Download Digital Sheet Music of Where It's At for Cello, Piano

Where It's At
Cello, Piano

Heaven Is A Place On Earth Cello, Piano

Cello,Piano - Level 3 - Digital Download SKU: A0.1386960 By Belinda Carlisle. By El…(+)

Cello,Piano - Level 3 - Digital Download SKU: A0.1386960 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Standards. Score and part. 7 pages. Kevin P Holdgate #970846. Published by Kevin P Holdgate (A0.1386960). This is an arrangement for solo instrument and piano pitched at around the level of ABRSM Grade 4/5 for most instruments. The range of notes is very compact with the difficulty steming from the often complicated rhythms and also the opening statement of the main theme is unaccompanied requiring the soloist to play with confidence and accuracy. The use of syncopated rhythms makes this an excellent repertoire piece.Heaven Is a Place on Earth is a single by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Rick Nowels and Ellen Shipley, the song was released as the lead single from the Heaven on Earth album on September 14, 1987, and it reached number one on the US Billboard Hot 100 on December 5, 1987, becoming Carlisle's only US chart-topper to date.Â A month later it peaked at number one in the United Kingdom, where it held the top spot of the UK Singles Chart for two weeks. In Australia it peaked at number 2. It is considered to be Carlisle's signature song.The song was nominated for the Grammy Award for Best Female Pop Vocal Performance in 1988, but lost out to Whitney Houston's I Wanna Dance with Somebody (Who Loves Me).
$5.99 5.48 € #Cello, Piano #Belinda Carlisle #Heaven Is A Place On Earth #Kevin P Holdgate #SheetMusicPlus

Cello,Piano - Level 1 - Digital Download SKU: A0.1241140 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,March,Opera,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #836536. Published by Woods Only, Arrangements (A0.1241140). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the KÃ¤rntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy.

Mighty Fortress is Our God by Luther for Cello and Piano Cello, Piano

Cello,Piano - Level 1 - Digital Download SKU: A0.1136205 Composed by Martin Luther.…(+)

Cello,Piano - Level 1 - Digital Download SKU: A0.1136205 Composed by Martin Luther. Arranged by Ander. Baroque,Christian,Religious,Renaissance,Sacred. Score and part. 6 pages. Woods Only, Arrangements #736228. Published by Woods Only, Arrangements (A0.1136205). This easy arrangement for violoncello and piano has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$1.99 1.82 € #Cello, Piano #Martin Luther #Mighty Fortress is Our God by Luther for Cello and Piano #Woods Only, Arrangements #SheetMusicPlus

Cello,Piano - Level 2 - Digital Download SKU: A0.1240302 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #835672. Published by Woods Only, Arrangements (A0.1240302). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..

Sanctus (for cello and piano) Cello, Piano

Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Colin Kirk…(+)

Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Colin Kirkpatrick. Spiritual, Sacred, Easter, Recital. Score, Solo Part. 7 pages. Published by Colin Kirkpatrick Publications
Colin Kirkpatrick’s Sanctusfor cello and piano is a lyrical, elegiac melody that reflects the spirit of abygone age. The musical language istonal but chromatic and has proved a popular item at cello recitals where it’sbeen played. The piano shares some of the melodic material with the cello andthe music evokes peace and tranquility; there’s a brief yet passionate passagenear the middle of the piece before the music returns to the quite place whereit began. Some sections of the cello part are written in the tenor clef and therange goes into the fourth position, though the note A5 appears once. This workwould make an excellent addition to a cello recital. The score (piano andcello) and the solo cello part are presented in a single 7-page PDF file. (Duration:03:07)<br> <br>
$5.95 5.44 € #Cello, Piano #Colin Kirkpatrick #Sanctus #Colin Kirkpatrick Publications #SheetMusicPlus