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I Write The Songs
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549328 By Barry Manilow. By Bruce …
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Piano,Viola - Level 3 - Digital Download SKU: A0.549328 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486067. Published by jmsgu3 (A0.549328). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
36.69 €
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Viola, Piano
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Barry Manilow
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Tears of the Heliad for solo viola and piano
Viola, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.771527 Composed by David F Wainwri…
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Piano,Viola - Level 5 - Digital Download SKU: A0.771527 Composed by David F Wainwright. 20th Century,Concert,Contemporary,Standards. Score and part. 15 pages. D F Wainwright #4346451. Published by D F Wainwright (A0.771527). In Greek mythology the Heliades were seven nymph daughters of the sun-god Helios. When their brother Phaethon was struck from the chariot of the sun by Zeus, they gathered around his smoky grave on the banks of the River Eridanos and in their unrelenting grief were transformed into poplar-trees and their tears fell into the river and became drops of golden amber. Having originally written a piece representing Phaethon's chaotic charge around the heavens and his destruction by Zeus as a viola solo for my daughter, Penelope, for her second year performance at University, we decided that I should follow the story to it's (rather beautiful) ending with this longer piece for her degree performance. It is a piece which is of professional performance standard, lasting around 11 minutes
$14.99
13.76 €
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Viola, Piano
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David F Wainwright
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Tears of the Heliad for solo viola and piano
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D F Wainwright
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SheetMusicPlus
Sullivan: The Lost Chord for Viola & Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seym…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.75 €
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Viola, Piano
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Viola & Piano
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jmsgu3
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Viola & Piano
Viola, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreye…
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
30.26 €
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Viola, Piano
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Nikolay Andreyevich Rimsky-Korsakov
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Korsakov: Flight of the Bumblebee for Viola & Piano
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jmsgu3
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SheetMusicPlus
Robert Schumann: New Year's Eve Song instantly for viola & piano
Viola, Piano
This is an exclusive arrangement for viola & piano of MEDIUM skill level from the orig…
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This is an exclusive arrangement for viola & piano of MEDIUM skill level from the original composition by Robert Schumann. This title is available as instant sheet music download. Contents: op. 68, opus 68 / classical,holiday,winter
$3.99
3.66 €
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Viola, Piano
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Robert Schumann
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Virtualsheetmusic
I Vow To Thee My Country (Viola solo and Piano)
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.630218 Composed by Gustav Holst. A…
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Piano,Viola - Level 2 - Digital Download SKU: A0.630218 Composed by Gustav Holst. Arranged by Stephen DeCesare. Contemporary,Patriotic,Standards,Wedding,World. Score and part. 8 pages. Exultet Music #6426079. Published by Exultet Music (A0.630218). The British Patriotic hymn has been freshly arranged for a Viola solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many occasions throughout the year including weddings or funerals. An accompaniment track is also available.
$4.99
4.58 €
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Viola, Piano
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Gustav Holst
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I Vow To Thee My Country
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Exultet Music
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SheetMusicPlus
He Ain't Heavy, He's My Brother
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.791239 By Neil Diamond. By Bob Rus…
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Piano,Viola - Level 3 - Digital Download SKU: A0.791239 By Neil Diamond. By Bob Russell and Bobby Scott. Arranged by Kevin P Holdgate. Pop. Score and part. 8 pages. Kevin P Holdgate #5771827. Published by Kevin P Holdgate (A0.791239). KPHMS 'Solo' CollectionHe Ain't Heavy, He's My Brother is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for The Hollies later that year and a minor hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years.Scott and Russell were introduced to each other by Johnny Mercer, at a California nightclub. Although Russell was dying of lymphoma and the pair met only three times, they managed to collaborate on the song.This is an arrangement as a solo with piano accompaniment that I would judge to be around Grade 5/6 standard for most instruments.
$4.99
4.58 €
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Viola, Piano
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Neil Diamond
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He Ain't Heavy, He's My Brother
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Kevin P Holdgate
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SheetMusicPlus
Nearer, My God, to Thee
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1415092 Composed by Peter Hilliard…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1415092 Composed by Peter Hilliard. Arranged by Peter Hilliard. Sacred. Score and part. 6 pages. Shaw Music #996829. Published by Shaw Music (A0.1415092). This well-known hymn is tastefully arranged for viola with piano accompaniment. An excellent selection for use in worship throughout the year. Excerpted from VIOLA MUSIC FOR WORSHIP by Peter Hilliard.
$4.95
4.55 €
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Viola, Piano
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Peter Hilliard
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Nearer, My God, to Thee
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Shaw Music
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SheetMusicPlus
Saint-Saens: The Swan for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
32.09 €
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Viola, Piano
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Camille Saint-Saens
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Saint-Saens: The Swan for Viola and Piano
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jmsgu3
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SheetMusicPlus
The Wedding Album, for Solo Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.587634 Composed by Various. Arrang…
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Piano,Viola - Level 3 - Digital Download SKU: A0.587634 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594711. Published by David McKeown (A0.587634). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Viola with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.17 €
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Viola, Piano
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Various
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The Wedding Album, for Solo Viola and Piano
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David McKeown
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SheetMusicPlus
Were You There? for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.763455 Composed by Traditional Spi…
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Piano,Viola - Level 3 - Digital Download SKU: A0.763455 Composed by Traditional Spiritual. Arranged by Nigel Williams. Lent,Sacred,Spiritual,Standards. Score and part. 7 pages. Nigel Williams #5753501. Published by Nigel Williams (A0.763455). Were You There? is one of the most well known African-American Spirituals, and this arrangement for viola and piano will be a worthy addition to any High School, College or church music program. Especially suited to the Easter season but also able to be used throughout the year in worship services and recitals. The performance duration is over two and a half minutes and the full score comes with separate viola part attached. Enjoy browsing my many arrangements for viola and piano on SMP.
$4.99
4.58 €
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Viola, Piano
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Traditional Spiritual
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Were You There? for Viola and Piano
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Nigel Williams
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SheetMusicPlus
There's Something About That Name
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.630741 Composed by Bill Gaither. A…
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Piano,Viola - Level 2 - Digital Download SKU: A0.630741 Composed by Bill Gaither. Arranged by Stephen DeCesare. Contemporary. Score and part. 7 pages. Exultet Music #6473923. Published by Exultet Music (A0.630741). The tender Contemporary Christian / Praise and Worship anthem associated with the Bill Gaither Trio has now been freshly arranged for a Viola solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$4.99
4.58 €
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Viola, Piano
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Bill Gaither
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There's Something About That Name
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Exultet Music
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SheetMusicPlus
Penitent Thief, The (for viola and piano)
Viola, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterr…
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Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
22.95 €
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Viola, Piano
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
O Come All Ye Faithful for Viola & Piano
Viola, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548519 Composed by Wade. Arranged …
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Piano,Viola - Level 1 - Digital Download SKU: A0.548519 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 6 pages. Jmsgu3 #3388141. Published by jmsgu3 (A0.548519). O Come All Ye Faithful arranged with new harmony for the final verse. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the verses may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, other verses are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
22.91 €
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Viola, Piano
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Wade
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O Come All Ye Faithful for Viola & Piano
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jmsgu3
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SheetMusicPlus
The Girl From Ipanema (garôta De Ipanema)
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.747067 By Stan Getz & Astrud Gilbe…
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Piano,Viola - Level 4 - Digital Download SKU: A0.747067 By Stan Getz & Astrud Gilberto. By Antonio Carlos Jobim. Arranged by Keith Terrett. Contemporary. Score and part. 9 pages. Keith Terrett #5983875. Published by Keith Terrett (A0.747067). Arranged for Solo Viola & Piano Garota de Ipanema (The Girl from Ipanema) is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Ant.
$7.99
7.34 €
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Viola, Piano
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Stan Getz & Astrud Gilberto
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The Girl From Ipanema
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Keith Terrett
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SheetMusicPlus
Near the Cross
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1415081 Composed by Peter Hilliard…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1415081 Composed by Peter Hilliard. Arranged by Peter Hilliard. Sacred. Score and part. 7 pages. Shaw Music #996818. Published by Shaw Music (A0.1415081). This well-known hymn is tastefully arranged for viola with piano accompaniment. An excellent selection for use in worship throughout the year. Excerpted from VIOLA MUSIC FOR WORSHIP by Peter Hilliard.
$4.95
4.55 €
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Viola, Piano
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Peter Hilliard
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Near the Cross
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Shaw Music
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SheetMusicPlus
All Hail the Power of Jesus' Name
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1415077 Composed by Peter Hilliard…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1415077 Composed by Peter Hilliard. Arranged by Peter Hilliard. Sacred. Score and part. 9 pages. Shaw Music #996814. Published by Shaw Music (A0.1415077). This well-known hymn is tastefully arranged for viola with piano accompaniment. An excellent selection for use in worship throughout the year. Excerpted from VIOLA MUSIC FOR WORSHIP by Peter Hilliard.
$4.95
4.55 €
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Viola, Piano
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Peter Hilliard
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All Hail the Power of Jesus' Name
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Shaw Music
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SheetMusicPlus
The Lord Bless You and Keep You
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1415089 Composed by Peter Hilliard…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1415089 Composed by Peter Hilliard. Arranged by Peter Hilliard. Sacred. Score and part. 5 pages. Shaw Music #996826. Published by Shaw Music (A0.1415089). This well-known piece is tastefully arranged for viola with piano accompaniment. An excellent selection for use in worship throughout the year. Excerpted from VIOLA MUSIC FOR WORSHIP by Peter Hilliard.
$4.95
4.55 €
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Viola, Piano
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Peter Hilliard
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The Lord Bless You and Keep You
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Shaw Music
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SheetMusicPlus
The Solid Rock
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1415084 Composed by Peter Hilliard…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1415084 Composed by Peter Hilliard. Arranged by Peter Hilliard. Sacred. Score and part. 6 pages. Shaw Music #996821. Published by Shaw Music (A0.1415084). This well-known hymn is tastefully arranged for viola with piano accompaniment. An excellent selection for use in worship throughout the year. Excerpted from VIOLA MUSIC FOR WORSHIP by Peter Hilliard.
$4.95
4.55 €
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Viola, Piano
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Peter Hilliard
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The Solid Rock
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Shaw Music
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SheetMusicPlus
Happy New Year
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.636089 By ABBA. By Benny Andersson…
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Piano,Viola - Level 3 - Digital Download SKU: A0.636089 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Fishel Pustilnik. Contemporary. Score and part. 6 pages. F & N Enterprise #6210177. Published by F & N Enterprise (A0.636089). An excellent arrangement of the famous Song Happy New Year in C major (Jazz/Pop Version) for Viola and Piano-Jazz/Pop Version. Performed by ABBA.The video for Violin and Piano: https://youtu.be/yzVHQtUkuyUThe composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.58 €
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Viola, Piano
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ABBA
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Pop Piano Paradise
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Happy New Year
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F & N Enterprise
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SheetMusicPlus
Sorry Seems To Be The Hardest Word
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.747039 By Elton John. By Bernie Ta…
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Piano,Viola - Level 3 - Digital Download SKU: A0.747039 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5946197. Published by Keith Terrett (A0.747039). Arranged for Viola & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.
$9.99
9.17 €
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Viola, Piano
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Elton John
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Sorry Seems To Be The Hardest Word
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Keith Terrett
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SheetMusicPlus
His Eye Is On The Sparrow (with "The King Of Love My Shepherd Is") (Viola solo and Piano)
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.628724 Composed by Traditional, Ch…
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Piano,Viola - Level 2 - Digital Download SKU: A0.628724 Composed by Traditional, Charles Gabriel. Arranged by Stephen DeCesare. Christian,Contemporary,Praise & Worship,Sacred,Standards. Score and part. 13 pages. Exultet Music #6209225. Published by Exultet Music (A0.628724). Two of the most popular hymns in Christian worship have been joined together into one anthem of praise and is scored for a Viola solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year. An accompaniment track is also available.
$4.99
4.58 €
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Viola, Piano
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Traditional, Charles Gabriel
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His Eye Is On The Sparrow
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Exultet Music
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SheetMusicPlus
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