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A Day in Paris
Viola, Piano
Sheetmusic to print
4 sheet music found
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Birthday Cake
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1036644 Composed by Daniel Berrios…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1036644 Composed by Daniel Berrios, Dylan Conrique, and Sarah Emily Parish Berrios. Arranged by Whitney Lussier. Pop. Score and part. 11 pages. Rosesong Music #641648. Published by Rosesong Music (A0.1036644). Viola solo version of Dylan Conrique's Birthday Cake (with optional piano). This arrangement stays in the original key, so you can perform with a friend or along with the original recording!
$4.99
4.49 €
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Viola, Piano
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Daniel Berrios, Dylan Conrique, and Sarah Emily Parish Berrios
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Birthday Cake
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Rosesong Music
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SheetMusicPlus
Saint-Saens: The Swan for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
31.48 €
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Viola, Piano
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Camille Saint-Saens
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Saint-Saens: The Swan for Viola and Piano
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jmsgu3
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SheetMusicPlus
Trois pièces : Andante, Sérénade et Chant Serbe
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1493034 Composed by Clémence de G…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069724. Published by Musik Fabrik Music Publishing (A0.1493034). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
17.07 €
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Viola, Piano
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Clémence de Grandval
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Trois pièces : Andante, Sérénade et Chant Serbe
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ange Flégier: Apaisement for low voice, viola and piano
Viola, Piano
Small Ensemble Low Voice,Piano Accompaniment,Viola - Level 3 - Digital Download SKU: A0…
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Small Ensemble Low Voice,Piano Accompaniment,Viola - Level 3 - Digital Download SKU: A0.533407 Composed by Ange Flégier. Concert,Holiday,Love,Romantic Period,Standards. Score and parts. 12 pages. Musik Fabrik Music Publishing #2913039. Published by Musik Fabrik Music Publishing (A0.533407). A setting of the poem by Paul Verlaine.Ange Flégier (1846–1925) was born in Marseilles and also died there. Hestudied composition with Ambroise Thomas at the Conservatoire in Paris and then became a well-known composer with more than 350 works in his catalogue. Most of his works are concert songs and chamber music pieces. He also worked as a music critic and, later in life, as a painter.La lune blancheLuit dans les bois ;De chaque branchePart une voixSous la ramée ...Ô bien-aimée.L'étang reflète,Profond miroir,La silhouetteDu saule noirOù le vent pleure ...Rêvons, c'est l'heure.Un vaste et tendreApaisementSemble descendreDu firmamentQue l'astre irise ...C'est l'heure exquise.
$12.95
11.66 €
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Viola, Piano
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Ange Flégier
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Ange Flégier: Apaisement for low voice, viola and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
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