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Time To Change
Viola, Piano
Sheetmusic to print
20 sheet music found
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1
A Change In Me
Viola, Piano
Cello,Flute,Piano,Viola - Level 3 - Digital Download SKU: A0.1257441 Composed by Al…
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Cello,Flute,Piano,Viola - Level 3 - Digital Download SKU: A0.1257441 Composed by Alan Menken and Tim Rice. Arranged by André Nusa. Broadway,Children,Contemporary,Film/TV,Musical/Show,Singer/Songwriter. 17 pages. Andre_Nusa #850763. Published by Andre_Nusa (A0.1257441). Experience the enchanting transformation of A Change in Me from Disney's Beauty and the Beast with this exquisite arrangement for flute, viola, cello, and piano. Immerse yourself in the captivating melodies as the strings and woodwind intertwine in harmonious unity, supported by the rich and resonant tones of the piano. This arrangement beautifully captures the essence of personal growth and self-discovery, inviting players and listeners alike to embark on an emotional journey. Perfect for string and woodwind ensemble performances or chamber music settings, this arrangement offers a wonderful opportunity for musicians to showcase their expressive playing and musical artistry. Delight in the timeless magic of A Change in Me as the strings, woodwind and piano blend in a harmonious celebration of transformation and inner strength. Elevate your repertoire with this unforgettable arrangement that captures the heart and soul of this beloved Disney song.
$12.99
11.69 €
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Viola, Piano
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Alan Menken and Tim Rice
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A Change In Me
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Andre_Nusa
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Viola & Piano
Viola, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreye…
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
29.64 €
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Viola, Piano
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Nikolay Andreyevich Rimsky-Korsakov
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Korsakov: Flight of the Bumblebee for Viola & Piano
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jmsgu3
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SheetMusicPlus
Viola Sonata No.1
Viola, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.518943 Composed by Han-Ki Kim. 20t…
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Piano,Viola - Level 5 - Digital Download SKU: A0.518943 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 37 pages. Han-Ki Kim #129615. Published by Han-Ki Kim (A0.518943). Viola Sonata No.1 “KangKangSullae†For Viola and Piano Sonata No. 1 has the name “KangKangSullaeâ€, and the composer is like any other composer. “What does it mean to be Korean music?†With the question, he is trying to compose such works. A Korean work means a work that contains Korean emotions and spirit, and the melody of “KangKangSullae†has been handed down through a long history to this day, so it can be said that it is a keepsake containing the soul of Korea. With this in mind, the theme of “KangKangSullae†was cited in the 4th movement, and it was named as a representative name for the sonata as an element that forms the basic character of this movement. For reference, the origin of “KangKangSullae†is from women's circular dance. It was because they valued the relationship between each other. They held hands, sang and danced, and it was a representative event to commemorate the full moon and the harvest. The first movement is in 6/8 time, and two contrasting themes, masculine and feminine, appear in normal sonata form. But, in this sonata, two contrasting themes, eastern and western, develop. The second movement crosses the natural harmonics of the violin and the normal playing method in 4/4 time, and expresses oriental excellence and emotion. The third movement is composed in a short ABA form with a humorous lightness and weight in 3/8 time. The fourth movement quoted the theme of “KangKangSullae†in 8/12 time, and was composed in the form of variations that change with various personalities, sometimes solemnly, sometimes sobbing, calmly, etc.
$14.99
13.49 €
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Viola, Piano
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Han-Ki Kim
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Viola Sonata No.1
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Han-Ki Kim
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Viola & Piano
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastia…
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Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468034. Published by jmsgu3 (A0.549217). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
29.64 €
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Viola, Piano
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Johann Sebastian Bach
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Bach: Bist du bei mir BWV 508 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Symphony No. 7 by Beethoven for Viola and Piano
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1240301 Composed by Ludwig van Bee…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1240301 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #835671. Published by Woods Only, Arrangements (A0.1240301). This arrangement adapted for viola and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
1.79 €
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Viola, Piano
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Ludwig van Beethoven
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Symphony No. 7 by Beethoven for Viola and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Für Elise, for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.587571 Composed by Ludwig van Beet…
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Piano,Viola - Level 3 - Digital Download SKU: A0.587571 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361593. Published by David McKeown (A0.587571). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Viola with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.14 €
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Viola, Piano
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Ludwig van Beethoven
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Für Elise, for Viola and Piano
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David McKeown
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SheetMusicPlus
Amazing Grace, Concert Solo for Viola and Piano
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.587645 Composed by John Newton. Ar…
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Piano,Viola - Level 3 - Digital Download SKU: A0.587645 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611387. Published by David McKeown (A0.587645). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Viola with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.14 €
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Viola, Piano
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John Newton
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Amazing Grace, Concert Solo for Viola and Piano
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David McKeown
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SheetMusicPlus
Momentos
Viola, Piano
Piano,Viola - Digital Download SKU: A0.1459247 Composed by Jailton de Oliveira. 21s…
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Piano,Viola - Digital Download SKU: A0.1459247 Composed by Jailton de Oliveira. 21st Century,Chamber,Classical,Contemporary. Score and part. 30 pages. Jailton de Oliveira #1038189. Published by Jailton de Oliveira (A0.1459247). Momentos, for Viola and PianoThe work is divided into five parts: Part 1 is inspired in the sounds produced by the orchestra when tuning before each concert. There is emphasis on note A and the rhythms are out of phase. In Part 2 the viola “pizzicati” sounds are explored, in an atonal language, with intensive rhythmic dialogue between the two instruments. In Part 3 there is a vigorous rhythmic sense, with some metric changes and rhythmic contrasts, which sometimes, let the two instruments almost discordant with each other. In Part 4 is used the idea of an elastic time, that stretches and contracts. This idea is represented by a motif played by the viola. This motif is developed by a process of addition and subtraction of notes. Part 5 represents the idea of monotony, followed by try to break this monotony. This part begins with repeated elements that little by little, get transformed. Other elements appear, while the texture gets denser and the material presented by the viola acquire a degree of more virtuosity. Part 5 concludes with a brief rarefied texture.
$18.99
17.08 €
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Viola, Piano
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Jailton de Oliveira
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Momentos
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Jailton de Oliveira
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SheetMusicPlus
Arirang (For Viola and Piano)
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.511794 Composed by Korean Traditio…
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Piano,Viola - Level 4 - Digital Download SKU: A0.511794 Composed by Korean Traditional. Arranged by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and part. 13 pages. Han-Ki Kim #6245737. Published by Han-Ki Kim (A0.511794). Folksong can be said to be music that contains the life and soul of the country and ancestors, and “Arirang†has a very important meaning in that it is a folk song representing Korea.Following the fast introduction of 4 bars in 3/4 time, it is connected in the form of 5 variations in 6/8 time. The main melody of “Arirang†is exchanged with each other as if having a conversation with violin and Piano, And followed by a cadenza that boasts the splendid skills of the solo Violin, and after the wide and solemn finale, the same 3/4 time as the beginning. It ends with a short four-bar coda. Han-Ki Kim’s works give the value of artistic literature to children's songs and folk songs, which are familiar to everyone, so that the audience feels Musical sympathy, and because he is a performer, his works are characterized by a good harmony between theory and practice. This Music is dedicated to Professor Kim Nam-yoon, who left great achievements in the field of violin education in Korea. 1. This piece is composed based on Korean traditional Bird, Bird, Blue Bird.2. It’s very suitable for Concert and for Educational material.3. Shown Bowing sign and Fingering will be very helpful to player.4. Composer is, also as a Violinist, very experienced(with I Musici), and his works are loved world widely.5. Attached Music file is recorded with Violin and Piano, just for a reference.
$4.50
4.05 €
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Viola, Piano
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Korean Traditional
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Arirang
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Han-Ki Kim
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SheetMusicPlus
Viola Sonata No.2
Viola, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.518944 Composed by Han-Ki Kim. 20t…
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Piano,Viola - Level 5 - Digital Download SKU: A0.518944 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 34 pages. Han-Ki Kim #129616. Published by Han-Ki Kim (A0.518944). Viola Sonata Sonata No.2 “Ong Hye Ya†The first movement is in 3/4 time, and in normal sonata form, there are two contrasting themes. In this movement, there is a contrast between the oriental and western characteristics. The first theme is oriental and the second theme is characterized by a Western character. The second movement is in 4/4 time, and it is composed in ABA format in which the theme of a slow nature is exchanged between instruments. The third movement is in 3/8 time, and the lively and humorous theme A and the slow B theme are written in ABA format. The 4th movement is in the form of a variation in which the theme of “Ong Heaâ€, the nickname of the sonata seen in 4/4/time, is cited. An exciting conversation continues. The colorful arpeggio and colorful bariolage are used to heighten the musical atmosphere. This theme originated in Kungsangdo province, south Korea. The meanning of “Ong Hye Ya†is the sound of peoples harvesting barleys. Excited reaction word of on old Korean mostly used in traditional folk songs to uplift the hard work of harvesting. Attached music file is recorded by Violin, it's just for a reference.
$14.99
13.49 €
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Viola, Piano
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Han-Ki Kim
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Viola Sonata No.2
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Han-Ki Kim
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SheetMusicPlus
Caprice for Viola and Piano
Viola, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.955749 Composed by Phil Thrift. Co…
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Piano,Viola - Level 2 - Digital Download SKU: A0.955749 Composed by Phil Thrift. Contemporary. Score and part. 11 pages. Phil Thrift #6683993. Published by Phil Thrift (A0.955749). Caprice started out as a totally different piece of music, as a song in fact. However, in this modified form in a different key, it works well as a short, easy solo for viola. This is a light piece without any technical difficulties, but the modest musical material will test your musicality. It’s mainly about melody, not technical abilities. Spirited, lyrical, reflective – those are the three moods the player needs to communicate, and always with a light touch. The first section, up to the key change, should be thought of as a song. That is followed by an instrumental interlude before the song returns at measure 72. At times there is a hint of Latin feeling in the piano accompaniment, which will require some sensitive playing to support that song-like concept. The repetition of the opening four notes in the solo part at the end should not be played loud – they should be regarded as an afterthought. Likewise, the last note in the piano part should not be a we’ve-reached-the-end thump, instead played lightly, like an understatement.
$3.99
3.59 €
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Viola, Piano
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Phil Thrift
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Caprice for Viola and Piano
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Phil Thrift
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SheetMusicPlus
Old Viennese dance tunes
Viola, Piano
Viola and piano - difficult - Digital Download SKU: S9.Q47178 No. 2 Love's Sorro…
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Viola and piano - difficult - Digital Download SKU: S9.Q47178 No. 2 Love's Sorrow. Composed by Fritz Kreisler. Arranged by Mats Lidstroem. This edition: score and part. Viola Library. Downloadable, score and part. Duration 5 minutes. Schott Music - Digital #Q47178. Published by Schott Music - Digital (S9.Q47178). This arrangement of the three-part compilation published in 1905 is based on Fritz Kreisler's original version as well as on later piano transcriptions by Sergei Rachmaninoff, with the harmonies, chromaticism and counterpoint of the piano transcriptions remaining unchanged. Original version and transcription are combined to form a virtuoso and effective solo piece. The three-four time typical of Vienna requires a certain, yet hardly notatable freedom of tempo without metronomic constraints.
$15.99
14.38 €
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Viola, Piano
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Fritz Kreisler
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Old Viennese dance tunes
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Schott Music - Digital
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SheetMusicPlus
Für Elise Boogie Woogie for Viola & Piano
Viola, Piano
Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.746664 Composed …
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Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.746664 Composed by Ludvig van Beethoven. Arranged by Keith Terrett. 20th Century,Jazz,Romantic Period,World. 22 pages. Keith Terrett #2075841. Published by Keith Terrett (A0.746664). An arrangement of Für Elise Boogie Woogie for Viola & Piano. Bagatelle No. 25 in A minor (WoO 59, Bia 515, and OEIS A123456) for solo piano, commonly known as Für Elise or Fuer Elise (German: English: For Elise, sometimes written without the German umlaut mark as Fur Elise), is one of Ludwig van Beethoven's most popular compositions. It is usually classified as a bagatelle, but it is also sometimes referred to as an Albumblatt. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$6.99
6.29 €
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Viola, Piano
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Ludvig van Beethoven
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Für Elise Boogie Woogie for Viola & Piano
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Keith Terrett
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SheetMusicPlus
Beauty And The Beast
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1038657 By Celine Dion & Peabo Bry…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1038657 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Tim Crooks. Film/TV,Pop. Score and part. 11 pages. STR:UK String Arrangements #643641. Published by STR:UK String Arrangements (A0.1038657). The iconic Beauty & The Beast (Tale as Old as Time) from the Disney film ‘Beauty and the Beast’, by Alan Menken and Howard Ashman, arranged for Viola and Piano by Tim Crooks. This arrangement is great for intermediate players (ABRSM Grade 4+), and with its many modulations it’s a great exercise for students learning to play in different keys! A second, easier viola part (approx grade 2 level, staying in 1st position) is included giving the option to play the piece as a duet with piano accompaniment, as per the original song. This arrangement is also compatible with the STRUK Strings arrangement for Violin & Piano (the solo parts and easy violin / viola parts can be interchanged). About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK String Arrangements, made in the UK Get in touch - your feedback and requests are always welcome! strukstrings@gmail.com twitter.com@strukstrings Facebook@Strukstrings.
$5.99
5.39 €
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Viola, Piano
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Celine Dion & Peabo Bryson
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Beauty And The Beast
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STR:UK String Arrangements
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SheetMusicPlus
DOWNTON ABBEY FOR VIOLA AND PIANO
Viola, Piano
By John Lunn. Arranged by Helen Marple-Horvat. Set of Parts. 10 pages. Published by …
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By John Lunn. Arranged by Helen Marple-Horvat. Set of Parts. 10 pages. Published by Helen Marple-Horvat
Downton Abbey was a much loved TV series that ran for six seasons capturing the hearts of many across the world. The composer of the music, John Lunn, won two Primetime Emmys for the hauntingly beautiful score. I have arranged this wonderful piece for violin and piano, as well as for cello and piano, and string quartet/string orchestra. The 30 sec clip is done on Sibelius software as I have not yet been able to record this piece live, but if you search my Youtube Channel, Skinny Black Dogs, Capriccio Quartet, you can see and hear the live version. The harmony and structure is exactly the same.<br> <br> The piece is suitable for a young violist and could easily make use of open strings, though more experienced players will be able to play in different positions with longer bows and vibrato. At Bars 11-13 the soloist will need to change the bow discreetly when it runs out. At bar 16, and at other similar points, the last beat may be omitted as it is double by the pianist.This was great fun to arrange so I hope you enjoy playing it!
$20.00
17.99 €
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Viola, Piano
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John Lunn
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DOWNTON ABBEY FOR VIOLA AND PIANO
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Helen Marple-Horvat
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SheetMusicPlus
We Don't Talk About Bruno
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.586459 By Carolina Gaitan, Mauro C…
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Piano,Viola - Level 3 - Digital Download SKU: A0.586459 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Martin Lass. Broadway,Hip-Hop,Latin,Musical/Show,Pop,R & B. Score and part. 9 pages. MA Lass & I Lass #195752. Published by MA Lass & I Lass (A0.586459). In this Level 2.5 (Intermediate) arrangement, Martin Lass has arranged the hit song, We Don't Talk About Bruno, for solo viola and piano accompaniment. Guitar chords and chord boxes are included. We Don't Talk About Bruno is a song from Disney's 2021 animated feature film, Encanto, with music and lyrics written by Lin-Manuel Miranda. It was released by Walt Disney Records as part of the film's soundtrack in November, 2021. It has achieved many accolades and charted No. 1 or Top Ten across the world, including No. 1 on US Billboard Hot 100. Wikipedia notes that, musically, We Don't Talk About Bruno eschews Disney's traditional formula of a sentimental ballad performed by a solo character, opting for a subdued, mid-tempo tune blending Latin music styles such as salsa and guajira with pop, hip hop, dance and Broadway elements, sung by an ensemble and climaxing in a polyphonic outro. This arrangement has been specifically tailored for intermediate-level cello while retaining all of the original elements of the song, as well as some original interpretative elements. The lead line combines some of the different voices in the original song. The key have been changed from the original C minor to the more viola-friendly D minor.
$7.99
7.19 €
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Viola, Piano
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Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy
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We Don't Talk About Bruno
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MA Lass & I Lass
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SheetMusicPlus
A Night In Tunisia
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.747027 By Dizzy Gillespie. By Dizz…
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Piano,Viola - Level 3 - Digital Download SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899685. Published by Keith Terrett (A0.747027). A great sounding arrangement of A Night in Tunisia arranged for Viola & Piano, Violists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.09 €
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Viola, Piano
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Sonata Pathetique, Adagio Cantabile, by Beethoven, for Viola and Piano
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.587806 Composed by Ludwig van Beet…
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Piano,Viola - Level 4 - Digital Download SKU: A0.587806 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Standards. Score and part. 9 pages. David McKeown #4979351. Published by David McKeown (A0.587806). Adagio Cantabile is the second movement of Ludwig van Beethoven’s Piano Sonata No.8, named by his publisher, the Sonata Pathetique. This example of Eighteenth Century marketing was successful! The Sonata was a hit with both critics and the buying public and did much to establish the young composer’s reputation. This arrangement transcribes the piano score as a Solo for Viola with Piano accompaniment. There is a separate solo part included with the score. The full length youtube performance is the clarinet version of this arrangement.Soloists at an advanced intermediate level and above will find this ideal for formal and informal performances. The rhythms are mostly straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. Since the main melody is played by the viola, the piano part is easier than the original. The overall performance time is around four and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.14 €
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Viola, Piano
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Ludwig van Beethoven
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Sonata Pathetique, Adagio Cantabile, by Beethoven, for Viola and Piano
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David McKeown
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SheetMusicPlus
Sonata in a Simple Scale for Viola and Piano
Viola, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Matter…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
7.2 €
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Viola, Piano
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Daniell Mattern
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Sonata in a Simple Scale for Viola and Piano
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Daniell Mattern
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SheetMusicPlus
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