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PIANO & KEYBOARDS

Piano solo 133 Easy Piano 22 Piano, Vocal and Guitar 19 Piano, Voice 15 Organ 8

Piano (band part) 2 1 Piano, 4 hands 2 Big Note Piano 2 C Instruments 1 Accordion 1 2 Pianos, 4 hands 1

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GUITARS

Guitar 25 Guitar notes and tablatures 10 2 Guitars (duet) 5 Guitar (band part) 4 Ukulele 4

Banjo 4 3 Guitars (trio) 1 Bass guitar 1 4 Guitars (Quartet) 1

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VOICE

Choral SATB 42 Alto voice, Piano 9 Choral 3-part 8 Choral TTBB 5 Choral SSAA 4

Voice solo 4 Choral 2-part 4 Soprano voice, Piano 3 Voix Masculines 2 Baritone voice, Piano 1

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WOODWIND

Clarinet 70 2 Saxophones (duet) 14 Flute and Piano 10 Saxophone (band part) 9 Saxophone, Clarinet (duet) 9

Flute 9 Clarinet Quartet: 4 clarinets 9 Oboe, Piano (duet) 8 2 Clarinets (duet) 7 Saxophone Quartet: 4 saxophones 7 Alto Saxophone 7 2 Flutes (duet) 6 Clarinet, Violin (duet) 6 Flute Trio: 3 flutes 5 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 5 Alto Saxophone and Piano 5 Clarinet and Piano 4 Flute Quartet: 4 flutes 4 Oboe (band part) 4 Tenor Saxophone and Piano 4 Tenor Saxophone 4 Flute ensemble 4 3 Clarinets (trio) 4 Oboe, Clarinet (duet) 4 Flute and Guitar 3 Flute, Violin 3 2 Oboes (duet) 3 Oboe, Bassoon (duet) 3 Bass Clarinet, Piano 3 Flute, Saxophone (duet) 3 Oboe, Flute 3 Flute, Clarinet and Bassoon. 2 Clarinet Ensemble 2 Flute, Viola (duet) 2 Clarinet and Viola 2 Saxophone ensemble 2 Baritone Saxophone, Piano 2 Flute, Oboe, Clarinet, Bassoon 2 Flute, Clarinet (duet) 2 Soprano Saxophone and Piano 1 Treble (Alto) Recorder 1 Oboe 1 Flute, Trumpet (duet) 1 3 Saxophones (trio) 1 Bass Clarinet 1 Pennywhistle 1 Clarinet Quintet: 5 clarinets 1 Clarinet, Bassoon (duet) 1 Recorder Quartet 1 Descent (Soprano) Recorder, Piano 1 Clarinet (band part) 1 Clarinet, Trumpet (duet) 1 Clarinet Quintet: Clarinet, String Quartet 1 Flute (band part) 1 Flute, Oboe, Clarinet (trio) 1 Flute, Violoncello 1

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WOODBRASS

Brass Quintet: 2 trumpets, horn, trombone, tuba 19 Trombone (band part) 10 Trumpet (band part) 10 Trumpet 8 Trumpet, Saxophone (duet) 6

Trombone 5 Trombone and Piano 5 2 Trombones (duet) 4 French horn 4 Trumpet, Piano 4 2 Trumpets (duet) 3 French Horn and Piano 3 Trumpet, Trombone (duet) 3 Tuba 3 Brass Quartet 2 Euphonium, Piano (duet) 2 Brass Quartet: 4 trombones 2 Brass quartet : 2 trumpets, trombone, tuba 2 3 Trombones (trio) 1 2 Tubas (duet) 1

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STRINGS

String Quartet: 2 violins, viola, cello 27 Violin 18 Harp 10 Violin and Piano 10 Cello 7 Viola, Piano 7

Violin, Cello (duet) 6 2 Harps (duet) 6 Cello, Piano 5 2 Violins (duet) 5 Violin, Viola (duet) 4 String Trio: violin, viola, cello 4 String Trio: 2 violins, cello 4 2 Cellos (duet) 4 Viola 3 Doublebass (band part) 2 Double bass, Piano (duet) 2 2 Violas (duet) 2 Violin (band part) 2 Double Bass 2 String Quintet: 2 violins, 2 violas, cello 1 4 Cellos 1 Cello, String Bass (duet) 1 String Trio: 2 violins, viola 1 Viola (band part) 1 String Trio: 3 violas 1 Cello, Guitar (duet) 1 String Trio: 3 cellos 1

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PERCUSSION & ORCHESTRA

Concert band 65 Jazz Ensemble 28 Orchestra 21 String Orchestra 13 Handbells 13

Jazz combo 11 Brass ensemble 10 Chamber Orchestra 8 Drum (band part) 3 Drums 3 Marching band 2 Piano and Orchestra 1 Percussion Ensemble 1

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Viola, Piano

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7 sheet music found

Sonata in a Simple Scale for Viola and Piano Viola, Piano

Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Matter…(+)

Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#â€¦) or a half step (C C# D# E F#â€¦); the third scale excludes C entirely (B C# D E Fâ€¦). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.

$8.00 7.38 € #Viola, Piano #Daniell Mattern #Sonata in a Simple Scale for Viola and Piano #Daniell Mattern #SheetMusicPlus

Away in a Manger Viola, Piano

Piano,Viola - Level 2 - Digital Download SKU: A0.1501282 Composed by James R. Murra…(+)

Piano,Viola - Level 2 - Digital Download SKU: A0.1501282 Composed by James R. Murray. Arranged by Wesley S. SIlva. Christmas. Score and part. 3 pages. Wesley S. Silva #1077243. Published by Wesley S. Silva (A0.1501282). Away in a Manger is a classic Christmas carol that is perfect for beginner musicians. The song features a simple and gentle melody with a steady, slow tempo, making it easy to learn and play. Its repetitive structure allows beginners to quickly pick up the tune and focus on basic musical skills, such as timing and expression. With its calm and soothing nature, Away in a Manger is an excellent choice for anyone looking to perform a beloved, easy-level Christmas song that captures the peaceful spirit of the holiday season.

$5.99 5.52 € #Viola, Piano #James R #Away in a Manger #Wesley S. Silva #SheetMusicPlus

Carol of the Birds - Viola and Piano Viola, Piano

Piano,Viola - Level 3 - Digital Download SKU: A0.721137 Composed by Traditional. Ar…(+)

Piano,Viola - Level 3 - Digital Download SKU: A0.721137 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred. Score and part. 3 pages. Music-Scores.com #3885409. Published by Music-Scores.com (A0.721137). Carol of the Birds: traditional, beautiful Catalan carol, which was played by Pablo Casals before every concert to symbolise his yearning for Catalonia after he had been exiled.This is for Viola and Piano.Playing time up to 3 minutes, depending how slow, and whether repeats are taken.Arranged by Anne Christopherson at https://www.music-scores.com

$5.95 5.49 € #Viola, Piano #Traditional #Carol of the Birds - Viola and Piano #Music-Scores.com #SheetMusicPlus

Tchaikovsky - Morning Prayer in G Major for Viola & Piano - Easy Viola, Piano

Piano,Viola - Level 1 - Digital Download SKU: A0.1033961 Composed by Peter Ilyich T…(+)

Piano,Viola - Level 1 - Digital Download SKU: A0.1033961 Composed by Peter Ilyich Tchaikovsky. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. Score and part. 7 pages. Piacere Music Sheets #639279. Published by Piacere Music Sheets (A0.1033961). Opus/Catalog Number: Op.39 ; TH 141, No. 1 Key/Tone: G Major Movements/Sections: Andante Year/Date of Composition: 1878 Difficulty: Grade 3/12 (Easy) Obs.: This piece is the very first of 24 pieces in Tchaikovsky's Album for the Young. It was originally composed for the piano in the key of G Major. This score is a transcription for viola with piano accompaniment, and is made up of long phrases in a slow tempo. Included: Full score and separated parts for each instrument.

$6.95 6.41 € #Viola, Piano #Peter Ilyich Tchaikovsky #TH 141, No #Tchaikovsky - Morning Prayer in G Major for Viola & Piano - Easy #Piacere Music Sheets #SheetMusicPlus

Railway Song (Auf de schwäb'sche Eisebahne) flute, oboe, clarinet, bassoon, viola, cello, piano Viola, Piano

Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola - Level 4 - Digital Download …(+)

Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola - Level 4 - Digital Download SKU: A0.575776 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,Multicultural,World. Score and parts. 31 pages. David Warin Solomons #2028015. Published by David Warin Solomons (A0.575776). This arrangement of Railway Song is one of a series of jolly and descriptive quartets (and a septet) all based on the Swabian folksong Auf de schwÃ¤b'sche Eisebahne (= on the Swabian railway) from the TÃ¼binger Kommersbuch 1853 The music in this arrangement also mimics the speeding up and slowing down of the train and its whistles. Versions available on this site are: Flute quartet (piccolo, flute, alto flute, bass flute) Flute quartet (2 flutes, alto flute, bass flute) Flute quartet (piccolo, 2 flutes, alto flute) Clarinet quartet (3 B-flat clarinets and 1 Bass clarinet) String quartet (2 violins, viola and cello) Saxophone quartet (soprano, alto, tenor and baritone saxophones) Wind quartet (flute, oboe, clarinet, bassoon) Septet (flute (or oboe), oboe, clarinet, bassoon, viola, cello, piano).

$12.00 11.06 € #Viola, Piano #Traditional #Railway Song #David Warin Solomons #SheetMusicPlus

The Water is Wide for Viola & Piano Viola, Piano

Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…(+)

Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly) Duration: 5:24 Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time Solo part: 3 pg. Piano part: 4 pg. A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide," it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love." This is an original arrangement from the ground up. Programming: If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill. It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases. Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners. Keep in mind these performance ideas: 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses. 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated. 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow. Synopsis of the arrangement: verse 1: Simple quiet duet with the melody in the solo instrument. verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano. verse 3: Melody in the piano in 4-part harmony. verse 4: 3-part canon on the melody (with a free accompaniment voice). verse 5: 2-part canon with a free accompaniment in the solo part verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse. verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal piano clusters over bass chords that suggest submerged church bells. For better insight into the performance of this music: express the emotion indicated by the lyrics: The Water Is Wide: The water is wide, I cannot get over Neither have I wings to fly Give me a boat that can carry two And both shall row, my love and I A ship there is and she sails the sea She's loaded deep as deep can be But not so deep as the love I'm in I know not if I sink or swim I leaned my back against an oak Thinking it was a trusty tree But first it bent and then it broke So did my love prove false to me I reached my finger into some soft bush Thinking the fairest flower to find I pricked my finger to the bone And left the fairest flower behind Oh love be handsome and love be kind Gay as a jewel when first it is new But love grows old and waxes cold And fades away like the morning dew Must I go bound while you go free Must I love a man who doesn't love me Must I be born with so little art As to love a man who'll break my heart When cockle shells turn silver bells Then will my love come back to me When roses bloom in winter's gloom Then will my love return to me The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724). O Waly, waly (a lament – "woe is me") up the bank, And waly, waly doun the brae (hill), And waly, waly, yon burn-side (riverside), Where I and my love wont to gae. I lean'd my back into an aik (oak), I thocht it was a trusty tree; But first it bow'd, and syne (soon) it brak (broke), Sae my true love did lightly me. O waly, waly, but love be bonnie (beautiful), A little time while it is new, But when 'tis auld (old), it waxeth cauld (cold), And fades away like the morning dew. O wherefore should I busk my heid (adorn my head)? Or wherefore should I kame (comb) my hair? For my true love has me forsook, And says he'll never love me mair (more). Now Arthur Seat shall be my bed, The sheets shall ne'er be fyl'd by me, Saint Anton's well shall be my drink, Since my true love has forsaken me. Martinmas wind, when wilt thou blaw (blow), And shake the green leaves off the tree? O gentle death, when wilt thou come? For of my life I am weary. 'Tis not the frost, that freezes fell, Nor blawing snaws (snow) inclemency, 'Tis not sic cauld (such cold) that makes me cry, But my love's heart grown cauld to me. When we cam in by Glasgow town, We were a comely sight to see; My love was clad in the black velvet, And I my sell in cramasie (crimson). But had I wist (known), before I kiss'd, That love had been sae ill to win, I'd lock my heart in a case of gold, And pin'd it with a silver pin. Oh, oh! if my young babe were born, And set upon the nurse's knee, And I my sell were dead and gane, For a maid again I'll never be.[4] (Lyrics courtesy of Wikipedia) For more information, please feel free to contact me at: jmsgu3 "at" gmail.com James M. Guthrie, ASCAP jmsgu3 publications

$32.95 30.38 € #Viola, Piano #Traditional Scottish #The Water is Wide for Viola & Piano #jmsgu3 #SheetMusicPlus