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Viola, Piano
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Luther: Out of the Depths for Viola & Piano
Viola, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. …
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Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
22.77 €
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Viola, Piano
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Martin Luther
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Luther: Out of the Depths for Viola & Piano
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jmsgu3
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SheetMusicPlus
Saint-Saens: The Swan for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
31.9 €
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Viola, Piano
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Camille Saint-Saens
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Saint-Saens: The Swan for Viola and Piano
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jmsgu3
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SheetMusicPlus
The Socratic Problem
Viola, Piano
Piano,Viola - Digital Download SKU: A0.1004162 Composed by Matthew Scott Phillips. …
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Piano,Viola - Digital Download SKU: A0.1004162 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and part. 19 pages. Matthew Scott Phillips #6265019. Published by Matthew Scott Phillips (A0.1004162). While invaluable to the development of Western civilization, the Greek philosopher Socrates is believed by some scholars not to exist. According to this theory, he is not a living person, but a metaphor used to teach philosophical ideas to newcomers. Others point to extant evidence that Socrates was indeed real, and had his own inner circle of students. This piece is a reflection on the verisimilitude of Socrates’s existence. It is a struggle with the question of whether so influential a figure can truly be imaginary and ultimately an arrival at the decision that his realness is not as important as his influence.
$4.99
4.55 €
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Viola, Piano
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Matthew Scott Phillips
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The Socratic Problem
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Matthew Scott Phillips
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SheetMusicPlus
Moonlight Sonata by Beethoven for Viola and Piano
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1240641 Composed by Ludwig van Bee…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1240641 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #836027. Published by Woods Only, Arrangements (A0.1240641). This arrangement adapted for viola and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice.Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
1.82 €
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Viola, Piano
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Ludwig van Beethoven
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Moonlight Sonata by Beethoven for Viola and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Symphony No. 7 by Beethoven for Viola and Piano
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1240301 Composed by Ludwig van Bee…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1240301 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #835671. Published by Woods Only, Arrangements (A0.1240301). This arrangement adapted for viola and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
1.82 €
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Viola, Piano
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Ludwig van Beethoven
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Symphony No. 7 by Beethoven for Viola and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Jesus, Lover of My Soul for Violin or Viola and Piano
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1228636 Composed by Joseph P. Holb…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1228636 Composed by Joseph P. Holbrook. Arranged by Hyrum Kohler. Christian,Easter,Praise & Worship,Religious,Sacred. Score and part. 8 pages. Hyrum Kohler #824692. Published by Hyrum Kohler (A0.1228636). I wanted to play a hymn in church without simply playing the same thing three times in a row. And, without words, I wanted to express the tension and pain that occasionally and inevitably accompanies trying one's best to live a good life. This arrangement is simultaneously fresh, familiar, and reasonably challenging for the performer. This is my go-to for playing in a church setting, but it can also fit right in to a pedagogical or classical recital scenario. The traditional tune wears different clothes throughout the piece, having variance in time signature, key signature, and mode (dipping into minor). This is a simplification and compression of my original arrangment for string quartet. I originally intended this to be for viola, but it just so happened to fit in the violin's range; I left the part in treble clef to accommodate both options. The piano part is somewhat easier to play than the violin/viola part (evidenced by how I can kind of play it), but it still serves a collaborative or duet role, sharing and passing the melody betwen parts.
$4.99
4.55 €
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Viola, Piano
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Joseph P
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Jesus, Lover of My Soul for Violin or Viola and Piano
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Hyrum Kohler
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SheetMusicPlus
Vitali's Chaconne in C Minor, for Viola & Accompaniment
Viola, Piano
Composed by Tomaso Antonio Vitali, Léopold Charlier. Arranged by Austin Harning…
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Composed by Tomaso Antonio Vitali, Léopold Charlier. Arranged by Austin Harning. Baroque, Concert, Instructional, Standards, World. Score and part. 21 pages. Austin Harning #5307723. Published by Austin Harning
Tomaso Antonio Vitali (1663 - 1745) was an Italian composer and violinist during the Baroque Era who is generally known for his Chaconne in G Minor for violin and basso continuo. <br> <br> Chaconnes are a type of musical composition that consists of variations on a repeating harmonic progression. Vitali's Chaconne in particular is interesting because of its unorthodox features. Although it opens with a step-wise bass line that introduces the primary harmonic progression, it features multiple modulations into the far-flung keys of Eb-minor and Bb-minor (Ab-minor and Eb-minor in my arrangement), among others. These modulations (or key-signature changes) and other romanticisms would not begenerally seen until the Romantic Era roughly a century later.This created musicological doubts as to whether the originalmanuscript belonged to Vitali, although there is some evidenceof its authenticity. <br> <br> This arrangement is based on Léopold Charlier's (1867 - 1936) arrangement of the piece, though I took inspirations from other composers and wrote some original voices. Enjoy!
$7.99
7.29 €
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Viola, Piano
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Tomaso Antonio Vitali, Léopold Charlier
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Vitali's Chaconne in C Minor, for Viola & Accompaniment
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Austin Harning
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SheetMusicPlus
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