Download Digital Sheet Music of The Way We Were

Digital scores (access after purchase)

Post mailing Digital sheet music

SORTING AND FILTERS

Sorting and filtering :

with audio

with video

with play-along

Not classified 112

PIANO & KEYBOARDS

Piano solo 80 Piano, Voice 42 Piano, Vocal and Guitar 37 Easy Piano 16 C Instruments 7

Accordion 2 2 Pianos, 4 hands 2 Big Note Piano 2 Piano Quartet: piano, violin, viola, cello 2 Organ 2 Piano Quartet: piano, 2 violins, cello 1 Piano (band part) 1

Instrumentations suivantes

Retracter

GUITARS

Guitar 14 Melody line, (Lyrics) and Chords 13 Guitar notes and tablatures 11 Dulcimer 2 2 Mandolins (duet) 2

Guitar (band part) 2 Lyrics and Chords 2 Bass guitar 2 2 Guitars (duet) 1

Instrumentations suivantes

Retracter

VOICE

Choral SATB 42 Choral 3-part 11 Alto voice, Piano 10 Choral 2-part 6 Choral TTBB 4

Tenor voice 2 Choral SSATTB 2 Choral Unison 2 High voice 2 Choral SSAA 1 Tenor voice, Piano 1 Voice solo 1 Baritone voice, Piano 1

Instrumentations suivantes

Retracter

WOODWIND

Saxophone (band part) 23 2 Saxophones (duet) 14 Clarinet 14 Flute 9 Oboe, Piano (duet) 7

Alto Saxophone 7 Saxophone Quartet: 4 saxophones 7 Saxophone, Clarinet (duet) 7 Clarinet and Piano 7 Clarinet, Trumpet (duet) 6 Flute and Piano 6 Alto Saxophone and Piano 6 2 Flutes (duet) 6 Tenor Saxophone 6 2 Clarinets (duet) 5 Clarinet Quartet: 4 clarinets 5 Baritone Saxophone, Piano 5 Clarinet, Violin (duet) 5 Tenor Saxophone and Piano 5 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 5 Soprano Saxophone and Piano 4 Oboe (band part) 4 English horn, Piano 4 Clarinet (band part) 3 2 Oboes (duet) 3 Flute, Clarinet (duet) 3 Flute, Viola (duet) 3 Clarinet and Viola 3 Oboe, Flute 2 Bass Clarinet 2 Flute Quartet: 4 flutes 2 Flute, Oboe, Clarinet, Bassoon 2 Flute, Viola and Piano 2 Flute, Saxophone (duet) 2 Flute and Strings Trio 1 Treble (Alto) Recorder, Piano 1 3 Clarinets (trio) 1 Descent (Soprano) Recorder, Piano 1 Clarinet Ensemble 1 Oboe, Bassoon (duet) 1 Oboe, Clarinet (duet) 1 English Horn 1 Clarinet Quintet: 5 clarinets 1 Flute ensemble 1 Oboe 1 Flute, Violin 1 English horn, Harp (duet) 1 Flute, Trumpet (duet) 1

Instrumentations suivantes

Retracter

WOODBRASS

Trumpet (band part) 12 Trombone (band part) 10 Trombone 9 Brass Quintet: 2 trumpets, horn, trombone, tuba 8 French horn 7

Trumpet 6 Trumpet, Saxophone (duet) 6 Trombone and Piano 6 Trumpet, Piano 4 2 Trombones (duet) 4 French Horn and Piano 4 Tuba 4 Trumpet, Trombone (duet) 4 English horn, Piano 4 Euphonium 2 2 Tubas (duet) 2 Euphonium, Piano (duet) 2 2 Trumpets (duet) 2 2 French horns (duet) 1 Brass quartet : 2 trumpets, trombone, tuba 1 Tuba (band part) 1 Tuba or Euphonium or Saxhorn 1 English Horn 1 3 Trumpets (trio) 1 English horn, Harp (duet) 1 Brass Quartet: 4 horns 1

Instrumentations suivantes

Retracter

STRINGS

String Quartet: 2 violins, viola, cello 21 Violin 11 Cello 8 Viola 7 Cello, Piano 7 Violin and Piano 7 Viola, Piano 7

Violin (band part) 6 Violin, Cello (duet) 5 2 Violins (duet) 4 Doublebass (band part) 4 2 Cellos (duet) 3 Violin, Viola (duet) 3 Harp, Flute (duet) 2 Viola (band part) 2 String Quartet : 4 violas 1 4 Cellos 1 Harp 1 String Trio: 3 cellos 1 String Trio: violin, viola, cello 1 2 Violas (duet) 1 Harp, Voice 1 String Trio: 2 violins, cello 1 Cello (band part) 1

Instrumentations suivantes

Retracter

PERCUSSION & ORCHESTRA

Orchestra 13 Concert band 13 String Orchestra 12 Jazz Ensemble 9 Brass ensemble 9

Chamber Orchestra 7 Jazz combo 3 Vibraphone 2 Drum (band part) 1 Drums 1 2 Marimbas 1 Handbells 1

Instrumentations suivantes

Retracter

OTHERS

You've selected:

The Way We Were - Percussion

Viola, Piano

Sheetmusic to print

7 sheet music found

Saint-Saens: The Swan for Viola and Piano Viola, Piano

Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…(+)

Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-SaÃ«ns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-SaÃ«ns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-SaÃ«ns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-SaÃ«ns BackgroundCharles-Camille Saint-SaÃ«ns 1835 â€“ 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-SaÃ«ns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-SaÃ«ns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-SaÃ«ns taught briefly in Paris, where his students included Gabriel FaurÃ©. Maurice Ravel later studied with FaurÃ©. In conclusion, both Ravel and FaurÃ© were powerfully influenced by Saint-SaÃ«ns, whom they respected as a musical mastermind.

$34.95 32.22 € #Viola, Piano #Camille Saint-Saens #Saint-Saens: The Swan for Viola and Piano #jmsgu3 #SheetMusicPlus

The Water is Wide for Viola & Piano Viola, Piano

Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…(+)

Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly) Duration: 5:24 Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time Solo part: 3 pg. Piano part: 4 pg. A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide," it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love." This is an original arrangement from the ground up. Programming: If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill. It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases. Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners. Keep in mind these performance ideas: 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses. 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated. 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow. Synopsis of the arrangement: verse 1: Simple quiet duet with the melody in the solo instrument. verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano. verse 3: Melody in the piano in 4-part harmony. verse 4: 3-part canon on the melody (with a free accompaniment voice). verse 5: 2-part canon with a free accompaniment in the solo part verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse. verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal piano clusters over bass chords that suggest submerged church bells. For better insight into the performance of this music: express the emotion indicated by the lyrics: The Water Is Wide: The water is wide, I cannot get over Neither have I wings to fly Give me a boat that can carry two And both shall row, my love and I A ship there is and she sails the sea She's loaded deep as deep can be But not so deep as the love I'm in I know not if I sink or swim I leaned my back against an oak Thinking it was a trusty tree But first it bent and then it broke So did my love prove false to me I reached my finger into some soft bush Thinking the fairest flower to find I pricked my finger to the bone And left the fairest flower behind Oh love be handsome and love be kind Gay as a jewel when first it is new But love grows old and waxes cold And fades away like the morning dew Must I go bound while you go free Must I love a man who doesn't love me Must I be born with so little art As to love a man who'll break my heart When cockle shells turn silver bells Then will my love come back to me When roses bloom in winter's gloom Then will my love return to me The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724). O Waly, waly (a lament – "woe is me") up the bank, And waly, waly doun the brae (hill), And waly, waly, yon burn-side (riverside), Where I and my love wont to gae. I lean'd my back into an aik (oak), I thocht it was a trusty tree; But first it bow'd, and syne (soon) it brak (broke), Sae my true love did lightly me. O waly, waly, but love be bonnie (beautiful), A little time while it is new, But when 'tis auld (old), it waxeth cauld (cold), And fades away like the morning dew. O wherefore should I busk my heid (adorn my head)? Or wherefore should I kame (comb) my hair? For my true love has me forsook, And says he'll never love me mair (more). Now Arthur Seat shall be my bed, The sheets shall ne'er be fyl'd by me, Saint Anton's well shall be my drink, Since my true love has forsaken me. Martinmas wind, when wilt thou blaw (blow), And shake the green leaves off the tree? O gentle death, when wilt thou come? For of my life I am weary. 'Tis not the frost, that freezes fell, Nor blawing snaws (snow) inclemency, 'Tis not sic cauld (such cold) that makes me cry, But my love's heart grown cauld to me. When we cam in by Glasgow town, We were a comely sight to see; My love was clad in the black velvet, And I my sell in cramasie (crimson). But had I wist (known), before I kiss'd, That love had been sae ill to win, I'd lock my heart in a case of gold, And pin'd it with a silver pin. Oh, oh! if my young babe were born, And set upon the nurse's knee, And I my sell were dead and gane, For a maid again I'll never be.[4] (Lyrics courtesy of Wikipedia) For more information, please feel free to contact me at: jmsgu3 "at" gmail.com James M. Guthrie, ASCAP jmsgu3 publications

$32.95 30.38 € #Viola, Piano #Traditional Scottish #The Water is Wide for Viola & Piano #jmsgu3 #SheetMusicPlus

The Way We Were Viola, Piano

Piano,Viola - Level 2 - Digital Download SKU: A0.642657 By Barbra Streisand. By Mar…(+)

Piano,Viola - Level 2 - Digital Download SKU: A0.642657 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kaiserin Rebecca. Contemporary. Score and part. 4 pages. Kaiserin Rebecca #6619175. Published by Kaiserin Rebecca (A0.642657). For viola solo and piano accompaniment with chords.

$6.99 6.44 € #Viola, Piano #Barbra Streisand #The Way We Were #Kaiserin Rebecca #SheetMusicPlus

All In Love Is Fair Viola, Piano

Piano,Viola - Level 3 - Digital Download SKU: A0.791166 By Stevie Wonder. By Stevie…(+)

Piano,Viola - Level 3 - Digital Download SKU: A0.791166 By Stevie Wonder. By Stevie Wonder. Arranged by Kevin P Holdgate. Pop,Soul. Score and part. 8 pages. Kevin P Holdgate #5334891. Published by Kevin P Holdgate (A0.791166). KPHMS 'Solo' CollectionAll in Love Is Fair is taken from Stevie Wonder's sixteenth studio album, Innervisions, released on August 3, 1973. All Music's Matthew Greenwald found All in Love Is Fair to be among Wonder's finest ballad statements, which contained one of the most graceful and memorable hooks from the eraThis arrangement is based on the Barbara Streisand version of the song which was recorded in 1974 and appeared on her multi-award-winning album 'The Way We Were',Rhythmically this arrangement is approximately Grade 5 ABRSM/Trinity and makes for an interesting challenge away from the grading syllabus.There are versions of this arrangement available for a variety of solo instruments and also versions as a vocal with Brass Band and a 10 piece brass ensemble.

$4.99 4.6 € #Viola, Piano #Stevie Wonder #All In Love Is Fair #Kevin P Holdgate #SheetMusicPlus

18 Gospel Hymns Vol.2 for Solo Viola and Piano Viola, Piano

Piano Accompaniment, Viola - Early Intermediate - Digital Download Composed by Variou…(+)

Piano Accompaniment, Viola - Early Intermediate - Digital Download Composed by Various. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 49 pages. Published by David McKeown
18 Easy Gospel Hymns Vol.2 for Solo Viola and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music. The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as follows · O Mary Don’t You Weep, · O When the Saints, · Old Time Religion, · Onward Christian Soldiers, · Rock of Ages, · Shall We Gather at the River, · Stand Up, Stand Up for Jesus, · Standing in the Need of Prayer, · Swing Low Sweet Chariot, · Steal Away, · There is a Fountain Filled with Blood, · There is Power in the Blood, · This Little Light of Mine, · Wade in the Water, · Were You There? · What a Friend We Have in Jesus, · When the Roll Is Called Up Yonder, · When We All Get to Heaven. If you like these Gospel Hymns, then there are another eighteen just like them in Volume 1. To find them copy and paste 18 Easy Gospel Hymns Vol.1 for Solo Viola and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series. To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.

$8.49 7.83 € #Viola, Piano #Various #Worship #18 Gospel Hymns Vol.2 for Solo Viola and Piano # David McKeown #SheetMusicPlus

Pachelbel: Canon for Viola & Piano Viola, Piano

Piano,Viola - Level 3 - Digital Download SKU: A0.548460 Composed by Johann Pachelbe…(+)

Piano,Viola - Level 3 - Digital Download SKU: A0.548460 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3385399. Published by jmsgu3 (A0.548460). The famous Pachelbel Canon arranged for viola & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's CanonÂ is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-FranÃ§ois Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Â Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 â€“1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â

$32.95 30.38 € #Viola, Piano #Johann Pachelbel #Pachelbel: Canon for Viola & Piano #jmsgu3 #SheetMusicPlus