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You've selected:
Make Her Me
Trombone and Piano
Sheetmusic to print
17 sheet music found
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1
Make Me A Channel Of Your Peace (prayer Of St. Francis)
Trombone and Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.1043064 Composed by Sebastian T…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1043064 Composed by Sebastian Temple. Arranged by Anthony Giamanco. Contemporary,Contest,Festival,Sacred,Wedding. Score and part. 11 pages. Whole Tone Press #647768. Published by Whole Tone Press (A0.1043064). This lovely and expressive arrangement for trombone and piano of the beloved Sebastian Temple hymn will make a welcome addition to any church service, concert, or recital. Although offering a more colourful harmonic palette, this arrangement maintains the simple beauty of the original hymn. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces can also be purchased through Sheet Music Plus, Sheet Music Direct, Sheet Music Marketplace, and JW Pepper. Anthony's music may also be purchased on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
$4.99
4.6 €
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Trombone and Piano
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Sebastian Temple
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Make Me A Channel Of Your Peace
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Whole Tone Press
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SheetMusicPlus
Make Me A Channel Of Your Peace (prayer Of St. Francis)
Trombone and Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.1100035 Composed by Sebastian T…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1100035 Composed by Sebastian Temple. Arranged by Wesley Carroll. Classical,Contemporary,Praise & Worship,Sacred. Score and part. 16 pages. Wesley Carroll #703899. Published by Wesley Carroll (A0.1100035). A beautiful solo arrangement of Make Me A Channel of Your Peace, composed for Trombone and Piano. Suitable for many different occasions including Remembrance Sunday or Veterans Day. This solo is also available for other instruments, please see my other listings.
$4.99
4.6 €
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Trombone and Piano
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Sebastian Temple
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Make Me A Channel Of Your Peace
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Wesley Carroll
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SheetMusicPlus
Band Of Brothers - Main Title
Trombone and Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.1238319 Composed by Michael Kam…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.1238319 Composed by Michael Kamen. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Score and part. 2 pages. John Fries #833785. Published by John Fries (A0.1238319). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Band of Brothers is a 2001 American war drama miniseries based on historian Stephen E. Ambrose's 1993 non-fiction book of the same name. The theme music was composed by the late Michael Kamen, known for his scores for titles such as the Die Hard films, X-Men, Memento as well as several HBO series. He had also collaborated previously with Tom Hanks, who produced the score for Band of Brothers. The bold, evocative soundtrack to the series was very well received, with critics calling it Kamen's best work to date.
$4.99
4.6 €
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Trombone and Piano
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Michael Kamen
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Band Of Brothers - Main Title
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John Fries
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SheetMusicPlus
Too Much For Our Thirst (Trombone and Piano)
Trombone and Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexa…
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
9.21 €
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Trombone and Piano
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32.26 €
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Trombone and Piano
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Cherry Classics Music
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
To Rise Again
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.1455537 By Alex Schwarte. By Al…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Alex Schwarte #1034623. Published by Alex Schwarte (A0.1455537). I have been working on To Rise Again for about a year since the passing of several close family members. As with any long-term struggle, some days are easier than others, and some days it is hard to do much of anything at all. Walking through hard days, this piece is about mental health, the struggles that you face, and on the most difficult days, what it takes to rise again. Despair: This movement opens with what I call the despair motif. This motif consists of seven notes and will return throughout the piece, reminding us of uncertainty and darkness. The middle of the movement includes a build-up leading to a complete panic attack, featuring cluster chords in the piano and extreme volumes and articulation in the trombone. Finally, a quasi-march leads us to the end, where we sink to the lowest and angriest point. Support: This tranquil and shimmering movement evokes the other side of grief and depression: the people around you. In the dark moments, these people can become pillars of aid and light. Even with support, there are moments of darkness and uncertainty, but support will always be there. Musically, this movement features numerous color tones and aims to create an emotionally understanding and steady atmosphere. The opening trombone line (the support motif) represents tender support and is used numerous times in the next movement. Overcome: The final movement opens with a haunting atmosphere created by plucked piano strings. The first normal piano entrance is the Rumbling motif: the feeling of the soul exerting its will to be free but not quite making it. Throughout the rest of the movement, the trombone and piano go back and forth, with the piano emphasizing support and the trombone wallowing in despair. Eventually, the trombone begins to come around and rise. Concluding with a triumphant feeling of release, the mind is lifted from despair, free and open to whatever life brings next. Mental health looks different for everyone, and I want to reflect that in this composition. For all future performances, the performers can make significant musical changes to better reflect their own challenges. This could be as small as a different tempo or as large as a completely different style and articulation. To Rise Again is very personal to me, and I want every performance of it to be just as personal.Playlist: https://www.youtube.com/playlist?list=PLDoVD8lbKulOjUbvdKcc9phxPNOgYLDuh.
$40.00
36.87 €
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Trombone and Piano
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Alex Schwarte
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To Rise Again
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Alex Schwarte
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SheetMusicPlus
Heaven Is A Place On Earth
Trombone and Piano
Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1378348 By Belinda Carlis…
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Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1378348 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Standards. Score and part. 7 pages. Kevin P Holdgate #962972. Published by Kevin P Holdgate (A0.1378348). This is an arrangement for solo instrument and piano pitched at around the level of ABRSM Grade 4/5 for most instruments. The range of notes is very compact with the difficulty steming from the often complicated rhythms and also the opening statement of the main theme is unaccompanied requiring the soloist to play with confidence and accuracy. The use of syncopated rhythms makes this an excellent repertoire piece.Heaven Is a Place on Earth is a single by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Rick Nowels and Ellen Shipley, the song was released as the lead single from the Heaven on Earth album on September 14, 1987, and it reached number one on the US Billboard Hot 100 on December 5, 1987, becoming Carlisle's only US chart-topper to date. A month later it peaked at number one in the United Kingdom, where it held the top spot of the UK Singles Chart for two weeks. In Australia it peaked at number 2. It is considered to be Carlisle's signature song.The song was nominated for the Grammy Award for Best Female Pop Vocal Performance in 1988, but lost out to Whitney Houston's I Wanna Dance with Somebody (Who Loves Me).
$5.99
5.52 €
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Trombone and Piano
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Belinda Carlisle
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Heaven Is A Place On Earth
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Kevin P Holdgate
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SheetMusicPlus
Heaven Is A Place On Earth
Trombone and Piano
B-Flat trombone,Piano - Level 2 - Digital Download SKU: A0.1378347 By Belinda Carli…
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B-Flat trombone,Piano - Level 2 - Digital Download SKU: A0.1378347 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Standards. Score and part. 7 pages. Kevin P Holdgate #962971. Published by Kevin P Holdgate (A0.1378347). This is an arrangement for solo instrument and piano pitched at around the level of ABRSM Grade 4/5 for most instruments. The range of notes is very compact with the difficulty steming from the often complicated rhythms and also the opening statement of the main theme is unaccompanied requiring the soloist to play with confidence and accuracy. The use of syncopated rhythms makes this an excellent repertoire piece.Heaven Is a Place on Earth is a single by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Rick Nowels and Ellen Shipley, the song was released as the lead single from the Heaven on Earth album on September 14, 1987, and it reached number one on the US Billboard Hot 100 on December 5, 1987, becoming Carlisle's only US chart-topper to date. A month later it peaked at number one in the United Kingdom, where it held the top spot of the UK Singles Chart for two weeks. In Australia it peaked at number 2. It is considered to be Carlisle's signature song.The song was nominated for the Grammy Award for Best Female Pop Vocal Performance in 1988, but lost out to Whitney Houston's I Wanna Dance with Somebody (Who Loves Me).
$5.99
5.52 €
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Trombone and Piano
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Belinda Carlisle
#
Heaven Is A Place On Earth
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Kevin P Holdgate
#
SheetMusicPlus
Morning Has Broken
Trombone and Piano
Piano,Trombone - Level 1 - Digital Download SKU: A0.548748 By Cat Stevens. By Cat S…
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Piano,Trombone - Level 1 - Digital Download SKU: A0.548748 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415223. Published by jmsgu3 (A0.548748). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
44.2 €
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Trombone and Piano
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Cat Stevens
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Downton Abbey (theme)
Trombone and Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.749214 By John Lunn. By John Lu…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.749214 By John Lunn. By John Lunn. Arranged by HELEN MARPLE-HORVAT. Film/TV. Score and part. 10 pages. Helen Marple-Horvat #3560439. Published by Helen Marple-Horvat (A0.749214). Downton Abbey was a much loved TV series that ran for six seasons capturing the hearts of many across the world. The composer of the music, John Lunn, won two Primetime Emmys for the hauntingly beautiful score. I have arranged this wonderful piece for other solo players and piano, as well as for string quartet/string orchestra. The 30 sec clip is done on Sibelius software as I have not yet been able to record this piece live, but if you search my Youtube Channel, Skinny Black Dogs, Capriccio Quartet, Downton Abbey, you can see and hear the live version. The harmony and structure is exactly the same. Though I am a pianist and string player, a trombonist assure me that this is a great key for a trombonist! Make sure that you grow through the phrases with your pianist. It is a piece that requires a great deal of ebb and flow with lots of crescendo and diminuendo throughout for you to feel together! Please do send me a recording of your playing it, even if it is done on a phone. Send me a message on Facebook. I hope you enjoy playing this piece!
$12.99
11.97 €
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Trombone and Piano
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John Lunn
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Downton Abbey
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Helen Marple-Horvat
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SheetMusicPlus
The Water is Wide (Trio for Two Trombones and Piano)
Trombone and Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 3 - Digital Download S…
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.1271208 Composed by Traditional Scottish Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Multicultural,Spiritual,Wedding,World. 16 pages. John A. Dempsey #863604. Published by John A. Dempsey (A0.1271208). Give me a boat that can carry two and both shall row - my love and I. Â From a rich, vibrant Celtic tradition comes the classic tune The Water is Wide, lovingly crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather). Â This unabashedly romantic trio for two trombones and piano is perfect for weddings and ceilidhs (or any Celtic-themed music event) as well as recitals and concerts. Â Â Â Â Â Â As wedding music, this arrangement stirs the heart as a prelude, unity candle accompaniment, a bridal march or a bridesmaid processional. Â This arrangement also makes a touching prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music for traditional church services and other worship events, as the melody has been used in multiple hymn settings, including The Gift of Love, Though I May Speak with Bravest Fire and as an alternate melody for When I Survey the Wondrous Cross. Â Key: F major. Â 12 pages of music (that includes separate parts for trombone 1 and trombone 2).
$11.99
11.05 €
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Trombone and Piano
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Traditional Scottish Melody
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The Water is Wide
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John A. Dempsey
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SheetMusicPlus
Breeze in The Hearts, Bloom in The World - Sonata for Trombone and Piano
Trombone and Piano
B-Flat trombone,Piano - Level 5 - Digital Download SKU: A0.1431109 Composed by Keik…
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B-Flat trombone,Piano - Level 5 - Digital Download SKU: A0.1431109 Composed by Keiko Takashima. Classical. Score and part. 35 pages. FOSTERMUSIC.JP Digital Publishing #1011578. Published by FOSTERMUSIC.JP Digital Publishing (A0.1431109). INTRODUCTION Breeze in The Hearts, Bloom in The World is a sonata for trombone and piano commissioned by trombonist Takenori Yoshikawa that premiered at Mr. Yoshikawa's recital in July 2010 with Iku Miwa on piano. Mr. Yoshikawa had requested me to compose a bold and spirited piece, which prompted me to write this sonata with four movements after much deliberation.In the original edition, the burden of the performance was a little too focused on the trombone due to the trombonist's heightened interest in the piece, and as a result, the piece became difficult to play. In this revised edition, I have reworked the balance between the trombone and the piano while preserving the length of the piece so that the music can be performed more effectively.<Performance notes>I. The repetitions of the gentle melody in the introduction should be played in a way that allows it to be heard from far away, while the theme that appears after that should sound majestic and brave.II. Nostalgia - Although this movement is in a minor key, the music seeks to depict a sense of nostalgia instead of sorrow. Despite its slow, triple-time rhythm, please ensure that the music progresses quietly without coming to a halt.III. Serenade - In this movement, the trombone's melody should have a smooth and lively rhythm like the cello in a string ensemble. Articulate the melody beautifully with grace and movement and never allow it to become too heavy.IV. The theme in this movement has a similar feel to that in the first movement, but lighter. Maintain a tempo that is not too fast and keep the music moving. In the coda section from F, the opening section of the first theme makes an appearance from time to time as the piece heads toward the end. Please maintain a constant tempo while articulating the notes in a loud and resonant manner.The piano part contains many sections throughout the entire piece that call for a deep, orchestral sound. The pianist should read these parts carefully from the score while supporting the trombone as much as possible.The word fuka in the Japanese title Fuka Sanrei refer to the flowers that bloom when the wind blows between two people and brings about various encounters between them. I hope that this piece will allow colorful flowers to bloom in the hearts of everyone who performs it and listens to it.March 2023, Keiko TakashimaClick here for other Takashima's works
$49.99
46.08 €
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Trombone and Piano
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Keiko Takashima
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Breeze in The Hearts, Bloom in The World - Sonata for Trombone and Piano
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
We Three Kings of Orient Are--trombone solo
Trombone and Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.786770 Composed by John Henry H…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.786770 Composed by John Henry Hopkins Jr. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 9 pages. Beka Wilson #6434673. Published by Beka Wilson (A0.786770). This is a new arrangement of the popular minor-key Christmas song We Three Kings. The mysterious flair and style will make this piece an excellent addition to a holiday concert, recital, or church service.Length: around 3 minutesLevel: intermediate for most instruments9 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.44 €
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Trombone and Piano
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John Henry Hopkins Jr
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We Three Kings of Orient Are--trombone solo
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Beka Wilson
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SheetMusicPlus
Ding Dong Merrily On High--trombone solo
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.786782 Composed by George Ratcl…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.786782 Composed by George Ratcliffe Woodward, Thoinot Arbeau. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 7 pages. Beka Wilson #6439617. Published by Beka Wilson (A0.786782). This new arrangement of Ding Dong Merrily On High for instrumental solo will make this piece an excellent addition to a holiday concert, recital, or church service.Length: around 3 minutesLevel: advanced for most instruments7 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.44 €
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Trombone and Piano
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George Ratcliffe Woodward, Thoinot Arbeau
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Ding Dong Merrily On High--trombone solo
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Beka Wilson
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SheetMusicPlus
It Came Upon a Midnight Clear--trombone solo
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.786844 Composed by Richard Stor…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.786844 Composed by Richard Storrs Willis. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and part. 5 pages. Beka Wilson #6616595. Published by Beka Wilson (A0.786844). This lullaby-like arrangement of It Came Upon a Midnight Clear for instrumental solo will make this piece an excellent addition to a holiday concert, recital, or church service.Length: around 4 minutes (suggested 100 bpm)Level: advanced for most instruments due to range and a brief clef change for some bass/alto clef instruments5 pages (includes score and separate solo part)This arrangement is available as a solo for flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello, and as a duet for harp/flute, harp/violin, harp/viola, and harp/cello. Want this piece for a different instrument or in a different key? Email me at bekmars10@gmail.com and I'll post a custom arrangement here on Sheet Music Plus.
$6.99
6.44 €
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Trombone and Piano
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Richard Storrs Willis
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It Came Upon a Midnight Clear--trombone solo
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Beka Wilson
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SheetMusicPlus
Blue Skies
Trombone and Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.1102415 Composed by Angela Ston…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.1102415 Composed by Angela Stone and David Vincent Bright. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. Score and part. 4 pages. John Fries #705825. Published by John Fries (A0.1102415). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. This is a Trombone Solo arrangement of this old standard. “Blue Skies†was composed by Irving Berlin in 1926. It made its debut in the Rodgers and Hart musical Betsy. According to Philip Furia and Michael Lasser, the song was added at the last minute, and it was thanks to a panicky phone call from vaudevillian Belle Baker to Berlin, who complained that the score lacked a ‘Belle Baker song.’ They also write: “Berlin resented the interpolation of songs by other composers into the score of his shows, but he must have been delighted at the chance to work one of his songs into a score by the young songwriting team who were already being compared to Gilbert and Sullivan.â€.
$4.99
4.6 €
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Trombone and Piano
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Angela Stone and David Vincent Bright
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Blue Skies
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John Fries
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SheetMusicPlus
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