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Converse
Viola, Piano
Sheetmusic to print
14 sheet music found
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1
What a friend we have in Jesus (piano & viola)
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.772501 Composed by Charles Crozat …
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Piano,Viola - Level 3 - Digital Download SKU: A0.772501 Composed by Charles Crozat Converse. Arranged by David Kocijan. Christian,Gospel,Sacred,Spiritual. Score and part. 4 pages. David Kocijan #5022195. Published by David Kocijan (A0.772501). Piano & viola transcription.Backup music available!
$9.99
9.01 €
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Viola, Piano
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Charles Crozat Converse
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viola transcription
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What a friend we have in Jesus
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David Kocijan
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SheetMusicPlus
What a friend we have in Jesus - EASY (piano & viola)
Viola, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.772823 Composed by Charles C. Conv…
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Piano,Viola - Level 1 - Digital Download SKU: A0.772823 Composed by Charles C. Converse. Arranged by David Kocijan. Christmas,Contemporary,Sacred. Score and part. 4 pages. David Kocijan #6320439. Published by David Kocijan (A0.772823). Piano & viola transcription.Solo transcription available for Violin, Viola, Flute, Clarinet, Soprano, Alto and Tenor Saxophone accompanied by a Piano.Backing track available!facebook.com/davidkocijan
$9.99
9.01 €
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Viola, Piano
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Charles C
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What a friend we have in Jesus - EASY
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David Kocijan
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SheetMusicPlus
What A Friend We Have In Jesus, Gospel Hymn for Viola and Piano
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.593458 Composed by J M Scriven, C …
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Piano,Viola - Level 2 - Digital Download SKU: A0.593458 Composed by J M Scriven, C C Converse. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421077. Published by David McKeown (A0.593458). What a Friend We Have in Jesus is a beautiful gospel song arranged here for Solo Viola and Piano.What a Friend We Have in Jesus was written by Joseph Scrivens in 1855 to comfort his Irish mother after he emigrated to Canada. In recent times the song has proved immensely popular in translation in Japan, Indonesia, India and Korea.
$2.49
2.25 €
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Viola, Piano
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J M Scriven, C C Converse
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What A Friend We Have In Jesus, Gospel Hymn for Viola and Piano
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David McKeown
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SheetMusicPlus
What a Friend We Have in Jesus (Viola Solo with Piano Accompaniment)
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1351466 Composed by Charles C. Con…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1351466 Composed by Charles C. Converse. Arranged by B. C. Dockery. Christian,Religious,Sacred. Score and part. 4 pages. Ben Dockery #936313. Published by Ben Dockery (A0.1351466). Arranged for viola solo with piano accompaniment. Great for preludes, offertories, postludes, and recitals. Easy intermediate level. Includes score and parts.
$3.99
3.6 €
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Viola, Piano
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Charles C
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What a Friend We Have in Jesus
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Ben Dockery
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SheetMusicPlus
What a friend we have in Jesus - TRIO (piano & 2 violas)
Viola, Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU:…
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.1111364 By David Kocijan. By Charles C. Converse. Arranged by David Kocijan. Chamber,Christian,Praise & Worship,Religious,Sacred. 7 pages. David Kocijan #713651. Published by David Kocijan (A0.1111364). What a friend we have in Jesus arranged for two Violas with Piano accompaniment. Available for Violin, Viola, Flute, Clarinet, Soprano, Alto and Tenor Saxophone with Piano accompaniment. Backing track available! https://www.facebook.com/davidkocijan.
$15.00
13.53 €
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Viola, Piano
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David Kocijan
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What a friend we have in Jesus - TRIO
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David Kocijan
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SheetMusicPlus
What a friend we have in Jesus (For Viola and Piano)
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.511619 Composed by C.C.Converse. A…
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Piano,Viola - Level 3 - Digital Download SKU: A0.511619 Composed by C.C.Converse. Arranged by Han-Ki Kim. Contemporary,Sacred,Standards. Score and part. 7 pages. Han-Ki Kim #3619827. Published by Han-Ki Kim (A0.511619). What a friend we have in Jesus is an arrangement for Viola and Piano of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the Concert where inspirational music is desired. Arranger is very experienced(with I Musici), and his works are very loved world widely. And, especially, Shown Bowing sign and Fingering will be very helpful to player.
$5.90
5.32 €
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Viola, Piano
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C
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What a friend we have in Jesus
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Han-Ki Kim
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SheetMusicPlus
Handel: Largo from Xerxes for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549373 Composed by George Frideric…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549373 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3491405. Published by jmsgu3 (A0.549373). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
29.72 €
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Viola, Piano
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George Frideric Handel
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Handel: Largo from Xerxes for Viola & Piano
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jmsgu3
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SheetMusicPlus
Lyrically Speaking
Viola, Piano
Piano,Viola - Digital Download SKU: A0.955539 Composed by Roy Swanson. Contemporary…
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Piano,Viola - Digital Download SKU: A0.955539 Composed by Roy Swanson. Contemporary. Score and part. 7 pages. Runway Region Publications, LLC #4838065. Published by Runway Region Publications, LLC (A0.955539). A calm and soothing solo for viola with piano accompaniment. The piece brings out the warmth and beauty of this instrument, with opportunity for the performer to showcase its color with stunning vibrato as it converses with the piano. Great for recitals, weddings, church services, or simply to capture a mood. .
$7.99
7.21 €
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Viola, Piano
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Roy Swanson
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Lyrically Speaking
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Runway Region Publications, LLC
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SheetMusicPlus
Saint-Saens: The Swan for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
31.52 €
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Viola, Piano
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Camille Saint-Saens
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Saint-Saens: The Swan for Viola and Piano
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jmsgu3
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Viola & Piano
Viola, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreye…
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
29.72 €
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Viola, Piano
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Nikolay Andreyevich Rimsky-Korsakov
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Korsakov: Flight of the Bumblebee for Viola & Piano
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jmsgu3
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SheetMusicPlus
What A Friend We Have In Jesus
Viola, Piano
Composed by Converse, Charles. Arranged by Nick Lacanski. For Piano, Viola. Sacred, Christ…
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Composed by Converse, Charles. Arranged by Nick Lacanski. For Piano, Viola. Sacred, Christian. Intermediate. Set of Parts, Score. Published by theupperstaff.com
$3.99
3.6 €
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Viola, Piano
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Converse, Charles
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What A Friend We Have In Jesus
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theupperstaff.com
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SheetMusicPlus
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