Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
0
Digital
Sheet Music
2
Sheet Music
Books
0
Music
Equipment
0
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Sheetmusicplus
Not classified
132
PIANO & KEYBOARDS
Piano solo
86
Piano, Voice
74
Easy Piano
42
Big Note Piano
19
Organ
14
C Instruments
9
Piano, Vocal and Guitar
5
2 Pianos, 4 hands
3
Piano Quintet: piano, 2 violins, viola, cello
1
Piano Quartet: piano, 2 violins, cello
1
Piano Trio: piano, violin, cello
1
Piano Quartet: piano, violin, viola, cello
1
Instrumentations suivantes
Retracter
GUITARS
Guitar notes and tablatures
7
Guitar
7
2 Guitars (duet)
4
3 Guitars (trio)
1
4 Guitars (Quartet)
1
VOICE
Choral SATB
29
Choral 3-part
10
Choral Unison
7
Choral 2-part
6
Choral SSAA
5
Choral TTBB
4
Vocal duet, Piano
2
Medium voice, Piano
1
Alto voice, Piano
1
Soprano voice, Piano
1
Instrumentations suivantes
Retracter
WOODWIND
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
13
Clarinet Quartet: 4 clarinets
8
Oboe, Piano (duet)
7
2 Flutes (duet)
5
Saxophone Quartet: 4 saxophones
5
Flute, Oboe, Clarinet, Bassoon
5
Flute and Piano
5
Saxophone Quintet: 5 Saxophones
4
Alto Saxophone and Piano
4
2 Clarinets (duet)
3
Saxophone, Clarinet (duet)
3
Soprano Saxophone and Piano
3
2 Saxophones (duet)
3
Flute Quartet: 4 flutes
3
Clarinet, Trumpet (duet)
2
Clarinet Ensemble
2
3 Clarinets (trio)
2
Flute Quintet : 5 flutes
2
Flute ensemble
2
Flute, Clarinet (duet)
2
Oboe, Bassoon and Piano
1
Flute, Trumpet (duet)
1
Clarinet, Violin (duet)
1
Flute, Viola (duet)
1
Flute, Violoncello
1
Oboe, Bassoon (duet)
1
Flute, Violin and Violoncello
1
Oboe, Flute
1
Tenor Saxophone
1
Treble (Alto) Recorder
1
Clarinet
1
Tenor Saxophone and Piano
1
Flute, Violin
1
Oboe (band part)
1
2 Oboes (duet)
1
Flute, Saxophone (duet)
1
Alto Saxophone
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
14
Brass Quartet: 2 trumpets, horn, trombone
4
Brass quartet : 2 trumpets, trombone, tuba
4
Bass Trombone
2
2 Euphoniums and 2 Tubas
2
Trumpet, Saxophone (duet)
2
2 Trombones (duet)
2
Trombone ensemble
2
Trombone and Piano
2
Trumpet, Piano
2
Euphonium, Piano (duet)
1
Tuba (band part)
1
Brass Quartet: 4 horns
1
3 Trombones (trio)
1
Trumpet ensemble
1
Trombone
1
2 Trumpets (duet)
1
Trumpet
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
32
String Trio: violin, viola, cello
21
Violin, Cello (duet)
15
Violin
14
Violin and Piano
10
String Quintet: 2 violins, viola, cello, bass
5
Cello, Piano
4
Viola, Cello (duet)
3
2 Violas (duet)
3
Harp
3
Violin, Viola (duet)
3
Cello
2
Viola
2
Viola, Piano
2
Viola (band part)
2
2 Cellos (duet)
2
Violin, Guitar (duet)
1
Violin ensemble
1
Harp and Piano
1
4 Cellos
1
String Trio: 2 violins, cello
1
Viola ensemble
1
Violin, Clarinet, Piano (trio)
1
Harp, Flute (duet)
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
String Orchestra
27
Concert band
22
Orchestra
10
Jazz Ensemble
7
Chamber Orchestra
5
Brass ensemble
5
Handbells
3
Marching band
2
Jazz combo
2
Marimba
1
Piano and Orchestra
1
Percussion Ensemble
1
Drums
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
1
You've selected:
Too Short
SheetMusicPlus
Trombone and Piano
Sheetmusic to print
2 sheet music found
<
1
Too Much For Our Thirst (Trombone and Piano)
Trombone and Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexa…
(+)
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
9.12 €
#
Trombone and Piano
#
Alexander Burdiss
#
Too Much For Our Thirst
#
Ars Nova Press
#
SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
(+)
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
31.94 €
#
Trombone and Piano
#
Cherry Classics Music
#
Concerto for Trombone and Piano accompaniment
#
Gordon Cherry
#
SheetMusicPlus
<
1
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version