relief from the grade pieces.
$4.99
4.61 €
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Cello, Piano
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Billy Taylor
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I Wish I Knew How It Would Feel To Be Free
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Kevin P Holdgate
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SheetMusicPlus
Deck The Halls (Cello solo and Piano)
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.1294340 By Stephen DeCesare. By Tr…
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Cello,Piano - Level 2 - Digital Download SKU: A0.1294340 By Stephen DeCesare. By Traditional. Arranged by Stephen DeCesare. Children,Christmas,Contest,Festival,Rock,Standards. Score and part. 10 pages. Exultet Music #884722. Published by Exultet Music (A0.1294340). The traditional carol that is sung in every land, especially when the house is being decorated for the holidays has been freshly arranged with a lively rock 'n roll beat with some classical nuances mixed throughout. Â Scored for a Cello solo with Piano accompaniment. Â Accessible and appropriate for any school or concert setting. Â An accompaniment track is also available.
$4.99
4.61 €
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Cello, Piano
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Stephen DeCesare
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Deck The Halls
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Exultet Music
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SheetMusicPlus
COMPLETE Book of 10 Beautiful Cello Solos for Fun - various levels with FREE BACKING TRACKS
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.1178834 Composed by Puccini, Saint…
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Cello,Piano - Level 4 - Digital Download SKU: A0.1178834 Composed by Puccini, Saint-Saens, Rachmaninoff, Schumann, Debussy, Satie, Beethoven, Handel. Arranged by Austin Ralphson. 19th Century,20th Century,Classical,Wedding. Score and part. 80 pages. Austin Ralphson #778802. Published by Austin Ralphson (A0.1178834). This is a book of beuatiful and popular solo pieces arranged with piano accompaniment (or optional free backing track); it comprises both volumes from the '5 Beautiful Solos for Fun' series, making a total of 10 solos in this set. The difficulty levels range from intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that the lyrical qualities of these melodies are emphasised by the solo instrument. Good control of the instrument and careful tuning will be needed throughout. A piano score is provided for each piece, as is a solo part as well. This is the full list:1. Nessun Dorma (Puccini)2. Vocalise (Rachmaninoff)3. The Swan (Saint-Saens)4. Gymnopédie No.1 (Satie)5. Träumerei (R. Schumann)6. The Girl With The Flaxen Hair (Debussy)7. Gnossienne No. 1 (Satie)8. Sonata No.8 Pathetique, 2nd movement (Beethoven)9. Clair De Lune (Debussy)10. Largo from 'Xerxes' (Handel)Free backing tracks are provided for each piece; these can be heard by visiting https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhA and this link is also printed in the front of the book for future use.
$14.99
13.86 €
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Cello, Piano
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Puccini, Saint-Saens, Rachmaninoff, Schumann, Debussy, Satie, Beethoven, Handel
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COMPLETE Book of 10 Beautiful Cello Solos for Fun - various levels with FREE BACKING TRACKS
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Austin Ralphson
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SheetMusicPlus
Bach: Wachet auf for Cello & Piano
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastia…
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Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
23.07 €
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Cello, Piano
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Johann Sebastian Bach
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Bach: Wachet auf for Cello & Piano
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jmsgu3
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SheetMusicPlus
God of Grace and God of Glory (Cello)
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.1359645 By Michael Ware. By John H…
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Cello,Piano - Level 3 - Digital Download SKU: A0.1359645 By Michael Ware. By John Hughes. Arranged by Michael Ware. Contest,Easter,Festival,Praise & Worship,Religious,Sacred. Score and part. 8 pages. Michael Ware Music #944114. Published by Michael Ware Music (A0.1359645). Enrich your church’s time of instrumental worship with God of Grace and God of Glory. This popular Welsh tune by John Hughes is know all over the world. Sometimes alternate texts such as Guide Me, O Thou Great Redeemer or Guide Me, O Thou Great Jehovah are sung to this stirring melody. Michael Ware has crafted a unique arrangement expressing the essence of this great hymn. Appropriate for a prelude or offertory in worship.Piano accompaniment and solo instrumental parts are included.Available for SoloFluteOboeClarinetAlto SaxHornTrumpetTromboneViolinCello.
$7.99
7.39 €
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Cello, Piano
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Michael Ware
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God of Grace and God of Glory
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Michael Ware Music
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SheetMusicPlus
The Wedding Album, for Solo Cello and Piano
Cello, Piano
Composed by Various. Arranged by David McKeown. Baroque, Concert, Romantic Period, S…
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Composed by Various. Arranged by David McKeown. Baroque, Concert, Romantic Period, Standards, Wedding. Score and part. 24 pages. David McKeown #4594709. Published by David McKeown
The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Cello with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. <br> <br> Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. <br> <br> The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as "Here Comes the Bride". Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.<br> <br> The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the"trumpet stop". Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. <br> <br> Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.
$9.99
9.24 €
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Cello, Piano
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Various
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The Wedding Album, for Solo Cello and Piano
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David McKeown
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SheetMusicPlus
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