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Sam M
Not classified
634
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17
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232
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Sam M
Viola, Piano
Sheetmusic to print
24 sheet music found
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1
I'm Late
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Viola, Piano
#
BEGINNER
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Bob Hilliard and Sammy Fain
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Karen Gueiros
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I'm Late
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Editora Gueiros
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 1 - Digital Download SKU: A0.1204421 Composed by Bob Hilliard and Sammy Fain. Arranged by K...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 1 - Digital Download SKU: A0.1204421 Composed by Bob Hilliard and Sammy Fain. Arranged by Karen Gueiros. Broadway,Children,Film/TV,Musical/Show. Score and parts. 7 pages. Editora Gueiros #802886. Published by Editora Gueiros (A0.1204421). This is an arrangement for Viola Duo of I'm Late from Alice in Wonderland.
$4.99
I'm Late
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Viola, Piano
#
BEGINNER
#
Bob Hilliard and Sammy Fain
#
Karen Gueiros
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I'm Late
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Editora Gueiros
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 1 - Digital Download SKU: A0.1204406 Composed by Bob Hilliard and Sammy Fain. Arranged by K...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 1 - Digital Download SKU: A0.1204406 Composed by Bob Hilliard and Sammy Fain. Arranged by Karen Gueiros. Broadway,Children,Film/TV,Musical/Show. Score and parts. 7 pages. Editora Gueiros #802873. Published by Editora Gueiros (A0.1204406). This is an arrangement for Viola Duo and Piano of I'm Late from Alice in Wonderland.
$4.99
Schumann - Märchenbilder Op.113 - Four Pieces for Viola and Piano
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Viola, Piano
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ADVANCED
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Classical
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Santino Cara
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Santino Cara
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Schumann - Märchenbilder Op.1
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Santino Cara
#
SheetMusicPlus
Piano,Viola - Level 5 - Digital Download SKU: A0.1116667 By Santino Cara. By Robert Schumann. Arranged by Santino Cara. Romantic Period. Score and part. ...
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Piano,Viola - Level 5 - Digital Download SKU: A0.1116667 By Santino Cara. By Robert Schumann. Arranged by Santino Cara. Romantic Period. Score and part. 43 pages. Santino Cara #718322. Published by Santino Cara (A0.1116667). Complete score and part of Märchenbilder Op.113 Four Pieces for Viola and Piano. Composed in 1851 by Robert Schumann and dedicaded to Wilhelm Joseph von Wasielewski . Rewritten and elaborated in Rome in 2019 by Santino Cara. 4 Pieces: 1. (Nicht schnell) Non veloce in D minor. 2. (Lebhaft) Vivace in F major. 3. (Rasch) Presto in D minor. 4. (Langsam) Lentamente in D major.
$20.40
Im Märzen der Bauer (In springtime the farmer) for violin, viola and piano
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Viola, Piano
#
INTERMEDIATE
#
Traditional
#
David Warin Solomons
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Im Märzen der Bauer
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David Warin Solomons
#
SheetMusicPlus
Piano Trio,String Ensemble Viola,Violin - Level 3 - Digital Download SKU: A0.576789 Composed by Traditional. Arranged by David Warin Solomons. Contempora...
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Piano Trio,String Ensemble Viola,Violin - Level 3 - Digital Download SKU: A0.576789 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. Score and parts. 9 pages. David Warin Solomons #433199. Published by David Warin Solomons (A0.576789). Arrangement for 2 melody instruments and piano of the German folk song Im Märzen der Bauer, which tells of the life of the farmer throughout the various seasons. For each verse I modulate to a different key, swap the tune over to the other melody instrument and change the countermelody. I have also made a version with a rather simpler accompaniment on guitar. The sound sample is an electronic preview. The pdf file contains the score and parts.
$7.00
Mussorgsky: Pictures at an Exhibition for Viola & Piano
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Viola, Piano
#
INTERMEDIATE/ADVANCED
#
Modest MUSSORGSKY
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James M
#
Mussorgsky: Pictures at an Exh
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.549930 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic...
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Piano,Viola - Level 4 - Digital Download SKU: A0.549930 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Instructional,Romantic Period,Standards. Score and part. 91 pages. Jmsgu3 #4303441. Published by jmsgu3 (A0.549930). A classic selection of epic proportions. Score: 75 pages, Solo part: 16 pages, 924 measures. Duration: 34:30 Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Promenade 1  Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto  page 1 1. GNOMUS (The Gnome)  Sempre vivo page 4 Promenade 2  Moderato commodo assai e con delicatezza page 10  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore page 12  Promenade 3 Moderato non tanto, pesamente page 18  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games) Allegretto non troppo, capriccioso page 19                                        4. BYDLO (Cattle) Sempre moderato pesante  page 22 Promenade 4 Tranquillo page 26 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²Â Scherzino  page 27 6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир  Andante page 30 Promenade 5  Allegro giusto, nel modo russico, poco sostenuto page 36 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News) Allegretto vivo, sempre scherzando  page 39 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы  Largo page 46   CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language) Andante non troppo, con lamento page 47 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле Allegro con brio, feroce page 50 10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezza page 63Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$32.95
Serenade for viola and piano
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Viola, Piano
#
INTERMEDIATE
#
Classical
#
Franz Schubert
#
Daniel C
#
Serenade for viola and piano
#
Daniel C. M.
#
SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.810225 Composed by Franz Schubert. Arranged by Daniel C.M. Concert,Romantic Period,Standards. Score and ...
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Piano,Viola - Level 3 - Digital Download SKU: A0.810225 Composed by Franz Schubert. Arranged by Daniel C.M. Concert,Romantic Period,Standards. Score and part. 4 pages. Daniel C. M. #5798709. Published by Daniel C. M. (A0.810225). This arrangement is almost the same as the original work for voice and piano. It has new changes in dynamics for the viola part to get a more expressive interpretation. The PDF contains both piano score and the viola part. Perfect for intermediate to advanced students. .
$2.99
Amazing Grace for viola and piano (easy)
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Viola, Piano
#
BEGINNER
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Anonymous, John Newton, and Wi
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Daniel C
#
Amazing Grace for viola and pi
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Daniel C. M.
#
SheetMusicPlus
Piano,Viola - Level 1 - Digital Download SKU: A0.810215 Composed by Anonymous, John Newton, and William Walker. Arranged by Daniel C. M. Christian,Concer...
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Piano,Viola - Level 1 - Digital Download SKU: A0.810215 Composed by Anonymous, John Newton, and William Walker. Arranged by Daniel C. M. Christian,Concert,Standards. Score and part. 3 pages. Daniel C. M. #5778769. Published by Daniel C. M. (A0.810215). This arrangement is based on the original publication from William Walker's Southern Harmony where the music is basically a 3 voices choral and this arrangement is almost just a transcription to piano and viola . The melody has little changes as the way it is interpreted today but keeps almost the same harmony from the original. It is written in a straight easy way for players to enjoy. Although the title of the piece comes from the hymn written by John Newton this is only an instrumental arrangement.
$3.99
Ave Maria by Gounod (viola and piano)
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Viola, Piano
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EASY
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Classical
#
Johann Sebastian Bach, Charles
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Daniel C
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Ave Maria by Gounod
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Daniel C. M.
#
SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.810217 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Roman...
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Piano,Viola - Level 2 - Digital Download SKU: A0.810217 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by Daniel C. M. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 4 pages. Daniel C. M. #5789467. Published by Daniel C. M. (A0.810217). This beautiful work of art is now arranged for viola and piano. The melody and the accompaniment are basically the same as the original for violin and piano by Gounod. The pdf file includes the piano score and the viola part separately.
$3.49
Ave verum corpus for viola and piano (easy)
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Viola, Piano
#
EASY
#
Classical
#
Wolfgang Amadeus Mozart
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Daniel C
#
Ave verum corpus for viola and
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Daniel C. M.
#
SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.1043933 Composed by Wolfgang Amadeus Mozart. Arranged by Daniel C. M. Classical,Sacred,Wedding. Score an...
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Piano,Viola - Level 2 - Digital Download SKU: A0.1043933 Composed by Wolfgang Amadeus Mozart. Arranged by Daniel C. M. Classical,Sacred,Wedding. Score and part. 3 pages. Daniel C. M. #648630. Published by Daniel C. M. (A0.1043933). This is a very easy arrangement for viola and piano. The main voice of the sopranos has been left for the viola to play. The choir and orchestra have been arranged for the piano in an easy way, but keeping the harmony the same as the original.
$4.00
Laudate Dominum for viola and piano (easy)
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Viola, Piano
#
EASY
#
Classical
#
Wolfgang Amadeus Mozart
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Daniel C
#
Laudate Dominum for viola and
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Daniel C. M.
#
SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.1044419 Composed by Wolfgang Amadeus Mozart. Arranged by Daniel C. M. Classical,Sacred,Wedding. Score an...
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Piano,Viola - Level 2 - Digital Download SKU: A0.1044419 Composed by Wolfgang Amadeus Mozart. Arranged by Daniel C. M. Classical,Sacred,Wedding. Score and part. 3 pages. Daniel C. M. #649151. Published by Daniel C. M. (A0.1044419). This is an easy arrangement for viola and piano. The accompaniment has been changed from sixteenth notes to eighth notes but keeping the harmony the same as the original. Secondary voices have been removed and only the main voice has been left for the viola to play. The structure has been shortened.
$4.00
Wedding March by Wagner for viola and piano (easy)
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Viola, Piano
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EASY
#
Classical
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Richard Wagner
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Daniel C
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Wedding March by Wagner for vi
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Daniel C. M.
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SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.1045108 Composed by Richard Wagner. Arranged by Daniel C. M. Classical,Romantic Period,Wedding. Score an...
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Piano,Viola - Level 2 - Digital Download SKU: A0.1045108 Composed by Richard Wagner. Arranged by Daniel C. M. Classical,Romantic Period,Wedding. Score and part. 3 pages. Daniel C. M. #649673. Published by Daniel C. M. (A0.1045108). This is an easy arrangement for viola and piano. Many secondary voices have been removed and only the main voice has been left for the viola to play, but keeping the harmony the same as the original for the piano accompaniment.
$4.00
Wedding March by Mendelssohn for viola and piano (easy)
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Viola, Piano
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BEGINNER
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Classical
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Felix Bartholdy Mendelssohn
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Daniel C
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Wedding March by Mendelssohn f
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Daniel C. M.
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SheetMusicPlus
Piano,Viola - Level 1 - Digital Download SKU: A0.1045105 Composed by Felix Bartholdy Mendelssohn. Arranged by Daniel C. M. Classical,Romantic Period,Wedd...
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Piano,Viola - Level 1 - Digital Download SKU: A0.1045105 Composed by Felix Bartholdy Mendelssohn. Arranged by Daniel C. M. Classical,Romantic Period,Wedding. Score and part. 3 pages. Daniel C. M. #649670. Published by Daniel C. M. (A0.1045105). This is an easy arrangement for viola and piano. Many secondary voices have been removed and only the main voice has been left for the viola to play, but keeping the harmony the same as the original for the piano accompaniment.
$4.00
Ave Maria for viola and piano (simplified)
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Viola, Piano
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Classical
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Franz Schubert
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Daniel C
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Ave Maria for viola and piano
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Daniel C. M.
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SheetMusicPlus
Piano,Viola - Digital Download SKU: A0.810214 Composed by Franz Schubert. Arranged by Daniel C. M. Concert,Romantic Period,Standards,Wedding. Score and p...
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Piano,Viola - Digital Download SKU: A0.810214 Composed by Franz Schubert. Arranged by Daniel C. M. Concert,Romantic Period,Standards,Wedding. Score and part. 3 pages. Daniel C. M. #5789415. Published by Daniel C. M. (A0.810214). This is an easy arrangement for the piano accompaniment and viola. The viola part is almost the same as the original for voice but with a few changes to make it easier. The famous broken chords in the accompaniment are simplified from double notes to single notes and the result is a quasi Chopin-like nocturne. Perfect for early intermiediate piano students or viola teachers who want to play the piano part with their students with an easy but still enjoyable arrangement.
$3.99
Laudate Dominum for viola and piano
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Viola, Piano
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EASY
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Classical
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Wolfgang Amadeus Mozart
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Daniel C
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Laudate Dominum for viola and
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Daniel C. M.
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SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.1044404 Composed by Wolfgang Amadeus Mozart. Arranged by Daniel C. M. Classical,Sacred,Wedding. Score an...
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Piano,Viola - Level 2 - Digital Download SKU: A0.1044404 Composed by Wolfgang Amadeus Mozart. Arranged by Daniel C. M. Classical,Sacred,Wedding. Score and part. 4 pages. Daniel C. M. #649136. Published by Daniel C. M. (A0.1044404). This is a simplified version for viola and piano. Many secondary voices have been removed and the main voice is played by the viola. The structure has been shortened. There is an easier version for the piano part of this same work, you can find it as Laudate Dominum for viola and piano (easy).
$4.00
Sonate
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Viola, Piano
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INTERMEDIATE/ADVANCED
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Viktor Kalabis
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Sonate
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Schott Music - Digital
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SheetMusicPlus
Viola and piano - intermediate to advanced - Digital Download SKU: S9.Q48863 For viola and piano. Composed by Viktor Kalabis. This edition: Sheet ...
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Viola and piano - intermediate to advanced - Digital Download SKU: S9.Q48863 For viola and piano. Composed by Viktor Kalabis. This edition: Sheet music. Downloadable. Op. 84. Duration 14 minutes. Schott Music - Digital #Q48863. Published by Schott Music - Digital (S9.Q48863). Der tschechische Komponist Viktor Kalabis komponierte zahlreiche Instrumentalwerke – darunter fünf Sinfonien, mehrere Solokonzerte sowie Kammermusik. Seine Kompositionstechniken stehen dem Neoklassizismus nahe. Neben Anklängen an die Vorbilder Strawinsky, Bartók und Martinů zeigt sich aber ein konsequenter, vornehmlich bitonal organisierter Individualstil. Die liedhaft den kantilenen Möglichkeiten des Streichinstruments nachsprürende Sonate für Viola und Klavier entstand 1997 und gehört zu den insgesamt drei Sonaten, die Kalabis für Klavier und Streichinstrument komponierte.
$25.99
Stormy Cliffs - Viola & Piano
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Viola, Piano
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INTERMEDIATE
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James Michael Stevens
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James Michael Stevens
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Stormy Cliffs - Viola & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.574328 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Centu...
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Piano,Viola - Level 3 - Digital Download SKU: A0.574328 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #6415383. Published by James M Stevens Music ASCAP (A0.574328). This is an original cello and piano composition in a dark and minimalist style in the key of E minor. There is a separate cello part in the score and the piano part as seen can serve as an independent solo. The accompaniment as heard can be found under Stormy Cliffs Piano Track. (The demonstration recordings are of cello and piano, but with the exact same notes and range.)
$6.99
Bach: Wachet auf for Viola & Piano
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Viola, Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Viola & P
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sa...
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Piano,Viola - Level 2 - Digital Download SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Rieding Concerto Op.35 for Viola and Piano
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Viola, Piano
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INTERMEDIATE
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Oskar Rieding
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Lauri Hämäläinen
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Rieding Concerto Op.35 for Vio
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Suomi Music
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SheetMusicPlus
Piano,Viola - Digital Download SKU: A0.885845 Composed by Oskar Rieding. Arranged by Lauri Hämäläinen. Classical,Instructional,Standards. Score ...
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Piano,Viola - Digital Download SKU: A0.885845 Composed by Oskar Rieding. Arranged by Lauri Hämäläinen. Classical,Instructional,Standards. Score and part. 19 pages. Suomi Music #3518529. Published by Suomi Music (A0.885845). The famous Rieding Concerto Op. 35 arranged for Viola and Piano with simplified piano arrangement.The arrangement is part of the Viola Friends viola school 2. The original piano part has been simplified in order for students of the same age to play more easily together.The key is changed from B minor to E minor. Level 3. 18/19 pages. Published by Suomi Music.
$8.99
Applause
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Viola, Piano
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INTERMEDIATE
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Pop music
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Lady Gaga
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James M
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Applause
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.547661 By Lady Gaga. By Dino Zisis, Julien Arias, Nicholas Mercier, Nicholas Monson, Paul Blair, Stefani...
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Piano,Viola - Level 3 - Digital Download SKU: A0.547661 By Lady Gaga. By Dino Zisis, Julien Arias, Nicholas Mercier, Nicholas Monson, Paul Blair, Stefani Germanotta, Steve Guess, and William Grigahcine. Arranged by James M. Guthrie, ASCAP. Pop. Score and part. 10 pages. Jmsgu3 #3031059. Published by jmsgu3 (A0.547661). Lady Gaga: Applause Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Duration: 3'26In the United States, Nielsen SoundScan predicted Applause to sell upwards of 400,000 units in their first week.[37][56] By the end of the week, Nielsen SoundScan and Billboard had lowered the estimated amount of Applause's first week sales from 400,000 to 200,000–225,000.[57][58] Applause did not enter the Billboard's Hot 100 in its first week.[56] It also ranked below the top 75 threshold of the US Radio Songs chart, with 16 million audience impressions across 210 stations, with the track officially impacting radio stations on August 19, 2013. Applause reached number one on the Dance/Electronic Songs chart,[56] and entered the US Pop Songs Chartat number 20; the highest debut on that chart, by a solo female artist in 2013. The following week, Applause debuted at number six on the Billboard Hot 100. Following its radio and retail release the track charted on Digital Songs at number three, Streaming Songs at number nine and Radio Songs at number forty.[59]On its second week on the Hot 100, the song climbed to number four while reaching number three on Streaming Songs (due the release of the music video), and number thirty-five on Radio Songs, and falling to number five on Digital Songs with sales of 163,000.[60] In its sixth week, the song sold 160,000 copies and reached sales of 1 million copies, becoming her eleventh song to do so.[61] In the same week, it rose to number nine on the Radio Songs chart, becoming her tenth single to reach the top-ten there.[62] It managed to stay in the top-ten of the Billboard Hot 100 for 14 consecutive weeks. As of April 2016, the song had sold 2,640,000 copies in the United States,[63] and has been certified triple platinum by the Recording Industry Association of America (RIAA).[64]According to the Official Charts Company, Applause sold over 10,000 copies within a few hours in the UK.[32] It debuted and peaked at number five on the UK Singles Chart, making it her highest charting single since Born This Way (2011). Applause sold 38,042 copies by the end of the first week, and dropped to number nine on its second week.[65] It was present for a total of 20 weeks within the top-100 of the chart.[66] The British Phonographic Industry (BPI) certified it Gold,[67] and it has sold slightly under 300,000 copies as of September 2016.[68] Applause was also certified Gold in other international markets including Italy, New Zealand, and Sweden.[69][70][71] Wikipedia
$29.95
Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
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Viola, Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romant...
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Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499711. Published by jmsgu3 (A0.549462). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Bohm: Calm as the Night for Viola & Piano
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Viola, Piano
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INTERMEDIATE
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Carl Bohm
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James M
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Bohm: Calm as the Night for Vi
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.549396 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedd...
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Piano,Viola - Level 3 - Digital Download SKU: A0.549396 Composed by Carl Bohm. Arranged by James M. Guthrie, ASCAP. Romantic Period,Sacred,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #3493191. Published by jmsgu3 (A0.549396). Duration: ca. 4:00, Score: 7 pages, solo part: 2 pages, piano part: 3 pages. A very popular number for weddings, also effective for meditations and recital encores. Carl Bohm Carl Bohm, sometimes spelled with a K as in Karl Bohm, was born in 1844 and died in 1920. Bohm was a German composer, pianist, and songwriter. He was famous for writing songs with a light and optimistic atmosphere. Some of his most famous songs are Calm as the Night, Twilight, May Bells, Enfant Cheri, and The Fountain. In addition to his songs, he was a very popular composer of string quartets and string trios. His music was very popular and profitable. His publisher used some of the profits from sales of Bohm’s work to prepare the works of Johannes Brahms for publication. Output He certainly was prolific, not only with individual compositions but collections and albums of original music, such as the Bohm Album for the Pianoforte. The quality of his melodies is remarkable. They have a familiar quality similar to folk-songs. It’s no wonder they have become so popular.  His greatest masterpiece may well be the famous Calm as the Night as it is so well finished and refined. This song comes to us from a collection known simply as Lieder Op. 326. Calm as the Night (Still wie die Nacht) is listed as Number 27 in the collection. The song is scored for vocal duet and piano. The lyrics for Bohm’s Still wie die Nacht are anonymous. Lyrics: Still wie die Nacht Und tief wie das Meer, Soll deine Liebe sein! Wenn du mich liebst, So wie ich dich, Will ich dein eigen sein. Heiß wie der Stahl Und fest wie der Stein Soll deine Liebe sein! English: As quiet as the night And deep as the sea, Your love should be! If you love me The same as I love you, I want to be yours. As hot as steel And as firm as a rock, Your love should be!
$26.95
Penitent Thief, The (for viola and piano)
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Viola, Piano
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ADVANCED
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David St...
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Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
Saint-Saens: The Swan for Viola and Piano
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Viola, Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Conte...
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
DvoÅ™ák: Largo from the New World Symphony for Viola & Piano
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Viola, Piano
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EASY
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Classical
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from the Ne
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.549418 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sa...
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Piano,Viola - Level 2 - Digital Download SKU: A0.549418 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3493991. Published by jmsgu3 (A0.549418). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
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