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You've selected:
Echo
Trombone and Piano
Sheetmusic to print
7 sheet music found
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1
Mind Echo
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Trombone and Piano
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EASY
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James Gilbert
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Mind Echo
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James Gilbert Music
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SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.728464 Composed by James Gilbert. Blues,Jazz,Pop,Rock. Score and part. 11 pages. James Gilbert Music ...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.728464 Composed by James Gilbert. Blues,Jazz,Pop,Rock. Score and part. 11 pages. James Gilbert Music #22893. Published by James Gilbert Music (A0.728464). For solo Trombone with piano
$4.99
Meditation on "Veni, Emmanuel" — trombone and piano or organ
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Trombone and Piano
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INTERMEDIATE
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Plainchant melody
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Todd Marchand
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Meditation on "Veni, Emmanuel"
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Con Spirito Music
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.726102 Composed by Plainchant melody. Arranged by Todd Marchand. Advent,Christian,Sacred. Score and p...
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Piano,Trombone - Level 3 - Digital Download SKU: A0.726102 Composed by Plainchant melody. Arranged by Todd Marchand. Advent,Christian,Sacred. Score and part. 10 pages. Con Spirito Music #6092177. Published by Con Spirito Music (A0.726102). “O Come, O Come Emmanuel†are the opening words of John Mason Neale’s (1818-1866) translation of the Medieval text, “Veni, Emmanuel,†with music arranged by Thomas Helmore (1811-1890), for The Hymnal Noted (London, 1856). The text of this most famous of Advent hymns is taken from various “‘O’ Antiphons,†verses sung or recited before and after the Magnificat during the evening Vespers service in the last week of Advent. Each antiphon is a name of Christ, and together they echo the foretelling of the long-expected Messiah by the prophet Isaiah.The origin of the music is uncertain. Some claim it to be from a 15th-century French processionale (hymnal, liturgical manual) for Franciscan nuns; others believe it to be of earlier, eighth-century Gregorian plainsong origins.This arrangement features both traditional and contemporary harmonies and a meditative original introduction prior to the opening presentation of the melody by trombone, which is echoed in countermelodies in later presentations.Includes both bass clef and Bb treble clef solo parts.©Copyright 2020 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$6.00
DvoÅ™ák: Largo from the New World Symphony for Trombone & Piano
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Trombone and Piano
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EASY
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AntonÃn Dvořák
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James M
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dynamic control
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DvoÅ™ák: Largo from the Ne
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - Digital Download SKU: A0.549436 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Roman...
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Piano,Trombone - Level 2 - Digital Download SKU: A0.549436 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494231. Published by jmsgu3 (A0.549436). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone and Piano
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ADVANCED
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. ...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Trombone Concerto-Miami, 3 movements
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Trombone and Piano
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Contemporary
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Dan Cutchen
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Trombone Concerto-Miami, 3 mov
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Dan Cutchen Music
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SheetMusicPlus
Piano,Trombone - Digital Download SKU: A0.844282 Composed by Dan Cutchen. Contemporary. Score and part. 26 pages. Dan Cutchen Music #2961177. Published b...
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Piano,Trombone - Digital Download SKU: A0.844282 Composed by Dan Cutchen. Contemporary. Score and part. 26 pages. Dan Cutchen Music #2961177. Published by Dan Cutchen Music (A0.844282). Trombone solo with piano accompaniment. 3 movements.Time: between 10:30 and 11 minutes long.For advanced high school/college/professional trombonist and advanced pianist.Piano score with trombone part and Trombone solo parts.The movements progress from harmonic simplicity to complexity. The first movement makes slow harmonic changes in contrast to a constant 8th note pattern throughout. As the movement concludes, the notes become less and spaced farther apart.The second movement echoes fragments of the 1st movement but ramps up the rhythmic complexity.The third movement is the most complex harmonically. There is a short section in the middle where the soloist has the option to sing/hum through the instrument while playing.
$14.95
My Song Is Love Unknown - for Trombone, Baritone Horn, or Euphonium and Piano
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Trombone and Piano
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INTERMEDIATE
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Sacred music
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Ron Planting
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My Song Is Love Unknown - for
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Converging Prospect Music
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SheetMusicPlus
Piano,Trombone - Level 3 - Digital Download SKU: A0.1175016 Composed by Ron Planting. Sacred. Score and part. 6 pages. Converging Prospect Music #775147....
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1175016 Composed by Ron Planting. Sacred. Score and part. 6 pages. Converging Prospect Music #775147. Published by Converging Prospect Music (A0.1175016). This would still likely be John Ireland's most-loved hymn tune -- even if he had written more than one! The arrangement echoes the yearning to comprehend that's expressed in Samuel Crossman's text. Includes an extra euphonium part in treble clef. Also available as a solo for many other orchestral and band instruments. Approximate duration: Â 3 minutes.
$4.95
Echo Salsa
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Trombone and Piano
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Alain Lopez
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2 pages (parts)
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Echo Salsa
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
By Alain Lopez. Trombone Solo and Piano Accompaniment. For Trombone solo and Piano. Classical, Educational. Grade 3. Score and Set of Parts. 6 pages (score); 2 ...
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By Alain Lopez. Trombone Solo and Piano Accompaniment. For Trombone solo and Piano. Classical, Educational. Grade 3. Score and Set of Parts. 6 pages (score); 2 pages (parts). Published by FLEX Editions - Digital Sheet Music
$8.95
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