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PIANO & KEYBOARDS

Piano, Vocal and Guitar 26 Piano solo 22 Piano, Voice 12 Easy Piano 6 C Instruments 5

Organ 3 Melody line, Piano 1

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GUITARS

Guitar notes and tablatures 3 Lyrics and Chords 2 Guitar 1 Band Scores 1

VOICE

Choral SATB 28 Voice solo 4 Choral TTBB 3 Choral 3-part 2 Vocal duet 2

Choral SSAA 2 Vocal duet, Piano 2 Tenor voice 1 Choral Unison 1 Choral 2-part 1 Baritone voice, Piano 1

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WOODWIND

Flute and Piano 5 Oboe, Piano (duet) 5 Saxophone (band part) 4 Flute 4 Clarinet (band part) 3

Clarinet 3 Alto Saxophone 3 Alto Saxophone and Piano 3 Clarinet and Piano 2 Flute ensemble 2 Oboe (band part) 2 Clarinet Quartet: 4 clarinets 1 Flute, Violin, Violoncello and Piano 1 Tenor Saxophone 1 Bass Clarinet 1 Oboe 1 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1 Flute Quartet: 4 flutes 1

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WOODBRASS

French Horn and Piano 5 Trumpet 3 French horn 3 Trumpet, Piano 3 Tuba and Piano 3

Tuba 2 Trumpet (band part) 2 Trombone 2 Trombone and Piano 2 Brass Quintet: 2 trumpets, horn, trombone, tuba 2 Tuba or Euphonium or Saxhorn 1 Tuba (band part) 1 Trombone (band part) 1

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STRINGS

Violin and Piano 6 String Quartet: 2 violins, viola, cello 6 Cello 4 Violin 4 Viola, Piano 3

Cello, Piano 3 Double Bass 3 Double bass, Piano (duet) 2 Viola 2 Viola and Harp 1 Viola, Cello (duet) 1 Violin (band part) 1

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PERCUSSION & ORCHESTRA

Concert band 40 String Orchestra 7 Jazz Ensemble 3 Percussion (band part) 2 Orchestra 2

Brass Quintet: other combinaisons 1 Brass ensemble 1 Timpani 1 Chamber Orchestra 1 Percussion 1

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Lost and Found

French Horn and Piano

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5 sheet music found

Where Hope Is Never Lost - French Horn and Piano French Horn and Piano

French Horn,Piano - Level 3 - Digital Download SKU: A0.573339 Composed by James Mic…(+)

French Horn,Piano - Level 3 - Digital Download SKU: A0.573339 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #5313539. Published by James M Stevens Music ASCAP (A0.573339). This is an original composition for French Horn and Piano in romantic and inspirational style in the key of C major. There is a separate French horn (horn in F) part in the score and piano part as seen can serve as a stand alone solo. Then accompaniment track as heard can be found under Where Hope Is Never Lost Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.

$6.99 6.43 € #French Horn and Piano #James Michael Stevens #Where Hope Is Never Lost - French Horn and Piano #James M Stevens Music ASCAP #SheetMusicPlus

What Was I Made For? French Horn and Piano

French Horn,Piano - Level 2 - Digital Download SKU: A0.1273333 By Billie Eilish. By…(+)

French Horn,Piano - Level 2 - Digital Download SKU: A0.1273333 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865486. Published by Milanov (A0.1273333). What Was I Made For? From Barbie by Billie Eilish for french horn and piano accompaniment. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

$5.99 5.51 € #French Horn and Piano #Billie Eilish #What Was I Made For? #Milanov #SheetMusicPlus

What Was I Made For? French Horn and Piano

French Horn,Piano - Level 2 - Digital Download SKU: A0.1273334 By Billie Eilish. By…(+)

French Horn,Piano - Level 2 - Digital Download SKU: A0.1273334 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865487. Published by Milanov (A0.1273334). What Was I Made For? From Barbie by Billie Eilish for french horn and piano accompaniment. Easy intermediate.Â What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.

$5.99 5.51 € #French Horn and Piano #Billie Eilish #What Was I Made For? #Milanov #SheetMusicPlus

Dichterliebe French Horn and Piano

French Horn,Piano - Level 5 - Digital Download SKU: A0.1416184 Composed by Robert S…(+)

French Horn,Piano - Level 5 - Digital Download SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano. Â Then came the year of 1840, considered to be Schumannâ€™s liedarjahr (year of song), when he composed nearly half of his lifeâ€™s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano. Â One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumannâ€™s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style.Â Schumannâ€™s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poetâ€™s Love) is thought to be the paramount work among his song cycles. Â Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France.Â Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment. Â Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heineâ€™s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827.Â Divided into five sections, Heineâ€™s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heineâ€™s lyric poems for his Dichterliebe. Â For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music. Â Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line.Â Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition. Â To match the hornâ€™s register with the vocal line, the piano part required alterations by moving some notation higher in the register.

$54.99 50.61 € #French Horn and Piano #Robert Schumann #Dichterliebe #Songburd Music #SheetMusicPlus

Achte Gedichte aus "Letzte Blätter" French Horn and Piano

French Horn,Piano - Level 5 - Digital Download SKU: A0.1416186 Composed by Richard …(+)

French Horn,Piano - Level 5 - Digital Download SKU: A0.1416186 Composed by Richard Strauss. Arranged by Layne Anspach. Classical. Score and part. 43 pages. Songburd Music #997870. Published by Songburd Music (A0.1416186). RICHARD STRAUSS was a much-celebrated German composer and conductor who is understood by many to have captured the essence of the German Period of Romanticism and his works encompass almost every type of compositional form, noting that many of his compositions became standards of the operatic and orchestral repertoire. Â While being personally recognized as one of the leading conductors in Western Europe, and internationally as well, he is also known for his lieder (songs), noting also that Strauss is thought to have composed most of these songs with the voice of his wife in mind, writing them for voice and piano accompaniment. Â Â As the story is sometimes told, it was Ludwig Thuille, also a prominent Austrian operatic composer, who introduced Strauss to the poetry of Hermann von Gilm, Austrian lawyer and poet, whose authored works caught Straussâ€™ attention. Â Straussâ€™ admiration for Gilmâ€™s work eventually brought him to compose a series of eight art songs found in Gilmâ€™s literary collection Letzte BlÃ¤tter (Last Leaves or Last Pages).Â Straussâ€™ completed musical work, entitled Acht Lieder aus â€˜Letzte BlÃ¤tter,â€™ op. 10 (Eight Songs from Last Pages), was first published in the year 1887, with the intention that all would be written for the tenor voice, and the collection is thought to contain some of Straussâ€™ most appreciated and respected art songs of the period.For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music. Â Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line.Â Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition. Â To match the hornâ€™s register with the vocal line, the piano part required alterations by moving some notation higher in the register.

$39.99 36.8 € #French Horn and Piano #Richard Strauss #Achte Gedichte aus "Letzte Blätter" #Songburd Music #SheetMusicPlus