Download Digital Sheet Music of The Church for Cello, Piano

The Church
Cello, Piano

THE CHURCH IN THE WILDWOOD - CELLO SOLO with Piano Accompaniment

THE CHURCH IN THE WILDWOOD - CELLO SOLO with Piano Accompaniment Cello, Piano

Cello,Piano - Level 3 - Digital Download SKU: A0.807234 Composed by William S. Pitt…(+)

Cello,Piano - Level 3 - Digital Download SKU: A0.807234 Composed by William S. Pitts. Arranged by Glen Poehlmann. Christian,Sacred. Score and part. 12 pages. Arrangements by GPoehlmann #6858491. Published by arrangements by GPoehlmann (A0.807234). THE CHURCH IN THE WILDWOOD (Little Brown Church in the Vale)This beautiful arrangement starts out slowly and simply to indicate the peace and beauty of the church (I visualize this as the physical beauty of the building and surrounding area as well as the peace of being in God's house). The music gains in intensity to symbolize the vitality of the the church's mission. The actual church was closed for years but experienced a revival (along with the hymn's popularity).119 measures. Performance Time approx. 4:30. Medium in Difficulty (Grade 3)Key: F - G - F# minor. Meter: 4/4 - 3/4. Cello Range (C4=middle C): D2 - A4PDF parts included: Score, Cello, Piano.The Piano Accompaniment is available in MP3 format - item #S0.1199447Useful for rehearsal or performance.The MP3 Sound File has 2 parts. 1) Accompaniment (piano) 2). Demonstration (Cello + Piano).The gap between the 2 parts is about 5 seconds.
$5.00 4.61 € #Cello, Piano #William S #Meter: 4/4 - 3/4. #THE CHURCH IN THE WILDWOOD - CELLO SOLO with Piano Accompaniment #arrangements by GPoehlmann #SheetMusicPlus

#THE CHURCH IN THE WILDWOOD - CELLO SOLO with Piano Accompaniment

THE CHURCH IN THE WILDWOOD - Cello Solo with Piano. ACCOMPANIMENT SOUND FILE (piano)

THE CHURCH IN THE WILDWOOD - Cello Solo with Piano. ACCOMPANIMENT SOUND FILE (piano) Cello, Piano

Cello,Piano - Digital Download SKU: A0.1072114 Composed by William S. Pitts. Arrang…(+)

Cello,Piano - Digital Download SKU: A0.1072114 Composed by William S. Pitts. Arranged by Glen Poehlmann. Christian,Sacred. Accompaniment. Duration 551. Arrangements by GPoehlmann #6858499. Published by arrangements by GPoehlmann (A0.1072114). This is the Accompaniment (Piano) Sound File for item # S0.1199439THE CHURCH IN THE WILDWOOD (Little Brown Church in the Vale)CELLO SOLO with Piano accompanimentArranged by Glen PehlmannThe sound file has 2 parts. The beginning is the Piano part alone that can be used for rehearsal or performance.The second part is a Demonstration so you can hear the entire arrangement (Cello + Piano). The gap between the 2 is about 5 seconds.Here is the information about the CELLO SOLO arrangement:119 measures. Performance Time approx 4:30. Medium in Difficulty (Grade 3)Key: F - G - F# minor). Meter: 4/4 - 3/4. Cello Range (C4=middle C): D2 - A4.
$1.99 1.83 € #Cello, Piano #William S #THE CHURCH IN THE WILDWOOD - Cello Solo with Piano. ACCOMPANIMENT SOUND FILE #arrangements by GPoehlmann #SheetMusicPlus

#THE CHURCH IN THE WILDWOOD - Cello Solo with Piano. ACCOMPANIMENT SOUND FILE

The Church in the Wildwood Cello Solo

#The Church in the Wildwood Cello Solo

Restoration of the Gospel Medley Cello, Piano

Instrumental Duet Cello,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.98…(+)

Instrumental Duet Cello,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.986764 Arranged by Johannes Bowman (BowString Music). Sacred. Score and parts. 9 pages. BowString Music #6400155. Published by BowString Music (A0.986764). This is a medley of popular hymns associated with the early history of the Church of Jesus Christ of Latter-Day Saints and the life of the Church's first prophet, Joseph Smith. The hymns included are Joseph Smith's First Prayer, A Poor Wayfaring Man of Grief and Praise to the Man. Composers of the original hymns: George Manwaring, George Coles, and traditional Scottish tune (altered)
$8.00 7.37 € #Cello, Piano #Restoration of the Gospel Medley #BowString Music #SheetMusicPlus

Cello,Piano - Level 1 - Digital Download SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388103. Published by jmsgu3 (A0.548509). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604â€“1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com