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42
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32
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10
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7
2 Pianos, 4 hands
7
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6
Piano Quartet: piano, violin, viola, cello
6
Keyboard
2
Organ, Trumpet (duet)
2
2 Accordions
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Melody line, Piano
1
Harpsichord
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+ 16 instrumentations
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131
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105
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Baritone Ukulele
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+ 14 instrumentations
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464
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125
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117
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6
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6
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2
Tenor voice, Piano
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Choral SSATB
2
Baritone voice, Piano
1
Choral SSATTB
1
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1
Soprano voice
1
Low voice
1
+ 20 instrumentations
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79
2 Flutes (duet)
68
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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62
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57
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41
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31
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27
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24
Tenor Saxophone
23
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22
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17
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12
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9
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9
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8
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8
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7
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6
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6
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6
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6
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6
2 Recorders (duet)
6
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5
3 Saxophones (trio)
5
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5
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4
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1
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1
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1
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1
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1
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1
Oboe, Cello
1
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1
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1
Flute, Clarinet, Piano (trio)
1
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1
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1
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1
Harmonica
1
2 English horns and Pianoforte
1
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1
Piccolo, Piano
1
Flute, Clarinet and Bassoon.
1
Flute, Cello, Piano (trio)
1
Clarinet, Bassoon (duet)
1
+ 79 instrumentations
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Trumpet
64
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48
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48
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39
2 Trombones (duet)
39
2 Trumpets (duet)
39
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37
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36
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34
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32
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27
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21
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20
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17
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15
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10
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9
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9
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7
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7
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7
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5
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1
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1
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1
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214
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89
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61
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54
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43
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38
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28
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19
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17
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9
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6
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5
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1
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1
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1
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106
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70
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45
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7
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5
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3
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Tuba and Piano
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9 sheet music found
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1
Scenes From Childhood (Kinderscenen) for Tuba or Bass Trombone & Piano
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Tuba and Piano
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ADVANCED
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Classical
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Robert Schumann
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Sauer, Ralph
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Piano by Ralph Sauer.
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Scenes From Childhood
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Gordon Cherry
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SheetMusicPlus
Piano,Tuba - Level 5 - Digital Download SKU: A0.792214 Composed by Robert Schumann. Arranged by Sauer, Ralph. Classical,Romantic Period. Score and part. ...
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Piano,Tuba - Level 5 - Digital Download SKU: A0.792214 Composed by Robert Schumann. Arranged by Sauer, Ralph. Classical,Romantic Period. Score and part. 32 pages. Gordon Cherry #4728671. Published by Gordon Cherry (A0.792214). Scenes From Childhood (Kinderscenen), Opus 15 is a set of 13 pieces of music that Schumann wrote for Piano in 1838. They are his reminiscences of childhood and have been beautifully scored for Tuba or Bass Trombone & Piano by Ralph Sauer. The most well known of the movements is Tråumerei (Dreaming) and has been used in movies to portray love scenes because of its tenderness and beauty. The music is for advanced performers and the collection contains close to 20 minutes of some very sublime & poetic music. Any of these pieces can be inserted into a recital program.
$22.50
Kinder-Totenlieder
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Tuba and Piano
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Classical
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Gustav Mahler
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Jay Hunsberger
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Kinder-Totenlieder
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Tuba-Euphonium Press
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SheetMusicPlus
Tuba solo with piano - Digital Download SKU: CX.TEP10569 Composed by Gustav Mahler. Arranged by Jay Hunsberger. Score. 40 pages. Published by Tuba-Euphon...
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Tuba solo with piano - Digital Download SKU: CX.TEP10569 Composed by Gustav Mahler. Arranged by Jay Hunsberger. Score. 40 pages. Published by Tuba-Euphonium Press (CX.TEP10569).
$20.00
O Holy Night for Tuba & Piano
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Tuba and Piano
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BEGINNER
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Christmas
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Adam
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James M
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O Holy Night for Tuba & Piano
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jmsgu3
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SheetMusicPlus
Piano,Tuba - Level 1 - Digital Download SKU: A0.548679 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pag...
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Piano,Tuba - Level 1 - Digital Download SKU: A0.548679 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410443. Published by jmsgu3 (A0.548679). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Calibrating the Moon - Tuba and Piano
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Tuba and Piano
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ADVANCED
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Contemporary
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Kyle Vanderburg
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Calibrating the Moon - Tuba an
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NoteForge
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SheetMusicPlus
Piano,Tuba - Level 5 - Digital Download SKU: A0.1002836 Composed by Kyle Vanderburg. Contemporary. Score and part. 33 pages. NoteForge #6113517. Publishe...
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Piano,Tuba - Level 5 - Digital Download SKU: A0.1002836 Composed by Kyle Vanderburg. Contemporary. Score and part. 33 pages. NoteForge #6113517. Published by NoteForge (A0.1002836). I spent New Year's Eve 2018 in Nye, Montana, visiting family and friends. One of those friends is an imaging specialist who regaled us with an explanation of his most recent project, which he described as calibrating the moon. Specifically, he was talking about the NASA ARCSTONE mission to calibrate the moon's reflectance to use as an accurate reference, primarily in climate science. The idea is that we have all this data about global warming and atmospheric changes, and a lot of that data uses the brightness of the moon as a control variable, but we don't actually have a precise definition of how bright the moon is. Ever since I was a part of that conversation, I knew that I wanted calibrating the moon as a title, and everything that came after that plays with the idea of moon themes or of doing big impossible-sounding things. When Connor Challey approached me about writing for tuba, Calibrating the Moon was an obvious choice.The work opens with Syzygy, a term describing the straight line between the sun, moon, and Earth that occurs every new and full moon. The movement starts dark and brooding, moves to an energetic middle section, and returns to being mysterious, kind of like a lunar cycle. Fun fact: This movement's theme is actually a tuba setting of the phrase Calibrating the moon.The Second movement, Spectral Reflectance, is slow and shiny. NDSU was fortunate to have portfolio tubist (and Connor's mentor) Sam Pilafian as a visiting guest artist for several years, and I finished Syzygy around the time of his passing. I spent a lot of time thinking about Sam while putting the second movement together, and I quoted a couple of his favorite tuba concerti.The work ends with Libration. If you were to watch a time-lapse video of a lunar cycle, you'd notice that the moon not only transitions from new to full to new, but also sort of oscillates or wags. That's Libration. The movement is likewise off-kilter, playing with the listener's sense of time through alternating time signatures.https://kylevanderburg.com/music/calibrating-the-moon/
$14.99
When There Are Nine (Tuba and Piano)
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Tuba and Piano
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ADVANCED
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Amy Dunker
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3:15
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When There Are Nine
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Amy Dunker
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SheetMusicPlus
Piano,Tuba - Level 5 - Digital Download SKU: A0.969871 Composed by Amy Dunker. Concert,Contemporary. Score and part. 9 pages. Amy Dunker #6083291. Publis...
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Piano,Tuba - Level 5 - Digital Download SKU: A0.969871 Composed by Amy Dunker. Concert,Contemporary. Score and part. 9 pages. Amy Dunker #6083291. Published by Amy Dunker (A0.969871). When There Are Nine is a fanfare of hope for the kind of equality that Justice Ruth Bader Ginsberg worked so diligently towards. When I'm sometimes asked when will there be enough [women on the Supreme Court] and I say, 'When there are nine,' people are shocked. But there'd been nine men, and nobody's ever raised a question about that. ― Ruth Bader GinsburgDuration: 3:15
$8.00
Pax Aeternam for tuba and piano
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Tuba and Piano
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ADVANCED
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Contemporary
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Maria Thompson Corley
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Pax Aeternam for tuba and pian
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Maria Thompson Corley
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SheetMusicPlus
Piano,Tuba - Level 5 - Digital Download SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley ...
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Piano,Tuba - Level 5 - Digital Download SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley #846603. Published by Maria Thompson Corley (A0.1252810). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.
$15.00
The First Noel for Tuba & Piano
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Tuba and Piano
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BEGINNER
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Christmas
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Traditional
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James M
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The First Noel for Tuba & Pian
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jmsgu3
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SheetMusicPlus
Piano,Tuba - Level 1 - Digital Download SKU: A0.548505 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part....
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Piano,Tuba - Level 1 - Digital Download SKU: A0.548505 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387403. Published by jmsgu3 (A0.548505). The First Noel arranged for Tuba & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Tuba Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Luther: Out of the Depths for Tuba & Piano
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Tuba and Piano
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BEGINNER
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Tuba - Level 1 - Digital Download SKU: A0.548724 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Sc...
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Piano,Tuba - Level 1 - Digital Download SKU: A0.548724 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411763. Published by jmsgu3 (A0.548724). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Master, the Tempest is Raging (Solo Tuba & Piano)
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Tuba and Piano
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EASY
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Sacred music
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H
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Garrett Breeze
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Master, the Tempest is Raging
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Lagom Music
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SheetMusicPlus
Piano,Tuba - Level 2 - Digital Download SKU: A0.723405 Composed by H.R. Palmer. Arranged by Garrett Breeze. Christian,Praise & Worship,Sacred,Spiritual. ...
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Piano,Tuba - Level 2 - Digital Download SKU: A0.723405 Composed by H.R. Palmer. Arranged by Garrett Breeze. Christian,Praise & Worship,Sacred,Spiritual. Score and part. 10 pages. Lagom Music #6139237. Published by Lagom Music (A0.723405). This arrangement by Garrett Breeze is easy to learn and fun to perform! Each verse modulates up a step, building in anticipation as the the chorus is reserved for the end of the piece. The piano part is full of movement, evoking the waves of the sea as it ebbs and flows. An exciting and accessible arrangement suitable for many different kinds of church services.
$5.99
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