Download Digital Sheet Music of Zedas Couve for Trumpet, Piano

Zedas Couve
Trumpet, Piano

B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.1183164 By Beachbody. By Idir Makhlaf, Thom Jongkind, and Timothy Smith. Arranged by Marcony Carvalho. 20th Century,Disco,Pop. Score and part. 12 pages. Zedas Couve #782844. Published by Zedas Couve (A0.1183164). Narco is a 2017 electronic music single by Blasterjaxx and Timmy Trumpet. It is used as the walkout song of Edwin DÃaz, the closer for the New York Mets of Major League Baseball. The song is also used as walk-up and home run music for William Contreras of the Milwaukee Brewers, whose usage of it has generated mild controversy.Composition and recording[edit]Narco was written and recorded by Blasterjaxx and Timmy Trumpet. The first portions of what would become Narco were created by Blasterjaxx members Idir Makhlaf and Thom Jongkind, who sought to create a song that would be mainstay on the dance floor. The duo soon created a synthetic drum beat that would remain in the introduction of the finished song and wrote a melody to go on top of it that Jongkind likened to an Arabian flute. The Dutch duo had been looking to collaborate with Timmy Trumpet and, when Timmy Trumpet had a day's break in the midst of his European tour, the three met and the duo played samples of the song. Timmy Trumpet suggested that the duo should remove the flute, and instead suggested that the song substitute a trumpet in place of the flute; he would later play and record the trumpet part that would replace the flute in the finished version of the song. The Blasterjaxx duo would later add the song's drop as well as a verse of rapping, though the duo did not listen to the verse's lyrics prior to the song's publication. The duo decided to title the track Narco after the crime drama television series Narcos.The song was released as a single in late 2017.

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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1182594 By Dirk Quinn Band. By Charles Borrelli and Roger Courtland. Arranged by Marcony Carvalho. 20th Century,Classical,March. Score and part. 2 pages. Zedas Couve #782339. Published by Zedas Couve (A0.1182594). The Eagles' Victory Song was the creation of Charles Borrelli and Richard Courtland Harrison, a Washington, D.C. music teacher and arranger for jazz guitarist Charlie Byrd. The song was mistakenly credited to R. Courtland by the Copyright office and in various editions of Eagles programs from the late 1950s through the 1960s.In 1963, Jerry Wolman purchased the Philadelphia Eagles. Wolman was a sports fan growing up and loved hearing the Washington Redskins' fight song Hail to the Redskins at games. Spawning from his admiration for the Redskins' song, Wolman searched for musicians to implement a team song for the Eagles, and founded The Philadelphia Eagles' Sound of Brass band in 1964. The group included 200 musicians and dancers, and was led by Arlen Saylor, who was appointed as the Eagles' entertainment director in 1966 and is credited with penning an arrangement of the fight song that the band played at home games during halftime in the 1960s. Wolman's push to popularize the fight song flew under the radar, however, and in 1969 the Sound of Brass band was discontinued.The song came back into light in 1997, when Bobby Mansure, founder of an unofficial Eagles pep band, asked team management to allow the band to play in the parking lot during home games. Management gave Mansure's pep band an audition, allowing them to play at two preseason games to gauge fan reaction. The song went over so well that Mansure and the band retained a permanent position as the official Philadelphia Eagles Pep Band.In 1998, following Mansure's reintroduction of the song, Eagles management attempted to rebuild its popularity among fans by changing some aspects of the song: they modified the key, changed the opening lyric from Fight, Eagles Fight to Fly, Eagles Fly, and re-marketed the song with that as the title. In addition, they appended the popular E-A-G-L-E-S chantâ€”which had emerged in the 1980sâ€”to the end of the song. While management planned to play the song throughout the 1998 season, the Eagles' poor performance that year caused them to hold off reintroducing the song until the following year. The Eagles fared better during their 1999 season, and subsequently, the fight song was played after every score.