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He's Alive
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He's Alive
Viola, Piano
Sheetmusic to print
6 sheet music found
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1
Being Alive
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Viola, Piano
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EASY
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Stephen Sondheim
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Rodrigo Ramos
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Being Alive
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Rodrigo Ramos
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SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.1367009 Composed by Stephen Sondheim. Arranged by Rodrigo Ramos. Broadway,Easter,Film/TV,Multicultural,M...
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Piano,Viola - Level 2 - Digital Download SKU: A0.1367009 Composed by Stephen Sondheim. Arranged by Rodrigo Ramos. Broadway,Easter,Film/TV,Multicultural,Musical/Show,Singer/Songwriter,World. Score and part. 14 pages. Rodrigo Ramos #951351. Published by Rodrigo Ramos (A0.1367009). Being Alive is a song from the musical Company with music and lyrics by Stephen Sondheim. The song appears at the end of the second act and is sung by Robert, a 35-year-old bachelor at the center of the show, who ...realizes that being a lone wolf isn't all it's cracked up to be. He declares that he wants to take risks, to have fear, being heartbroken - or whatever happens when you decide to love and be loved. This arrangement is a sung version of the theme adapted for Viola and piano.
$5.99
He Arose (Viola and Piano)
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Viola, Piano
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INTERMEDIATE
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Sacred music
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Robert Lowry and Ignaz Jan Pad
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John A
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He Arose
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John A. Dempsey
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.731665 Composed by Robert Lowry and Ignaz Jan Paderewski. Arranged by John A. Dempsey. Christian,Easter,...
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Piano,Viola - Level 3 - Digital Download SKU: A0.731665 Composed by Robert Lowry and Ignaz Jan Paderewski. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and part. 12 pages. John A. Dempsey #339928. Published by John A. Dempsey (A0.731665). Also known as Low in the Grave He Lay and Hallelujah, Christ Arose, this duet for viola and piano celebrates Easter with a musical sojourn that's varied, sparkling and alive with both the solace and elation of the season.  A hymn arrangement complete with mood and tempo changes, this music is filled with moments of quiet beauty, prayerful reflection and joyful thanksgiving.  The serene incidental music is from a Paderewski nocturne.  Recommended for traditional church services and other worship events, including Good Friday services and Easter sunrise worship, as a prelude, postlude, an offertory, interlude and special music. 8 pages of music (that includes a separate two-page viola part). Key: C major / Viola Level: Intermediate / Piano Level: Late Intermediate.
$6.99
He Arose (Trio for Violin, Viola and Piano)
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Viola, Piano
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INTERMEDIATE
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Sacred music
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Robert Lowry and Ignaz Jan Pad
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John A
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He Arose
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.713616 Composed by Robert Lowry and Ignaz Jan Paderewski. Arranged by John A. Demp...
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Small Ensemble Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.713616 Composed by Robert Lowry and Ignaz Jan Paderewski. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 18 pages. John A. Dempsey #322193. Published by John A. Dempsey (A0.713616). Also known as Low in the Grave He Lay and Hallelujah, Christ Arose, this trio for violin, viola and piano celebrates Easter with a musical sojourn that's varied, sparkling and alive with both the solace and elation of the season.  This hymn arrangement, complete with mood and tempo changes, is filled with moments of quiet beauty, prayerful reflection and joyful thanksgiving.  The serene incidental music is from a Paderewski nocturne.  Recommended for traditional church services and other worship events, including Good Friday services and Easter sunrise worship, as a prelude, postlude, an offertory, interlude and special music. 14 pages of music (that includes a separate two-page parts for violin and viola).  Key: C major. Violin/Viola Level: Intermediate. Piano Level: Late Intermediate.
$11.99
Schubert: Ave Maria for Viola & Piano
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Viola, Piano
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BEGINNER
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Classical
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Franz Schubert
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James M
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Schubert: Ave Maria for Viola
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 1 - Digital Download SKU: A0.548704 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Scor...
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Piano,Viola - Level 1 - Digital Download SKU: A0.548704 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411159. Published by jmsgu3 (A0.548704). A Viola Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Viola part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
Korsakov: Flight of the Bumblebee for Viola & Piano
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Viola, Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instruction...
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
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