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You've selected:
Arthur S
Trombone and Piano
Sheetmusic to print
9 sheet music found
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1
Love's Enchantment
Trombone and Piano
Alto Trombone & Piano - Grade 3+ - Digital Download SKU: R0.30039 Composed by Arthu…
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Alto Trombone & Piano - Grade 3+ - Digital Download SKU: R0.30039 Composed by Arthur Willard Pryor. Arranged by Bertrand Moren. Alto Trombone & Piano. Score and parts. 15 pages. Duration 5'54. Editions Marc Reift - Digital #30039. Published by Editions Marc Reift - Digital (R0.30039).
$14.95
13.44 €
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Trombone and Piano
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Arthur Willard Pryor
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Love's Enchantment
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Editions Marc Reift - Digital
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SheetMusicPlus
3 VICTORIOUS HYMNS (for Trombone and Piano with Score/Parts)
Trombone and Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.617679 Composed by ROBERT LOWRY…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.617679 Composed by ROBERT LOWRY, ARTHUR S. SULLIVAN and IRA D. SANKEY. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Score and part. 31 pages. The Lanier Company #5994819. Published by The Lanier Company (A0.617679). 3 VICTORIOUS HYMNS is a compilation of 3 hymn tunes arranged by Gary Lanier for Trombone and Piano. The titles are (1) We're Marching to Zion, (2) Onward Christian Soldiers & (3) Faith Is the Victory. All for the price of 2. Perfect for any Christian inspirational event (31 pages).
$11.98
10.77 €
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Trombone and Piano
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ROBERT LOWRY, ARTHUR S
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(3) Faith Is the Victory
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3 VICTORIOUS HYMNS
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The Lanier Company
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SheetMusicPlus
Sullivan: The Lost Chord for Trombone & Piano
Trombone and Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur S…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497267. Published by jmsgu3 (A0.549458). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.23 €
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Trombone and Piano
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Blue Bells of Scotland for Bass Trombone and Piano
Trombone and Piano
Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.792671 C…
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Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.792671 Composed by Arthur Willard Pryor. Arranged by Bill Reichenbach. 20th Century,Folk,Romantic Period. Score and individual part. 11 pages. Gordon Cherry #5360307. Published by Gordon Cherry (A0.792671). Arthur Pryor's classic solo Blue Bells of Scotland is now available in an outstanding arrangement for Bass Trombone and Piano by Bill Reichenbach. Appropriate for advanced performers. The Concert Band reduction version is also available.
$20.00
17.98 €
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Trombone and Piano
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Arthur Willard Pryor
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Blue Bells of Scotland for Bass Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Too Much For Our Thirst (Trombone and Piano)
Trombone and Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexa…
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
8.98 €
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Trombone and Piano
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Love's Enchantment - Trombone & Piano by Arthur Pryor - Trombone Part and Piano Accompaniment
Trombone and Piano
Arthur Pryor - Love's Enchantment - Trombone & Piano - (Valse de Concert) Digital…
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Arthur Pryor - Love's Enchantment - Trombone & Piano - (Valse de Concert) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Solo & Accompaniment;Instrumental Part, instruments: Trombone;Piano Accompaniment; 12 pages -- Classical~~20th-Century~~Contest
$11.99
10.78 €
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Trombone and Piano
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Trombone & Piano by Arthur Pryor
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Musicnotes
A Policemans Lot - Trombone and Piano
Trombone and Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.722134 Composed by Sir Arthur S…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.722134 Composed by Sir Arthur Seymour Sullivan. Arranged by Anne Christopherson GRSM ARCM. Concert,Contemporary,Opera,Wedding. Score and part. 3 pages. Music-Scores.com #5798549. Published by Music-Scores.com (A0.722134). A Policemans Lot is not a happy one, from Pirates of Penzance. This is one of the best known comic operas by Gilbert and Sullivan. Gilbert wrote the words and their partnership is affectionately abbreviated to G and S.This is a duo for Trombone and Piano.Duration 2 minutes.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$6.95
6.25 €
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Trombone and Piano
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Sir Arthur Seymour Sullivan
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A Policemans Lot - Trombone and Piano
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Music-Scores.com
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SheetMusicPlus
Singin' In The Rain
Trombone and Piano
Large Ensemble Alto Saxophone,B-Flat Trumpet,Drum Set,Electric Bass Guitar,Harp,Percussion…
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Large Ensemble Alto Saxophone,B-Flat Trumpet,Drum Set,Electric Bass Guitar,Harp,Percussion,Piano,Trombone - Level 3 - Digital Download SKU: A0.599723 Composed by Arthur Freed and Nacio Herb Brown. Arranged by David Maddux. Broadway,Contemporary,Film/TV,Musical/Show. Score and parts. 56 pages. David Maddux #208961. Published by David Maddux (A0.599723). NOTE: This PDF file contains the conductor’s score, individual instrumental parts, and vocal-only part. The piano-vocal is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$60.00
53.95 €
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Trombone and Piano
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Arthur Freed and Nacio Herb Brown
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Singin' In The Rain
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David Maddux
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SheetMusicPlus
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