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SheetMusicPlus
Viola, Piano
Sheetmusic to print
11 sheet music found
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1
Jerusalem - Viola & Piano
Viola, Piano
Piano,Viola - Digital Download SKU: A0.1062808 Composed by Charles Hubert Parry. Ar…
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Piano,Viola - Digital Download SKU: A0.1062808 Composed by Charles Hubert Parry. Arranged by James Michael Stevens. 20th Century,Easter,Graduation,Sacred,Wedding. Full Performance. Duration 146. James M Stevens Music ASCAP #6273935. Published by James M Stevens Music ASCAP (A0.1062808). This is the viola and piano demonstration performance of Stevens' arrangement Jerusalem by Charles Hubert Parry.
$1.99
1.83 €
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Viola, Piano
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Charles Hubert Parry
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Jerusalem - Viola & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Ave Maria by Gounod (viola and piano)
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.810217 Composed by Johann Sebastia…
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Piano,Viola - Level 2 - Digital Download SKU: A0.810217 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 4 pages. Daniel C. M. #5789467. Published by Daniel C. M. (A0.810217). This beautiful work of art is now arranged for viola and piano. The melody and the accompaniment are basically the same as the original for violin and piano by Gounod. The pdf file includes the piano score and the viola part separately.
$3.49
3.22 €
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Viola, Piano
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Johann Sebastian Bach, Charles Gounod
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Ave Maria by Gounod
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Daniel C. M.
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SheetMusicPlus
6 HYMNS of Adoration & Guidance Set 1 & 2 (Duets - Viola and Piano with Parts)
Viola, Piano
Composed by GEISTLICHE KIRCHENGESANG, FREDERICK M. LEHMAN, PHOEBE PALMER KNAPP, JOHN HUGHE…
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Composed by GEISTLICHE KIRCHENGESANG, FREDERICK M. LEHMAN, PHOEBE PALMER KNAPP, JOHN HUGHES, CHARLES H. GABRIEL, TRIDITIONAL IRISH MELODY. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise & Worship, General Worship. Score, Set of - Score,Set of Parts - Christian,Contemporary Christian,Gospel,Praise & Worship,General Worship - The Lanier Company
$19.99
18.43 €
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Viola, Piano
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GEISTLICHE KIRCHENGESANG, FREDERICK M
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6 HYMNS of Adoration & Guidance Set 1 & 2
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SheetMusicPlus
Trois pièces : Andante, Sérénade et Chant Serbe
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1493034 Composed by Clémence de G…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069724. Published by Musik Fabrik Music Publishing (A0.1493034). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
17.47 €
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Viola, Piano
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Clémence de Grandval
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Trois pièces : Andante, Sérénade et Chant Serbe
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Musik Fabrik Music Publishing
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SheetMusicPlus
Killing Me Softly With His Song
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.548630 By Roberta Flack. By Charle…
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Piano,Viola - Level 2 - Digital Download SKU: A0.548630 By Roberta Flack. By Charles Fox. Arranged by James M. Guthrie. Soul. Score and part. 8 pages. Jmsgu3 #3399789. Published by jmsgu3 (A0.548630). Killing Me Softly With His Song
$29.95
27.61 €
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Viola, Piano
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Roberta Flack
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Killing Me Softly With His Song
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jmsgu3
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SheetMusicPlus
Away In A Manger: for Viola & Piano
Viola, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548482 Composed by Mueller. Arrang…
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Piano,Viola - Level 1 - Digital Download SKU: A0.548482 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386547. Published by jmsgu3 (A0.548482). Traditional Christmas song arranged for Viola & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent accompaniment uses the lyrics to an old Normandy carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
23 €
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Viola, Piano
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the 1880’s the cradle song was being performed in church
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Mueller
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Piano
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Away In A Manger: for Viola & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Viola & Piano
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.550913 Composed by J. S. Bach - Go…
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Piano,Viola - Level 2 - Digital Download SKU: A0.550913 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888187. Published by jmsgu3 (A0.550913). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.38 €
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Viola, Piano
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J
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Bach-Gounod: Ave Maria, Schwencke version for Viola & Piano
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jmsgu3
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SheetMusicPlus
Adagio
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.724922 Composed by Charles Francoi…
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Piano,Viola - Level 3 - Digital Download SKU: A0.724922 Composed by Charles Francois Gounod. Arranged by Nick M Lacanski. Romantic Period. Score and part. 7 pages. Theupperstaff #333249. Published by theupperstaff (A0.724922).
$3.99
3.68 €
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Viola, Piano
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Charles Francois Gounod
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Adagio
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theupperstaff
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SheetMusicPlus
Gounod - Ave Maria Meditation in F Major - Intermediate
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1142473 Composed by Charles-FranÃ…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1142473 Composed by Charles-François Gounod. Arranged by Piacere Music Sheets. Instructional,Praise & Worship,Romantic Period,Standards. Score and part. 12 pages. Piacere Music Sheets #742840. Published by Piacere Music Sheets (A0.1142473). Opus/Catalog Number: CG 89 Key/Tone: F major Movements/Sections: (Andante semplice) Year/Date of Composition: 1853 Difficulty: Grade 6/12 (Intermediate) Obs.: This piece is based on Gounod's original 1853 instrumental version of Ave Maria.Gounod's original instrumental version was set for violin and piano in the key of C Major. This score is a transcription for viola and piano in the key of F Major. Gounod entitled this instrumental version Méditation sur le 1er Prélude de piano de J.S. Bach (Meditation on the first Piano Prelude by J.S. Bach). The viola part is to be played in the first six positions. Please note that in Gounod's original edition, the diminuendo and piano in measures 28 and 29 are replaced by a sempre crescendo upon playing the piece for the second time. Included: Full score and separated parts for each instrument.
$9.95
9.17 €
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Viola, Piano
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Charles-François Gounod
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Gounod - Ave Maria Meditation in F Major - Intermediate
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Piacere Music Sheets
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SheetMusicPlus
Saint-Saens: The Swan for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
32.22 €
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Viola, Piano
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Camille Saint-Saens
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Saint-Saens: The Swan for Viola and Piano
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jmsgu3
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SheetMusicPlus
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