Download Digital Sheet Music of Different for Saxophone

Different

Instrumental Solo,Saxophone - Level 5 - Digital Download SKU: A0.1202307 Composed by Brandon Nelson. 20th Century,Chamber,Christian,Classical,Contemporary. Individual part. 11 pages. Brandon Nelson #800991. Published by Brandon Nelson (A0.1202307). Dr. Brian Kauth assembled a consortium of saxophone players to commission me to write a piece in fourÂ movements, each to be for a different member of the saxophone family(soprano, alto, tenor, baritone). HeÂ chose the theme of the â€œfour horsemen of the apocalypseâ€ because, as he puts it, â€œthe saxophone was longÂ considered â€˜the devilâ€™s instrumentâ€™due to the seedy and sultry qualities associated with it.â€ProgramThe story of the Four Horsemen comes from the biblical Book of Revelation. Each of the Horsemen is said toÂ represent events that are supposed to usher in the Apocalypse, the final battle between good and evil. As withÂ many biblical passages, there are numerous interpretations of this account debated among theologians. ThoseÂ that Iâ€™ve taken in thispiece are strictly based on my own aesthetic requirements and should not be construedÂ as taking any particular sides in these spiritual debates.The Four Horsemen symbolize the evils to come before the end of the world. It is said that a quarter of theÂ worldâ€™s population is to be wiped out by a combination of these ills. The Horsemen pave the way for the finalbattle, the final judgement, and the Second Coming.The account begins with the White Horsemen, symbolizing pestilence. Next comes the Red Horse,Â representing war. Then the Black Horse, bringing widespread famine, especially against the poor of the world.Finally, the Pallid Horse, the personification of Death, reaping his reward in the victims of the tribulations.Performance NoteEach movement is assigned a different member of the saxophone family. Ideally it should be performed asÂ such. However, if you do not have access to all four saxes, you may perform the movements on the sax orÂ saxesof your choosing. The movements are written such that they will sound satisfactory on any of the saxes.

Improvising Blues Saxophone #Saxophone #INTERMEDIATE #Instructional #Blues #Improvising Blues Saxophone #Schott Music - Digital #SheetMusicPlus

Saxophone - intermediate - Digital Download SKU: S9.Q585613 An Introduction to Blues Saxophone Styles, Techniques and Improvisation. Schott Pop-St...(+)

Saxophone - intermediate - Digital Download SKU: S9.Q585613 An Introduction to Blues Saxophone Styles, Techniques and Improvisation. Schott Pop-Styles. Downloadable. Schott Music - Digital #Q585613. Published by Schott Music - Digital (S9.Q585613). The latest addition to this popular series is designed for the intermediate saxophonist looking for an introduction to the blues. Experienced saxophone teacher and performer, Nick Beston, presents straightforward explanations of different playing styles and techniques, and covers topics such as basic blues harmony, chords, riffs, and effects like glissando and 'growling'. Original compositions support each chapter, and 'sax advice' sections offer guidance on the finer points of saxophone playing. High-quality demos and backing tracks encourage the reader to apply these techniques to their own improvisations.

Semantic Études 1 & 2 #Saxophone #ADVANCED #Igor Korneitchouk #Semantic Études 1 & 2 #Studio at the Post #SheetMusicPlus

Instrumental Solo,Saxophone - Level 5 - Digital Download SKU: A0.1147430 Composed by Igor Korneitchouk. 21st Century,Contemporary. Individual part. 8 pag...(+)

Instrumental Solo,Saxophone - Level 5 - Digital Download SKU: A0.1147430 Composed by Igor Korneitchouk. 21st Century,Contemporary. Individual part. 8 pages. Studio at the Post #747654. Published by Studio at the Post (A0.1147430). Duration: 10 â€“ 11 minutes, 7 pp. Description: Each Ã©tude is for a different saxophone requiring the soloist to take a break and switch instruments. The first is for alto (or potentially baritone) sax, the second for either tenor or soprano. The Ã©tudes use a minimalist approach of adding and subtracting notes to create their continuous stream of â€œmusical consciousnessâ€. The composer created these Ã©tudes in the process of writing his de facto saxophone concerto â€œThe Disqualification of Harry Semantix as Trial Juror for East Countyâ€ (such score also available for saxophone and chamber orchestra, or saxophone and piano).