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179606
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121030
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78695
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40391
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11057
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6968
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6541
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5218
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5209
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4037
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1408
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927
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614
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393
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341
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305
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224
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209
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206
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205
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166
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117
Keyboard
97
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50
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44
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39
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22
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17
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16
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12
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8
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6
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10147
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8418
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1504
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1339
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735
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715
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683
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659
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489
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443
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287
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280
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255
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162
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155
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114
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57
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38
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37
Dobro
36
2 Dulcimers (duet)
25
2 Ukuleles
19
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14
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7
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7
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6
Guitar, String Quartet
6
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5
Lute
4
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41252
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16875
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11989
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7064
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6972
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6845
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4613
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3899
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3229
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1281
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1189
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1016
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656
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613
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609
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427
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260
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257
Medium Voice
240
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126
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117
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112
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104
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70
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68
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59
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50
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47
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46
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42
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42
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39
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17
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17
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11
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10
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10
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7
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5
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4
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4
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3
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2
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2
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2
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16820
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16499
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14960
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14915
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10274
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9093
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8886
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7800
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7616
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7511
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5886
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5788
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5719
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5711
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5019
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4821
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4779
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4422
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4298
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4261
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3644
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2690
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2519
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2222
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2105
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2036
3 Saxophones (trio)
2023
3 Clarinets (trio)
2012
Flute, Clarinet (duet)
1785
Flute and Guitar
1744
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1496
Flute Trio: 3 flutes
1436
Flute ensemble
1205
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1138
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1088
2 Oboes (duet)
1068
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1011
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962
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945
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891
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837
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804
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763
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761
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760
Ocarina
676
Descant (Soprano) Recorder
665
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652
Saxophone, Clarinet (duet)
634
Harmonica
605
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539
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533
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476
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459
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455
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455
Flute, Violoncello
433
Flute, Oboe, Bassoon
424
3 Recorders (trio)
421
Flute, Oboe (duet)
387
Flute Quintet : 5 flutes
384
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355
Piccolo
335
Oboe, Flute
331
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324
Flute, Clarinet, Piano (trio)
310
English Horn
306
Flute, Viola (duet)
300
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298
Clarinet, Cello (duet)
286
Clarinet and Viola
265
5 Recorders
263
Flute, Saxophone (duet)
259
Clarinet, Harp (duet)
256
Flute, Cello, Piano (trio)
246
Flute, Violin, Piano
239
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228
Baritone Saxophone
225
Recorder Ensemble
217
2 Saxophones, Piano
211
2 Flutes, Piano
195
Bass Clarinet
195
Oboe, Cello
186
2 Clarinets, Piano
180
Oboe, Violin (duet)
177
3 Oboes
163
Descent (Soprano) Recorder, Piano
152
Flute, Trombone (duet)
146
Saxophone and Piano
145
Treble (Alto) Recorder, Piano
137
Flute, Oboe, Violin
122
Saxophone and Guitar
117
Oboe, Guitar (duet)
115
Flute, Bassoon, and Piano
111
Pennywhistle
110
Recorder, Piano
110
Clarinet, Cello, Piano (trio)
108
Flute, Clarinet, Violin (trio)
103
English Horn, Guitar (duet)
100
Tenor Recorder
89
Clarinet, Trombone (duet)
86
Saxophone, Violin (duet)
85
2 Clarinets, Bassoon
85
Wind ensemble
79
Flute, Harp and Cello
78
Flute, harp and violin
77
Oboe, Trumpet (duet)
76
Oboe and viola (duet)
73
4 Oboes
72
Flute, Organ (duet)
70
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61
Saxophone and Organ
61
Flute, Oboe, Piano (trio)
57
Piccolo, Piano
56
Bagpipe
55
Flute, Violin, Violoncello and Piano
53
Flute, Clarinet, Horn and Bassoon (Quartet)
52
Flute, Viola and Piano
50
Oboe, Harp
46
Flute, Tuba (duet)
45
Saxophone and Harp
44
Treble (Alto) Recorder, Basso continuo
43
Harmonica, Piano
42
Saxophone, Bassoon (duet)
41
Flute and Strings Trio
38
Clarinet, Bassoon, Piano (trio)
36
Oboe, Trombone (duet)
36
Clarinette, Viola and Piano (trio)
33
Flute, trombone and piano
33
Clarinet Quartet: Clarinet, Violin, Viola, Cello
30
Clarinet, Tuba
29
2 English horns and Pianoforte
28
Clarinet Quintet: Clarinet, String Quartet
28
Flute, Violin, Guitar
26
Flute, Cello, Guitar
26
Flute, French horn (duet)
25
Clarinet, trumpet and piano
23
Clarinet, Organ
21
Flute, Orchestra
21
Oboe, Cello and Piano
20
Saxophone and cello
19
Oboe, Bassoon and Piano
17
Flute and String Quartet
17
2 Oboes, Piano
17
Clarinet, Double bass (duet)
16
Flute, Viola and harp
16
2 Recorders, Piano
14
Oboe, Violin, Piano
13
2 Flutes and Guitar
13
Clarinet, Orchestra
13
Oboe, Clarinet and Piano (Trio)
12
Oboe ensemble
11
Recorder, Harp
10
English horn, Harp (duet)
9
Saxophone, Tuba (duet)
9
Oboe, Violin, Viola and Violoncello (Quartet)
8
Oboe, Organ
7
Flute, Basso continuo
7
Flute, Viola and Cello
7
Pan Flute
6
Descant (Soprano) Recorder, Basso continuo
6
Clarinet, String quartet and Piano
6
2 Oboes and English horn
5
2 Oboes and Basson
4
Oboe and String quartet
3
2 Flutes, 2 Clarinets (Quartet)
3
2 Flutes and Harp
3
Oboe, Clarinet, Bassoon and Piano
2
Melodica
2
2 Recorders, Guitar
2
Oboe and Orchestra
2
Flute, Guitar, Piano
1
3 Recorders, Piano
1
2 clarinets, 2 bassoons
1
Clarinet, Saxophone, Piano
1
2 Flutes, Basso continuo
1
2 Oboes, 2 Horns and 2 Bassoons
1
Flute, viola, cello and guitar
1
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Trumpet
14334
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11554
Trombone (band part)
11223
Trumpet (band part)
7636
Brass Quintet: 2 trumpets, horn, trombone, tuba
7480
French horn
5733
Trumpet, Piano
5366
Trombone and Piano
4497
French horn (band part)
4119
Tuba (band part)
3515
French Horn and Piano
3228
Brass quartet : 2 trumpets, trombone, tuba
3135
2 Trumpets (duet)
2428
Tuba
2404
2 Trombones (duet)
2124
Brass Quartet: 2 trumpets, horn, trombone
1535
Tuba and Piano
1505
Brass Quartet
1422
Trumpet, Trombone (duet)
1219
Euphonium
1089
Brass Quartet: 4 trombones
1040
Bass Clef Instruments
980
2 French horns (duet)
963
English horn, Piano
945
Bb Instruments
917
Euphonium, Piano (duet)
891
Brass Quartet: 4 horns
731
Trumpet, Saxophone (duet)
597
4 Tubas
549
Brass Trio
485
Trumpet, Horn (duert)
481
Trombone ensemble
416
Cornet
359
3 Trombones (trio)
355
2 Tubas (duet)
308
English Horn
306
F Instruments
296
3 Trumpets (trio)
276
Brass Quartet: 4 trumpets
229
Trumpet ensemble
228
2 Euphoniums and 2 Tubas
224
Horn Ensemble
206
Tuba or Euphonium or Saxhorn
203
Euphonium, Tuba (duet)
128
2 Trumpets, Keyboard (piano or organ)
125
Trumpet, violin (duet)
109
Trumpet, Tuba (duet)
107
Trumpet, Bassoon (duet)
101
Bass Trombone
101
English Horn, Guitar (duet)
100
Brass Quartet: 2 trumpets, 2 trombones
99
Trombone, cello (duet)
97
Tuba and Organ
92
Horn, Cello (duet)
86
Trombone, Tuba (duet)
80
Bass Trombone and Piano
77
3 French horns (trio)
76
2 Euphoniums (duet)
76
Trombone, Violin (duet)
75
Trombone, Horn (duet)
74
Trumpet, Cello (duet)
72
Tuba ensemble
66
Horn, Tuba (duet)
57
Trombone, Organ
57
French Horn and Harp
52
Trumpet, Cello, Piano
39
Trumpet, Harp
39
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
37
Trumpet, Trombone, Piano
36
French horn and Basson (duet)
35
Clarinet, Horn (duet)
31
2 English horns and Pianoforte
28
Horn and Organ
22
Horn, Trumpet, Trombone (trio)
19
Trumpet and Guitar
17
3 Tubas (trio)
16
2 Trombones, Piano
15
Trombone, Viola (duet)
14
Trumpet, Orchestra
12
2 French horns, Piano
11
Cornet and Piano
11
3 Euphoniums
11
English horn, Harp (duet)
9
Brass Quintet: 2 trumpets, horn, 2 trombones
9
Flügelhorn
6
Trombone and Orchestra
6
Horn, Cello and Piano
6
Trumpet, Euphonium (duet)
5
4 Euphoniums
4
Instruments en Sol
4
Euphonium (band part)
3
Horn and Orchestra
3
Euphonium or Saxhorn and Piano
2
Cornet and Orchestra
2
Bass Saxhorn or Euphonium or Tuba and Piano
2
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STRINGS
String Quartet: 2 violins, viola, cello
19592
Violin
16718
Violin and Piano
13289
Cello
10819
Viola
9495
Cello, Piano
8422
Harp
6478
Viola, Piano
6200
Violin (band part)
5478
2 Violins (duet)
4386
Violin, Cello (duet)
4110
String Trio: violin, viola, cello
3378
Doublebass (band part)
3216
2 Cellos (duet)
3080
Cello (band part)
2130
Violin, Viola (duet)
2104
Viola (band part)
1827
2 Violas (duet)
1677
Double Bass
1655
String Quintet: 2 violins, viola, cello, bass
1578
Double bass, Piano (duet)
1248
String Trio: 2 violins, cello
1173
Viola, Cello (duet)
916
String Trio: 3 violins
786
4 Cellos
775
Violin, Guitar (duet)
735
Piano Trio: Violin, Viola, Piano
705
Harp, Flute (duet)
681
Cello, Guitar (duet)
567
String trio
512
String Trio: 3 cellos
476
2 Harps (duet)
459
String quartet: 4 violins
368
Harp, Violin (duet)
360
Viola, Guitar (duet)
315
String Trio: 3 violas
267
2 Double basses (duet)
259
Cello, String Bass (duet)
236
String Quartet : 4 violas
225
String Trio: 2 violins, viola
224
Violin, Bassoon (duet)
193
2 Violins, Piano
151
Viola and Bassoon
115
Harp, Cello (duet)
114
String Quintet: 2 violins, 2 violas, cello
91
Viola and Harp
68
4 Double Basses
65
Cello Ensemble
64
Violin, Organ
63
Harp, Voice
61
Violin, Clarinet, Piano (trio)
59
Flute, Doublebass (duet)
52
Harp (band part)
51
Cello, Organ
50
2 Cellos, Piano
50
String Quintet: 2 violins, viola, 2 cellos
45
Violin ensemble
40
Harp, Violin, Violoncello
39
Cello, Orchestra
34
Violin, Tuba (duet)
32
Viola ensemble
31
Harp and Piano
29
3 Harps
29
Harp and mandolin
22
3 double basses
20
Autoharp
18
2 Violas, Piano
16
Cello and Marimba
15
Violin, Cello, Clarinet
15
Harp, Trombone (duet)
14
Viola, Organ
13
Viola and orchestra
11
Violin, Basso continuo
10
Violin, Trumpet and Piano
10
4 Harps
10
Harp, Orchestra
7
Harp and Organ
7
Violoncello, Basso continuo
7
5 Harps
6
Harp, String quartet
5
Double basses ensemble
3
2 Violins and Basso
3
Violin, Double bass (duet)
2
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Concert band
37504
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14635
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13093
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8941
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8213
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4878
Handbells
4610
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4279
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3518
Chamber Orchestra
2881
Percussion
2581
Jazz combo
1611
Timpani (band part)
1581
Drum (band part)
1228
Percussion Ensemble
1029
Marimba
433
Xylophone
366
Vibraphone
297
Timpani
286
Snare drums
159
Woodwind Quintet
140
Xylophone, Piano
114
Piano and Orchestra
89
Woodwind Quartet: any 4 woodwinds
74
2 Xylophones
56
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
46
Orchestra, Violin
30
Big band
30
Vibraphone and Marimba
29
Vibraphone, Piano
27
Brass Quintet: other combinaisons
26
Flexible Instrumentation
24
School Ensemble
23
Xylophone or Marimba or Vibraphone
10
Marimba, Piano (duet)
9
2 Marimbas
9
3 Marimbas
8
Marimba and Organ
6
Bongos
6
Woodwind Trio: any 3 woodwinds
5
Cajon
4
Mariachi
4
3 Percussions
3
2 Snare Drums (duet)
3
Voice and Orchestra
3
Marimba or Xylophone and Piano
2
2 Percussions
2
Vibraphone (band part)
2
Conga
2
Symphonic Band
2
Bodhran
2
Voice Mezzo-Soprano, Orchestra
1
Marimba, Saxophone (duet)
1
Xylophone (band part)
1
Snare drums, Piano
1
Instrumentations suivantes
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OTHERS
Musical course - Solfege
276
Music Theory
14
Stationery
5
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Viola, Piano
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6176
Grieg: Anitra's Dance from Peer Gynt Suite for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549550 Composed by Edvard Grieg. A…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549550 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507495. Published by jmsgu3 (A0.549550). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.28 €
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Viola, Piano
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Edvard Grieg
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Grieg: Anitra's Dance from Peer Gynt Suite for Viola & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549528 Composed by Edvard Grieg. A…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549528 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505753. Published by jmsgu3 (A0.549528). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.28 €
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Viola, Piano
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Edvard Grieg
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Grieg: Ase's Death from Peer Gynt Suite for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549506 Composed by Edvard Grieg. A…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549506 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502223. Published by jmsgu3 (A0.549506). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous Instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
29.43 €
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Viola, Piano
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Edvard Grieg
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Grieg: Morning Mood from Peer Gynt Suite for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549570 Composed by Edvard Grieg. A…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549570 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3508663. Published by jmsgu3 (A0.549570). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.28 €
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Viola, Piano
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Edvard Grieg
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Viola & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Viola & Piano
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.551513 Composed by Edvard Grieg. A…
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Piano,Viola - Level 4 - Digital Download SKU: A0.551513 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306365. Published by jmsgu3 (A0.551513). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
53.55 €
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Viola, Piano
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Edvard Grieg
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Grieg: Peer Gynt Suite Complete for Viola & Piano
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jmsgu3
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SheetMusicPlus
Handel: Largo from Xerxes for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549373 Composed by George Frideric…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549373 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3491405. Published by jmsgu3 (A0.549373). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
29.43 €
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Viola, Piano
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George Frideric Handel
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Handel: Largo from Xerxes for Viola & Piano
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jmsgu3
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549634 Composed by Ludwig van Beet…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516289. Published by jmsgu3 (A0.549634). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.28 €
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Viola, Piano
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Ludwig van Beethoven
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Viola & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scria…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499711. Published by jmsgu3 (A0.549462). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
17.82 €
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Viola, Piano
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Viola & Piano
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastia…
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Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468034. Published by jmsgu3 (A0.549217). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
29.43 €
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Viola, Piano
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Johann Sebastian Bach
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Bach: Bist du bei mir BWV 508 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Viola & Piano
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.549837 Composed by Johann Sebastia…
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Piano,Viola - Level 2 - Digital Download SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.28 €
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Viola, Piano
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Johann Sebastian Bach
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Bach: Wachet auf for Viola & Piano
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jmsgu3
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SheetMusicPlus
O Holy Night for Viola & Piano
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.548681 Composed by Adam. Arranged …
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Piano,Viola - Level 2 - Digital Download SKU: A0.548681 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410447. Published by jmsgu3 (A0.548681). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.28 €
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Viola, Piano
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Adam
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O Holy Night for Viola & Piano
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jmsgu3
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SheetMusicPlus
Ode to Joy by Beethoven for Viola and Piano
Viola, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.1241139 Composed by Ludwig van Bee…
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Piano,Viola - Level 1 - Digital Download SKU: A0.1241139 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,March,Opera,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #836535. Published by Woods Only, Arrangements (A0.1241139). This arrangement adapted for viola and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy.
$1.99
1.78 €
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Viola, Piano
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Ludwig van Beethoven
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Ode to Joy by Beethoven for Viola and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Schubert: Ave Maria for Viola & Piano
Viola, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548704 Composed by Franz Schubert.…
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Piano,Viola - Level 1 - Digital Download SKU: A0.548704 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411159. Published by jmsgu3 (A0.548704). A Viola Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Viola part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
26.75 €
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Viola, Piano
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Franz Schubert
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Schubert: Ave Maria for Viola & Piano
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jmsgu3
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SheetMusicPlus
Für Elise, for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.587571 Composed by Ludwig van Beet…
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Piano,Viola - Level 3 - Digital Download SKU: A0.587571 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361593. Published by David McKeown (A0.587571). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Viola with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.11 €
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Viola, Piano
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Ludwig van Beethoven
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Für Elise, for Viola and Piano
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David McKeown
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.594427 Composed by G F Handel. Arr…
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Piano,Viola - Level 3 - Digital Download SKU: A0.594427 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658369. Published by David McKeown (A0.594427). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Viola with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.11 €
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Viola, Piano
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G F Handel
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Viola & Piano
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.550913 Composed by J. S. Bach - Go…
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Piano,Viola - Level 2 - Digital Download SKU: A0.550913 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888187. Published by jmsgu3 (A0.550913). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.43 €
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Viola, Piano
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J
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Bach-Gounod: Ave Maria, Schwencke version for Viola & Piano
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jmsgu3
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SheetMusicPlus
Cabbage Marathon, for two violas and piano
Viola, Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 1 - Digital Download SKU:…
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 1 - Digital Download SKU: A0.909575 Arranged by Christopher A. Sforza. Folk,Instructional,Standards. Score and parts. 7 pages. Christopher A. Sforza #3675039. Published by Christopher A. Sforza (A0.909575). Boil' em Cabbage Down is well-known fiddle tune that exists in many different forms and variations. This arrangement utilizes important beginning bow strokes and rhythms while only spanning the notes D, E, F Sharp, and G. The piano and second viola accompaniment add richness and style to the simplicity of the melody. The arrangement allows the performers to play three different ways; as a solo with piano, two violas and piano, or as a viola duet without piano.Included is the piano score and duet part as well as fingering suggestions.
$2.25
2.01 €
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Viola, Piano
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Cabbage Marathon, for two violas and piano
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Christopher A. Sforza
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SheetMusicPlus
Sullivan: The Lost Chord for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seym…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.07 €
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Viola, Piano
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Viola & Piano
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jmsgu3
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SheetMusicPlus
16 Favourite Easter Hymns for Solo Viola and Piano
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.587897 Composed by Various. Arrang…
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Piano,Viola - Level 2 - Digital Download SKU: A0.587897 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037745. Published by David McKeown (A0.587897). 16 Favourite Easter Hymns for Solo Viola and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Viola part are included in the single PDF file.16 Favourite Easter Hymns for Solo Viola and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Viola and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
6.79 €
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Viola, Piano
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Various
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16 Favourite Easter Hymns for Solo Viola and Piano
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David McKeown
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Viola & Piano
Viola, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreye…
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
29.43 €
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Viola, Piano
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Nikolay Andreyevich Rimsky-Korsakov
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Korsakov: Flight of the Bumblebee for Viola & Piano
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jmsgu3
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SheetMusicPlus
Classical Highlights for Viola
Viola, Piano
Arranged for Viola and Piano. Burial - festive - Wedding - wedding songs - instrumenta…
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Arranged for Viola and Piano. Burial - festive - Wedding - wedding songs - instrumental - classic - sheet music - viola. Classical Highlights. Popular classics arranged for viola and piano. Downloadable, Play- along. Schott Music - Digital #Q576331. Published by Schott Music - Digital
'Classical Highlights' presents the best-known and most popular performance pieces of the classical repertoire in arrangements for viola and piano. Every viola player looking for a popular classic for lessons or recitals will make a find here. Suitable repertoire for musical accompaniment at weddings and funerals can be found here as well. To make practising easier, backing tracks can be downloaded as MP3 files. The piano accompaniment is available in PDF format. Contents: Bach, Air - Handel, Largo - Mendelssohn, Wedding March - Schumann, Träumerei - Schubert, Ave Maria - Elgar, March from 'Pomp and Circumstance' - Ravel, Bolero - Satie, Gymnopédie No. 1 - Kreisler, Liebesfreud - Liebesleid, and others.
$13.99
12.5 €
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Viola, Piano
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Classical Highlights for Viola
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Schott Music - Digital
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SheetMusicPlus
Fauré: Élégie Op. 24 for Viola & Piano
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.549724 Composed by Gabriel Faure. …
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Piano,Viola - Level 4 - Digital Download SKU: A0.549724 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531351. Published by jmsgu3 (A0.549724). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
29.43 €
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Viola, Piano
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Gabriel Faure
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Fauré: Élégie Op. 24 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Amazing Grace, Concert Solo for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.587645 Composed by John Newton. Ar…
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Piano,Viola - Level 3 - Digital Download SKU: A0.587645 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611387. Published by David McKeown (A0.587645). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Viola with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.11 €
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Viola, Piano
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John Newton
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Amazing Grace, Concert Solo for Viola and Piano
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David McKeown
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SheetMusicPlus
Pomp and Circumstance March No. 1 for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1036227 Composed by Edward Elgar. …
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Piano,Viola - Level 3 - Digital Download SKU: A0.1036227 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Instructional,Patriotic,Romantic Period,Standards. Score and part. 15 pages. Diego Marani #641333. Published by Diego Marani (A0.1036227). The best known March of the set, it had its premiere in Liverpool on 19 October 1901, with Elgar conducting the Liverpool Orchestral Society. The Trio contains the tune known as Land of Hope and Glory. In 1902 the tune was re-used, in modified form, for the Land of hope and glory section of his Coronation Ode for King Edward VII. The words were further modified to fit the original tune, and the result has since become a fixture at the Last Night of the Proms, and an English sporting anthem. In the United States, the Trio section Land of Hope and Glory of March No. 1 is often known simply as Pomp and Circumstance or as The Graduation March and is played as the processional tune at virtually all high school and some college graduation ceremonies. It was first played at such a ceremony on 28 June 1905, at Yale University, where the Professor of Music Samuel Sanford had invited his friend Elgar to attend commencement and receive an honorary doctorate of music. Elgar accepted, and Sanford made certain he was the star of the proceedings, engaging the New Haven Symphony Orchestra, the College Choir, the Glee Club, the music faculty members, and New York musicians to perform two parts from Elgar's oratorio The Light of Life and, as the graduates and officials marched out, Pomp and Circumstance March No. 1. Elgar repaid the compliment by dedicating his Introduction and Allegro to Sanford later that year. The tune soon became de rigueur at American graduations, used primarily as a processional at the opening of the ceremony. This arrangement for viola with piano is suitable for classroom, repertoire and recital.
$9.99
8.92 €
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Viola, Piano
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Edward Elgar
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Pomp and Circumstance March No. 1 for Viola and Piano
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Diego Marani
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SheetMusicPlus
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