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PIANO & KEYBOARDS

Piano solo 149 Piano, Voice 88 Organ 40 Easy Piano 18 Piano, Vocal and Guitar 17

C Instruments 9 Big Note Piano 8 Piano Trio: piano, violin, cello 5 Piano Accompaniment 3 1 Piano, 4 hands 3 Piano Quartet: piano, violin, viola, cello 2 2 Pianos, 4 hands 2 Organ, Trumpet (duet) 1 Piano (band part) 1

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GUITARS

Guitar notes and tablatures 15 Guitar 12 Bass guitar 3 Ukulele 2 3 Guitars (trio) 1

Mandolin 1 4 Guitars (Quartet) 1 Banjo 1 Piano, Guitar (duet) 1 Guitar Ensemble 1 Baritone Ukulele 1 2 Guitars (duet) 1

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VOICE

Choral SATB 144 Choral 2-part 26 Choral 3-part 26 Choral Unison 17 Vocal duet, Piano 14

Choral TTBB 12 Choral SSAA 10 Choral Instrumental Pak 8 Vocal duet 7 Alto voice, Piano 3 Choral 2 High voice 2 Low voice 1 Soprano voice, Piano 1 Tenor voice 1 Baritone voice, Piano 1 Medium voice, Piano 1

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WOODWIND

Clarinet Quartet: 4 clarinets 30 Flute, Oboe, Clarinet, Bassoon 25 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 19 Clarinet Ensemble 18 2 Clarinets (duet) 17

Clarinet and Piano 14 Saxophone Quartet: 4 saxophones 14 Flute ensemble 13 Flute and Piano 13 Flute Quartet: 4 flutes 13 Alto Saxophone and Piano 10 2 Flutes (duet) 8 Oboe, Piano (duet) 7 2 Saxophones (duet) 7 Flute 6 Clarinet 6 Saxophone ensemble 5 3 Clarinets (trio) 5 Flute, Clarinet (duet) 5 Tenor Saxophone and Piano 5 Saxophone Quintet: 5 Saxophones 4 Clarinet, Violin (duet) 3 Saxophone, Clarinet (duet) 3 Flute Trio: 3 flutes 3 Flute Quintet : 5 flutes 3 Flute, Clarinet and Bassoon. 3 Clarinet Quintet: 5 clarinets 3 Flute and Guitar 3 Flute, harp and violin 2 Alto Saxophone 2 Oboe, Guitar (duet) 2 Oboe (band part) 2 Oboe, Clarinet (duet) 2 Flute, Violin 2 Bass Clarinet, Piano 2 3 Saxophones (trio) 2 Flute, Oboe, Clarinet (trio) 2 Flute, Clarinet, Piano (trio) 2 Oboe, Bassoon (duet) 2 Clarinet and Viola 1 2 Recorders (duet) 1 Soprano Saxophone and Piano 1 2 Saxophones, Piano 1 Flute, Oboe, Piano (trio) 1 2 Clarinets, Piano 1 2 Oboes (duet) 1 Flute, Oboe (duet) 1 Baritone Saxophone, Piano 1 Oboe, Flute 1 English horn, Piano 1 Tenor Saxophone 1

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WOODBRASS

Brass Quintet: 2 trumpets, horn, trombone, tuba 24 Brass quartet : 2 trumpets, trombone, tuba 22 Brass Quartet: 4 trombones 14 Trombone and Piano 8 Trumpet, Piano 8 Brass Quartet: 2 trumpets, horn, trombone 7 Brass Quartet 4 Trumpet 4 Trumpet, Trombone (duet) 3 Brass Quartet: 4 horns 3 4 Tubas 3 Trombone ensemble 2 Tuba and Piano 2 2 Trumpets (duet) 2 3 Trumpets (trio) 2 Trumpet, Saxophone (duet) 2 French Horn and Piano 2

Trombone 1 Tuba and Organ 1 Trumpet, Bassoon (duet) 1 2 Trombones (duet) 1 Euphonium, Piano (duet) 1 Tuba 1 3 Trombones (trio) 1 English horn, Piano 1

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STRINGS

String Quartet: 2 violins, viola, cello 38 Violin and Piano 25 2 Violins (duet) 10 Viola, Piano 9 Harp 9

String Trio: violin, viola, cello 8 String Trio: 2 violins, cello 7 2 Cellos (duet) 7 Cello, Piano 6 2 Violas (duet) 6 Violin, Cello (duet) 6 Violin, Viola (duet) 5 4 Cellos 3 Violin, Guitar (duet) 3 Cello 3 String Trio: 3 violins 3 Violin 3 Violin (band part) 2 Harp, Voice 2 String Quintet: 2 violins, viola, cello, bass 1 String Trio: 3 violas 1 Double Bass 1 String quartet: 4 violins 1 Harp, Flute (duet) 1 Viola 1 Violin ensemble 1 Viola ensemble 1 String Trio: 2 violins, viola 1 4 Double Basses 1

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PERCUSSION & ORCHESTRA

Concert band 43 Drums 27 String Orchestra 23 Orchestra 21 Brass ensemble 16

Chamber Orchestra 15 Handbells 14 Jazz Ensemble 7 Percussion Ensemble 5 Orchestra, Violin 1 Vibraphone 1 Marching band 1 Jazz combo 1

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French Horn and Piano

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2 sheet music found

Dichterliebe French Horn and Piano

French Horn,Piano - Level 5 - Digital Download SKU: A0.1416184 Composed by Robert S…(+)

French Horn,Piano - Level 5 - Digital Download SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano. Â Then came the year of 1840, considered to be Schumannâ€™s liedarjahr (year of song), when he composed nearly half of his lifeâ€™s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano. Â One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumannâ€™s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style.Â Schumannâ€™s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poetâ€™s Love) is thought to be the paramount work among his song cycles. Â Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France.Â Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment. Â Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heineâ€™s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827.Â Divided into five sections, Heineâ€™s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heineâ€™s lyric poems for his Dichterliebe. Â For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music. Â Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line.Â Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition. Â To match the hornâ€™s register with the vocal line, the piano part required alterations by moving some notation higher in the register.

$54.99 50.7 € #French Horn and Piano #Robert Schumann #Dichterliebe #Songburd Music #SheetMusicPlus

Away In A Manger: for French Horn & Piano French Horn and Piano

French Horn,Piano - Level 1 - Digital Download SKU: A0.548477 Composed by Mueller. …(+)

French Horn,Piano - Level 1 - Digital Download SKU: A0.548477 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386535. Published by jmsgu3 (A0.548477). Traditional Christmas song arranged for Horn in F and Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880â€™s the cradle song was being performed in church. By the 1990â€™s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com

$24.95 23 € #French Horn and Piano #the 1880â€™s the cradle song was being performed in church #Mueller #Away In A Manger: for French Horn & Piano #jmsgu3 #SheetMusicPlus