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Viola, Piano
Sheetmusic to print
11 sheet music found
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1
Now Thank We All Our God, for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.763442 Composed by Johann Cruger. …
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Piano,Viola - Level 3 - Digital Download SKU: A0.763442 Composed by Johann Cruger. Arranged by Nigel Williams. Baroque,Holiday,Sacred,Standards. Score and part. 10 pages. Nigel Williams #5732375. Published by Nigel Williams (A0.763442). This well known melody Nun Danket is arranged here in a contemplative style for viola and piano. The viola writing is very straightforward, stating the chorale melody in equal length phrases. The piano accompanies with gentle upward moving eighth-note figures, the overall effect is one of contemplation and a sense of quiet fulfillment. This arrangement would make a perfect prelude in any service of worship where this hymn is admired. The performance duration is over two and a half minutes and the full score has a separate viola part attached. Enjoy browsing my extensive range of instrumental solos, duets, trios, quartets and ensemble arrangements on SMP.
$4.49
4.14 €
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Viola, Piano
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Johann Cruger
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Now Thank We All Our God, for Viola and Piano
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Nigel Williams
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SheetMusicPlus
Jingle Bells for Viola & Piano
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.548654 Composed by James Pierpont.…
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Piano,Viola - Level 2 - Digital Download SKU: A0.548654 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408171. Published by jmsgu3 (A0.548654). Jingle Bells arranged for viola & piano featuring a fancy 3rd verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.03 €
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Viola, Piano
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James Pierpont
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Jingle Bells for Viola & Piano
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jmsgu3
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SheetMusicPlus
The Water is Wide for Viola & Piano
Viola, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.41 €
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Viola, Piano
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Traditional Scottish
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
Penitent Thief, The (for viola and piano)
Viola, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterr…
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Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
23.06 €
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Viola, Piano
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Sonata in a Simple Scale for Viola and Piano
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Matter…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
7.38 €
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Viola, Piano
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Daniell Mattern
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Sonata in a Simple Scale for Viola and Piano
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Daniell Mattern
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SheetMusicPlus
Clair de Lune (Debussy) for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1469445 Composed by Claude Debussy…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1469445 Composed by Claude Debussy. Arranged by Harry Walker. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and part. 11 pages. SCORE EDITIONS #1047470. Published by SCORE EDITIONS (A0.1469445). Claude Debussy is renowned for his contributions to the Impressionist movement in music, aiming to capture atmospheres and sensations through colorful harmonies and evocative textures. Clair de Lune stands as one of his most emblematic works, embodying the artistic expression of Impressionism in music. Clair de Lune is the third piece in the Suite Bergamasque, originally composed for solo piano. It is famous for its delicacy and ethereal atmosphere, evoking the serene and mysterious beauty of moonlight. The music suggests quiet and contemplative nights, with its delicate figures and flowing melodies. Debussy's rich harmony and subtle tonal shifts reflect his influence from Symbolism and contemporary Impressionist painting. In this version, the composition was arranged for Viola and Piano by Harry Walker.
$5.99
5.53 €
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Viola, Piano
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Claude Debussy
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Clair de Lune
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SCORE EDITIONS
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SheetMusicPlus
Bohm: Calm as the Night for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549396 Composed by Carl Bohm. Arra…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549396 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493191. Published by jmsgu3 (A0.549396). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
24.87 €
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Viola, Piano
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Carl Bohm
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Bohm: Calm as the Night for Viola & Piano
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jmsgu3
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SheetMusicPlus
He Arose (Viola and Piano)
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.731665 Composed by Robert Lowry an…
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Piano,Viola - Level 3 - Digital Download SKU: A0.731665 Composed by Robert Lowry and Ignaz Jan Paderewski. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and part. 12 pages. John A. Dempsey #339928. Published by John A. Dempsey (A0.731665). Also known as Low in the Grave He Lay and Hallelujah, Christ Arose, this duet for viola and piano celebrates Easter with a musical sojourn that's varied, sparkling and alive with both the solace and elation of the season.  A hymn arrangement complete with mood and tempo changes, this music is filled with moments of quiet beauty, prayerful reflection and joyful thanksgiving.  The serene incidental music is from a Paderewski nocturne.  Recommended for traditional church services and other worship events, including Good Friday services and Easter sunrise worship, as a prelude, postlude, an offertory, interlude and special music. 8 pages of music (that includes a separate two-page viola part). Key: C major / Viola Level: Intermediate / Piano Level: Late Intermediate.
$6.99
6.45 €
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Viola, Piano
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Robert Lowry and Ignaz Jan Paderewski
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He Arose
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John A. Dempsey
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SheetMusicPlus
He Arose (Trio for Violin, Viola and Piano)
Viola, Piano
Small Ensemble Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.713616 Compo…
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Small Ensemble Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.713616 Composed by Robert Lowry and Ignaz Jan Paderewski. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. Score and parts. 18 pages. John A. Dempsey #322193. Published by John A. Dempsey (A0.713616). Also known as Low in the Grave He Lay and Hallelujah, Christ Arose, this trio for violin, viola and piano celebrates Easter with a musical sojourn that's varied, sparkling and alive with both the solace and elation of the season.  This hymn arrangement, complete with mood and tempo changes, is filled with moments of quiet beauty, prayerful reflection and joyful thanksgiving.  The serene incidental music is from a Paderewski nocturne.  Recommended for traditional church services and other worship events, including Good Friday services and Easter sunrise worship, as a prelude, postlude, an offertory, interlude and special music. 14 pages of music (that includes a separate two-page parts for violin and viola).  Key: C major. Violin/Viola Level: Intermediate. Piano Level: Late Intermediate.
$11.99
11.07 €
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Viola, Piano
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Robert Lowry and Ignaz Jan Paderewski
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He Arose
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John A. Dempsey
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SheetMusicPlus
Repousa Tranqüilo (Sleep Peacefully) VLA PART
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1139935 Composed by Northeast Braz…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1139935 Composed by Northeast Brazilian Christmas lullaby. Arranged by Ken Litton. Advent,Christian,Christmas,Folk,Sacred. Score and part. 2 pages. Artist of Note, Inc. #740203. Published by Artist of Note, Inc. (A0.1139935). This arrangement for Viola and Piano of the increasingly popular northeast Brazilian Christmas lullaby Repousa Tranqüilo TRANQÜILIDADE also entitled Sleep Peacefully, is a beautiful folk tune has been recorded in more than one translation in recent years, sometimes with the Welsh lyric below. This transcription of the entirely public domain tune follows a common practice of moving from minor into major at the midpoint of the tune while also preserving the distinctively Brazilian harmonic quality in the opening verse and throughout. Sleep quietly my Jesus Now close your dear eyes Above you shine God's countless stars Like diamonds in the sky Beside your bed an angel crew With cattle have fed Your mother stands in watchful prayer And strokes your little head The shepherds leave, their flocks unwatched They bring you my love While angels of our father God Rejoice the song above From far away the wise men three Their treasures the bring The whole wide world before your kneels My Jesus little king. Translated: Ruth Heller.
$2.99
2.76 €
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Viola, Piano
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Northeast Brazilian Christmas lullaby
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Repousa Tranqüilo
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Artist of Note, Inc.
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SheetMusicPlus
Repousa Tranqüilo (Sleep Peacefully) VIOLA
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1137027 Composed by Northeast Braz…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1137027 Composed by Northeast Brazilian Christmas lullaby. Arranged by Ken Litton. Advent,Christian,Christmas,Folk,Sacred. Score and part. 7 pages. Artist of Note, Inc. #737032. Published by Artist of Note, Inc. (A0.1137027). This arrangement for Viola and Piano of the increasingly popular northeast Brazilian Christmas lullaby Repousa Tranqüilo TRANQÜILIDADE also entitled Sleep Peacefully, is a beautiful folk tune has been recorded in more than one translation in recent years, sometimes with the Welsh lyric below. This transcription of the entirely public domain tune follows a common practice of moving from minor into major at the midpoint of the tune while also preserving the distinctively Brazilian harmonic quality in the opening verse and throughout. Sleep quietly my Jesus Now close your dear eyes Above you shine God's countless stars Like diamonds in the sky Beside your bed an angel crew With cattle have fed Your mother stands in watchful prayer And strokes your little head The shepherds leave, their flocks unwatched They bring you my love While angels of our father God Rejoice the song above From far away the wise men three Their treasures the bring The whole wide world before your kneels My Jesus little king. —Translated: Ruth Heller.
$4.99
4.61 €
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Viola, Piano
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Northeast Brazilian Christmas lullaby
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Repousa Tranqüilo
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Artist of Note, Inc.
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SheetMusicPlus
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