Download Digital Sheet Music of Rivers of Time for Viola, Piano

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PIANO & KEYBOARDS

Piano solo 18 Piano, Voice 5 C Instruments 3 Piano Trio: piano, violin, cello 1 Easy Piano 1

Piano Quartet: piano, violin, viola, cello 1 2 Pianos, 4 hands 1

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GUITARS

Piano, Guitar (duet) 1 Guitar notes and tablatures 1 Ukulele 1

VOICE

Choral SATB 29 Choral 3-part 6 Tenor voice, Piano 4 Baritone voice, Piano 3 Choral SSAA 3

Choral TTBB 3 Choral 2-part 2 Alto voice, Piano 1

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WOODWIND

2 Saxophones (duet) 10 Saxophone, Clarinet (duet) 5 2 Clarinets (duet) 5 2 Flutes (duet) 4 Clarinet, Violin (duet) 4

Flute and Piano 3 Clarinet and Piano 3 2 Oboes (duet) 3 Oboe, Clarinet (duet) 2 Clarinet, Trumpet (duet) 2 Alto Saxophone and Piano 2 Oboe, Bassoon (duet) 2 Soprano Saxophone and Piano 2 Clarinet and Viola 2 Flute, Viola (duet) 2 Saxophone Quintet: 5 Saxophones 2 Flute, Saxophone (duet) 2 Tenor Saxophone and Piano 2 Flute, Clarinet (duet) 2 Flute, Violin 2 Clarinet Ensemble 1 Oboe, Piano (duet) 1 Recorder Ensemble 1 Flute ensemble 1 2 Recorders (duet) 1 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1 Clarinet Quartet: 4 clarinets 1 Flute, Oboe, Clarinet, Bassoon 1 2 Flutes, Piano 1 Oboe, Flute 1 Clarinet Quintet: 5 clarinets 1 Saxophone ensemble 1 Baritone Saxophone, Piano 1 2 Clarinets, Piano 1

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WOODBRASS

Brass Quintet: 2 trumpets, horn, trombone, tuba 4 Trumpet 4 Trumpet, Saxophone (duet) 3 2 Trombones (duet) 3 Trombone and Piano 3

Trumpet, Piano 2 Euphonium, Piano (duet) 2 Trumpet, Trombone (duet) 2 2 Trumpets (duet) 1 French Horn and Piano 1 Tuba and Organ 1 French horn 1 2 French horns (duet) 1

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STRINGS

2 Cellos (duet) 4 Viola, Piano 3 2 Violas (duet) 3 Violin and Piano 3 String Quartet: 2 violins, viola, cello 2

Violin, Viola (duet) 2 Cello, Piano 2 Harp 2 Violin, Cello (duet) 2 2 Violins (duet) 2 Violin, Clarinet, Piano (trio) 1

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PERCUSSION & ORCHESTRA

Concert band 4 Jazz combo 2 Orchestra 2 String Orchestra 2 Brass ensemble 1

Marching band 1

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Rivers of Time

Viola, Piano

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3 sheet music found

The Water is Wide for Viola & Piano Viola, Piano

Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…(+)

Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly) Duration: 5:24 Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time Solo part: 3 pg. Piano part: 4 pg. A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide," it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love." This is an original arrangement from the ground up. Programming: If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill. It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases. Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners. Keep in mind these performance ideas: 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses. 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated. 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow. Synopsis of the arrangement: verse 1: Simple quiet duet with the melody in the solo instrument. verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano. verse 3: Melody in the piano in 4-part harmony. verse 4: 3-part canon on the melody (with a free accompaniment voice). verse 5: 2-part canon with a free accompaniment in the solo part verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse. verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal piano clusters over bass chords that suggest submerged church bells. For better insight into the performance of this music: express the emotion indicated by the lyrics: The Water Is Wide: The water is wide, I cannot get over Neither have I wings to fly Give me a boat that can carry two And both shall row, my love and I A ship there is and she sails the sea She's loaded deep as deep can be But not so deep as the love I'm in I know not if I sink or swim I leaned my back against an oak Thinking it was a trusty tree But first it bent and then it broke So did my love prove false to me I reached my finger into some soft bush Thinking the fairest flower to find I pricked my finger to the bone And left the fairest flower behind Oh love be handsome and love be kind Gay as a jewel when first it is new But love grows old and waxes cold And fades away like the morning dew Must I go bound while you go free Must I love a man who doesn't love me Must I be born with so little art As to love a man who'll break my heart When cockle shells turn silver bells Then will my love come back to me When roses bloom in winter's gloom Then will my love return to me The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724). O Waly, waly (a lament – "woe is me") up the bank, And waly, waly doun the brae (hill), And waly, waly, yon burn-side (riverside), Where I and my love wont to gae. I lean'd my back into an aik (oak), I thocht it was a trusty tree; But first it bow'd, and syne (soon) it brak (broke), Sae my true love did lightly me. O waly, waly, but love be bonnie (beautiful), A little time while it is new, But when 'tis auld (old), it waxeth cauld (cold), And fades away like the morning dew. O wherefore should I busk my heid (adorn my head)? Or wherefore should I kame (comb) my hair? For my true love has me forsook, And says he'll never love me mair (more). Now Arthur Seat shall be my bed, The sheets shall ne'er be fyl'd by me, Saint Anton's well shall be my drink, Since my true love has forsaken me. Martinmas wind, when wilt thou blaw (blow), And shake the green leaves off the tree? O gentle death, when wilt thou come? For of my life I am weary. 'Tis not the frost, that freezes fell, Nor blawing snaws (snow) inclemency, 'Tis not sic cauld (such cold) that makes me cry, But my love's heart grown cauld to me. When we cam in by Glasgow town, We were a comely sight to see; My love was clad in the black velvet, And I my sell in cramasie (crimson). But had I wist (known), before I kiss'd, That love had been sae ill to win, I'd lock my heart in a case of gold, And pin'd it with a silver pin. Oh, oh! if my young babe were born, And set upon the nurse's knee, And I my sell were dead and gane, For a maid again I'll never be.[4] (Lyrics courtesy of Wikipedia) For more information, please feel free to contact me at: jmsgu3 "at" gmail.com James M. Guthrie, ASCAP jmsgu3 publications

$32.95 30.32 € #Viola, Piano #Traditional Scottish #The Water is Wide for Viola & Piano #jmsgu3 #SheetMusicPlus

Shimmering River, Starry Night (Viola and Piano) Viola, Piano

Piano,Viola - Level 4 - Digital Download SKU: A0.525042 Composed by John A. Dempsey…(+)

Piano,Viola - Level 4 - Digital Download SKU: A0.525042 Composed by John A. Dempsey. Classical,Holiday,New Age,Pop,Wedding. Score and part. 13 pages. John A. Dempsey #6621499. Published by John A. Dempsey (A0.525042). Music mirroring the flowing beauty of rivers and nighttime canvas of stars found on a magical, midsummer evening, this romantic duet for viola and piano is recommended for concerts, recitals, banquets, holiday celebrations, weddings and as a prelude for other multiple events and venues. Â Suggested wedding uses: prelude, unity candle music, bridesmaid processional and wedding recessional. Â 9 pages of music (that includes a separate two-page viola part). Â Key: D major.

$7.99 7.35 € #Viola, Piano #John A #Shimmering River, Starry Night #John A. Dempsey #SheetMusicPlus

Jingle Bells for Viola & Piano Viola, Piano

Piano,Viola - Level 2 - Digital Download SKU: A0.548654 Composed by James Pierpont.…(+)

Piano,Viola - Level 2 - Digital Download SKU: A0.548654 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408171. Published by jmsgu3 (A0.548654). Jingle Bells arranged for viola & piano featuring a fancy 3rd verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850â€™s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com

$24.95 22.96 € #Viola, Piano #James Pierpont #Jingle Bells for Viola & Piano #jmsgu3 #SheetMusicPlus