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Trombone and Piano
Sheetmusic to print
6 sheet music found
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Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone and Piano
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ADVANCED
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. ...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Clair De Lune (Debussy) - trombone / euphonium and piano with FREE BACKING TRACK
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Trombone and Piano
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ADVANCED
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Classical
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Claude Debussy
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Austin Ralphson
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Clair De Lune
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Austin Ralphson
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.1173508 Composed by Claude Debussy. Arranged by Austin Ralphson. 20th Century,Classical,Romantic Peri...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.1173508 Composed by Claude Debussy. Arranged by Austin Ralphson. 20th Century,Classical,Romantic Period,Wedding. Score and part. 14 pages. Austin Ralphson #773653. Published by Austin Ralphson (A0.1173508). Clair de lune means moonlight in French, and Debussy took this title from Verlaine's poem Clair de lune. The beautiful melody works very well for solo instrument with piano and requires good breath control. The rhythms are particularly tricky in this piece, regularly moving from triplets to duplets and back again. Despite this, however, it should always flow smoothly and be played with feeling.Parts are provided in B flat (treble clef) and concert pitch C (bass clef).This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/EJ9cVpdO2ho and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/jDSA0
$3.99
Concerto for Bass Trombone with Piano accompaniment
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Trombone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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Wade Goodwin
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Concerto for Bass Trombone wit
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.920761 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Wade Goodwin. Romantic Period. Sc...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.920761 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Wade Goodwin. Romantic Period. Score and part. 26 pages. Gordon Cherry #526642. Published by Gordon Cherry (A0.920761). Cherry Classics is proud to present a great new arrangement by Dr. Wade Goodwin. The Concerto for Bass Trombone with Piano accompaniment. Based on the original classic for Tenor Trombone, Dr. Goodwin has transposed the work down a fourth to make his arrangement work out perfectly for the range of the Bass Trombone. He has extended the cadenza in the final movement, adding some of his own ideas as an optional test for those who dare to go low. This work of about 10 minutes in length is appropriate for performers from advanced intermediate to advanced depending on the cadenza option chosen and would be perfect for recitals, juries, and competitions.
$25.00
Eight Swinging Christmas Carols for Trombone & Piano
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Trombone and Piano
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ADVANCED
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Christmas
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traditional Christmas music
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Keith Terrett
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Good King Wenceslas. 
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Eight Swinging Christmas Carol
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Gordon Cherry
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SheetMusicPlus
Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.792569 Composed by traditional Christmas music. Arranged by Keith Terrett. Christmas,Jazz. Scor...
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Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.792569 Composed by traditional Christmas music. Arranged by Keith Terrett. Christmas,Jazz. Score and part. 23 pages. Gordon Cherry #5008609. Published by Gordon Cherry (A0.792569). A wonderful collection of Traditional Christmas Carols in a jazz style for Trombone and Piano arranged by British arranger and Trumpeter, Keith Terrett. The Carols included are: Ding Dong Merrily On High, Silent Night, We Three Kings, Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas. The Trombone part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is moderate. Mr. Terrett makes use of different mutes for a wide range of colors.
$25.00
Guthrie: Toccata Agitato for Trombone & Piano
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Trombone and Piano
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ADVANCED
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James M
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Guthrie: Toccata Agitato for T
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jmsgu3
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SheetMusicPlus
Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.1385662 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Weddin...
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Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.1385662 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 13 pages. Jmsgu3 #969599. Published by jmsgu3 (A0.1385662). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
$32.95
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