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PIANO & KEYBOARDS

Piano solo 87 Piano, Voice 50 Piano, Vocal and Guitar 16 Easy Piano 15 C Instruments 9

Big Note Piano 5 2 Pianos, 4 hands 3 1 Piano, 4 hands 2 Organ 1 Piano (band part) 1 Piano Quartet: piano, violin, viola, cello 1 Piano Accompaniment 1

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GUITARS

Guitar notes and tablatures 14 2 Guitars (duet) 11 Ukulele 10 Guitar 10 4 Guitars (Quartet) 7

Melody line, (Lyrics) and Chords 3 Piano, Guitar (duet) 2 Guitar (band part) 2 Lyrics and Chords 2 3 Guitars (trio) 2 Mandolin 1

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VOICE

Choral SATB 31 Choral 3-part 5 Choral TTBB 4 Choral 2-part 3 Choral Unison 3

Choral SSAA 3 Soprano voice, Piano 2 Vocal duet, Piano 1 Tenor voice 1

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WOODWIND

Saxophone Quintet: 5 Saxophones 13 Flute and Guitar 10 Flute and Piano 10 Saxophone ensemble 9 Saxophone Quartet: 4 saxophones 6

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 6 Clarinet and Piano 6 Clarinet Quartet: 4 clarinets 6 Oboe, Piano (duet) 4 3 Saxophones (trio) 4 Soprano Saxophone and Piano 4 Alto Saxophone and Piano 4 Clarinet, Guitar (duet) 4 Descant (Soprano) Recorder 4 Clarinet Ensemble 4 Baritone Saxophone, Piano 3 Oboe, Guitar (duet) 3 Flute Quintet : 5 flutes 3 Flute ensemble 3 Flute, Oboe, Clarinet, Bassoon 3 Tenor Saxophone and Piano 3 English horn, Piano 3 Clarinet 2 Bass Clarinet, Piano 2 Flute Quartet: 4 flutes 2 Clarinet Quintet: 5 clarinets 2 Flute, Oboe (duet) 1 3 Clarinets (trio) 1 Recorder Quartet 1 Flute Trio: 3 flutes 1 Saxophone (band part) 1 Flute (band part) 1 Flute, Oboe, Clarinet (trio) 1 Oboe ensemble 1

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WOODBRASS

Brass quartet : 2 trumpets, trombone, tuba 13 Brass Quartet: 2 trumpets, horn, trombone 8 Trombone and Piano 4 Brass Quintet: 2 trumpets, horn, trombone, tuba 4 Trumpet 4 Trumpet, Trombone (duet) 3 English horn, Piano 3 Trombone 2 Trombone ensemble 2 Euphonium, Piano (duet) 2 French Horn and Piano 2

Tuba and Piano 2 2 Trumpets (duet) 1 French horn (band part) 1 Tuba (band part) 1 2 Tubas (duet) 1 Trumpet (band part) 1 Trumpet ensemble 1 Trombone (band part) 1

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STRINGS

Violin 12 String Quartet: 2 violins, viola, cello 11 Harp 5 Violin, Cello (duet) 3 Violin and Piano 3

String Trio: violin, viola, cello 3 String Trio: 2 violins, cello 3 String Quartet : 4 violas 2 Viola, Piano 2 String Quintet: 2 violins, viola, cello, bass 1 Violin ensemble 1 Viola ensemble 1 Cello 1 Violin, Viola (duet) 1 Doublebass (band part) 1 2 Cellos (duet) 1 String Trio: 3 cellos 1

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PERCUSSION & ORCHESTRA

Orchestra 16 Concert band 16 String Orchestra 8 Jazz combo 8 Handbells 4

Jazz Ensemble 3 Brass ensemble 2 Chamber Orchestra 2 Drum (band part) 1 Marimba 1 Percussion 1

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OTHERS

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Sometimes You Can

French Horn and Piano

Sheetmusic to print

2 sheet music found

Bach-Gounod: Ave Maria for French Horn & Piano French Horn and Piano

French Horn,Piano - Level 2 - Digital Download SKU: A0.549371 Composed by Bach-Goun…(+)

French Horn,Piano - Level 2 - Digital Download SKU: A0.549371 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491319. Published by jmsgu3 (A0.549371). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano, S0.661839 . The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâ€™s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâ€™s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Â History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and KÃ¶then. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Â Style It seems likeÂ Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Â Â Â Â Â Â Â Mendelssohn conducted a BachÂ revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâ€™s works. During this period, scholars published many noteworthy BachÂ biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â

$32.95 30.38 € #French Horn and Piano #Bach-Gounod #Piano, S0 #Bach-Gounod: Ave Maria for French Horn & Piano #jmsgu3 #SheetMusicPlus

Luther: Out of the Depths for French Horn & Piano French Horn and Piano

French Horn,Piano - Level 1 - Digital Download SKU: A0.548717 Composed by Martin Lu…(+)

French Horn,Piano - Level 1 - Digital Download SKU: A0.548717 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411743. Published by jmsgu3 (A0.548717). Out of the DepthsÂ I Cry to You by Martin Luther arranged for French horn & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â€“1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâ€™s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich SchÃ¼tz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in LÃ¼beck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.

$24.95 23 € #French Horn and Piano #Martin Luther #piano #Luther: Out of the Depths for French Horn & Piano #jmsgu3 #SheetMusicPlus