Download Digital Sheet Music of Opening Theme for Trombone and Piano

Opening Theme
Trombone and Piano

Flowing Trombone and Piano

Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1373966 Composed by Lawre…(+)

Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1373966 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 8 pages. Lawrence H Underwood #958533. Published by Lawrence H Underwood (A0.1373966). This original composition by veteran performer and music educator, Lawrence Underwood, is the seventh installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Movement is at the heart of Flowing; from the gentle waltz rhythms of the opening strains, to the joyous rush and tumble of the middle section that precedes the return of the subtle pulse of the opening theme. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is a perfect additon to any program!
$6.99 6.46 € #Trombone and Piano #Lawrence H Underwood #Flowing #Lawrence H Underwood #SheetMusicPlus

Turkish March by Beethoven for Alto Trombone and Piano Trombone and Piano

Piano,Trombone - Level 2 - Digital Download SKU: A0.1266911 Composed by Ludwig van …(+)

Piano,Trombone - Level 2 - Digital Download SKU: A0.1266911 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,Folk,March,Romantic Period. Score and part. 3 pages. Woods Only, Arrangements #859553. Published by Woods Only, Arrangements (A0.1266911). This Alto Trombone and Piano arrangement of Beethovenâ€™s Turkish March Op. 113 is perfect for young music students and professional musicians alike. Adapted from the original work, it remains faithful to the structure while changing the tone for comfortable playing. Use it for recitals, repertoire, academic presentations, and didactic material. The Turkish March is the 4th movement of operatic work by Beethoven, The Ruins of Athens. Originally written in 1809 as Theme with Six Variations for Piano, Op. 76, it was later used to accompany August von Kotzebueâ€™s play for the dedication of a new theater in Pest. In Latin America, this movement became known as â€œThe Elephant Never Forgetsâ€ in Jean-Jacques Perreyâ€™s version and was used as the opening theme for the Mexican TV comedy El Chavo del Ocho. Experience Beethovenâ€™s Turkish March with this brass trio arrangement, perfect for ensemble practice among musicians of different traditions.
$1.99 1.84 € #Trombone and Piano #Ludwig van Beethoven #Turkish March by Beethoven for Alto Trombone and Piano #Woods Only, Arrangements #SheetMusicPlus

Whimsy Trombone and Piano

Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1374112 Composed by Lawre…(+)

Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1374112 Composed by Lawrence H Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 10 pages. Lawrence H Underwood #958688. Published by Lawrence H Underwood (A0.1374112). This original composition by veteran performer and music educator, Lawrence Underwood, is the ninth installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Whimsy begins as a playful, quirky romp in 12/8, transitioning into a (slightly) more serious and (slightly) slower middle section before letting loose with a return to the capricious opening theme again. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new piece is sure will make an excellent addition to any program!
$6.99 6.46 € #Trombone and Piano #Lawrence H Underwood #Whimsy #Lawrence H Underwood #SheetMusicPlus

Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. Published by Cherry Classics Music
Virginia Commonwealth University Professor Antonio J. García has taken Haydn’s “London” Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would “showcase the trombone in a jazz ballad style and somehow reference the Haydn ‘London’ Symphony” that would follow it on the program, knowing that the first half of the concert would also include the Brahms “Variations on a Theme of Joseph Haydn.” She and trombone soloist Nathan Dishman suggested the title “London Town Fantasy,” envisioning a potential intersection with elements of George Gershwin’s “A Foggy Day (In London Town),” which seemed apt given a scheduled trip of García’s to London during the compositional process.<br> <br> Listeners familiar with Haydn's “London” Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony’s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the “bridge” section of the tune is crafted from the first seven measures of the opening theme of Haydn’s first movement (Allegro).<br> <br> The use of “A Foggy Day” had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin’s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of “A Foggy Day.” (An optional written-out solo is provided.)<br> <br> Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).<br> <br> The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or “minus one,” make rehearsals easy and even provide the aural basis for your own potential “virtual” performance.