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You've selected:
Nikolai Rimsky-Korsakov
Viola, Piano
Sheetmusic to print
4 sheet music found
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1
Korsakov: Flight of the Bumblebee for Viola & Piano
Viola, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreye…
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
29.92 €
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Viola, Piano
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Nikolay Andreyevich Rimsky-Korsakov
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Korsakov: Flight of the Bumblebee for Viola & Piano
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jmsgu3
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SheetMusicPlus
Nikolai Rimsky-Korsakov: The Flight of the Bumblebee for viola & piano
Viola, Piano
This is an exclusive transcription for viola & piano of HIGH skill level from the orig…
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This is an exclusive transcription for viola & piano of HIGH skill level from the original composition by Nikolai Rimsky-Korsakov. This title is available as instant sheet music download. Contents: bumblebee,bumble-bee, il volo del calabrone, bumble, bumblee, bumble bee / classical
$6.99
6.35 €
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Viola, Piano
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Nikolai Rimsky-Korsakov
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Virtualsheetmusic
Funiculì Funiculà for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.528757 Composed by Luigi Denza. Ar…
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Piano,Viola - Level 3 - Digital Download SKU: A0.528757 Composed by Luigi Denza. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 11 pages. Diego Marani #6433287. Published by Diego Marani (A0.528757). Funiculì, Funiculà is a Neapolitan song composed in 1880 by Luigi Denza to lyrics by Peppino Turco. It was written to commemorate the opening of the first funicular railway on Mount Vesuvius. The sheet music was published by Ricordi and sold over a million copies within a year. Since its publication, it has been widely adapted (Richard Strauss, Nikolai Rimsky-Korsakov, Arnold Schoenberg) and recorded (Luciano Pavarotti, Beniamino Gigli, Il Volo).This arrangement for Viola with Piano Accompaniment is suitable for any occasion: from concert to wedding or even for a brilliant encore.
$9.90
8.99 €
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Viola, Piano
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Luigi Denza
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Funiculì Funiculà for Viola and Piano
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Diego Marani
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SheetMusicPlus
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