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Tell Him
Cello, Piano
Sheetmusic to print
4 sheet music found
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1
Sketches of Christ 1 "Even the Winds and Waves Obey Him" Tone Poem for Instrumental Solo & Piano
Cello, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.818291 By Stephen R Dalrymple. By …
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Cello,Piano - Level 4 - Digital Download SKU: A0.818291 By Stephen R Dalrymple. By Stephen R Dalrymple. Classical,Contemporary. Score and part. 87 pages. Stephen R Dalrymple #4991039. Published by Stephen R Dalrymple (A0.818291).  Sketches of Christ (Movement 1) Who is This? Even the Winds and Waves Obey Him!♫ Tone Poem for Cello and Piano by Stephen R Dalrymple♫ transcribed for solo flute, clarinet, trumpet, euphonium/trombone, & violin ♫ music © 2010 Stephen R Dalrymple♫ recording ℗ 2020 Stephen R Dalrymple♫ presentation © 2023 Stephen R Dalrymple  ♫ sequenced by the composer ♫ The movements of the tone poem Sketches of Christ are written using contemporary classical music composition techniques.♫ The story line behind the movement is Jesus calming the storm on the Sea of Galilee. The composer uses polychords for the Christ theme. The disciple’s theme is set in the Phrygian mode with quartal chord formations. Clashing themes produce significant dissonance through out the movement. ♫ This .pdf file includes 14 score choices • Letter size score for Cello & piano • Letter size solo parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), & Violin • 10 inch tablet size score for violin & piano • 10 inch tablet size score for the same solo parts. ♫ (Tell your computer which pages you want to print. Programs online that will allow you to split pdf files so that you can choose which pages to print.)
$6.50
5.97 €
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Cello, Piano
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Stephen R Dalrymple
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Sketches of Christ 1 "Even the Winds and Waves Obey Him" Tone Poem for Instrumental Solo & Piano
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Stephen R Dalrymple
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
Cello, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.550915 Composed by J. S. Bach - Go…
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Cello,Piano - Level 2 - Digital Download SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.26 €
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Cello, Piano
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J
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Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
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jmsgu3
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SheetMusicPlus
Looking back to Ararat
Cello, Piano
Violin, cello and piano - intermediate - Digital Download SKU: S9.Q48078 For pia…
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Violin, cello and piano - intermediate - Digital Download SKU: S9.Q48078 For piano trio. Composed by Harald Weiss. This edition: score and parts. Downloadable, Score and parts. Duration 2 minutes. Schott Music - Digital #Q48078. Published by Schott Music - Digital (S9.Q48078). Das Klaviertrio Looking back to Ararat von Harald Weiss wurde durch den 1962 in Armenien geborenen Komponisten, Dirigenten und Musikwissenschaftler David Haldjian inspiriert. Dem gleichermaßen sehnsuchtsgeladenen wie hoffnungsvollen Adagiosatz hat der Komponist - frei nach Paul Celan - ein bildstarkes Motto vorangestellt. Der Blick fällt zurück auf den mythen- und legendenumrankten erloschenen Vulkan Ararat: Majestätisch und voller Würde ragt der Berg gen Himmel. Nichts, nichts ist verloren..
$11.99
11.01 €
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Cello, Piano
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Harald Weiss
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Looking back to Ararat
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Schott Music - Digital
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SheetMusicPlus
MÉDITATION - From the Opera Thaïs (for Violoncello and Piano accompaniment)
Cello, Piano
Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massen…
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Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Valentine's Day, St. Patrick's Day, Wedding. Individual Part, Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.<br> <br> The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.<br> <br> The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.
$5.99
5.5 €
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Cello, Piano
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Jules Massenet (1842-1912)
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MÉDITATION - From the Opera Thaïs
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Flavio Regis Cunha
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SheetMusicPlus
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