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1042
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45
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321
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293
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265
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247
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229
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213
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212
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194
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188
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180
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166
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159
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151
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131
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131
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122
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120
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104
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103
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93
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90
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87
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84
Pennywhistle
80
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80
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69
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63
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62
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60
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57
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56
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54
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48
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45
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40
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34
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33
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9
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217
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120
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110
Tuba and Piano
107
Tuba
105
Brass Quartet
90
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89
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57
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54
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2 French horns (duet)
44
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41
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32
Tuba (band part)
25
English Horn
24
2 Tubas (duet)
21
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19
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18
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11
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10
Brass Trio
10
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10
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9
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9
4 Tubas
9
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8
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8
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7
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7
3 Trombones (trio)
6
Tuba and Organ
6
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French Horn and Harp
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2 French horns, Piano
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Trombone, Organ
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Trumpet, Cello (duet)
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Trumpet, Trombone, Piano
2
Brass Quartet: 2 trumpets, 2 trombones
1
Trumpet, Harp
1
Tuba ensemble
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Trumpet, Euphonium (duet)
1
Bb Instruments
1
French horn and Basson (duet)
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Bass Trombone and Piano
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3 Tubas (trio)
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STRINGS
Harp
1641
String Quartet: 2 violins, viola, cello
1204
Violin and Piano
747
Violin, Cello (duet)
471
Violin
426
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330
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327
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315
Viola, Piano
263
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250
2 Cellos (duet)
240
2 Violas (duet)
238
Cello (band part)
168
Viola
157
String Quintet: 2 violins, viola, cello, bass
145
Cello
115
Double Bass
103
String Trio: 2 violins, cello
87
Double bass, Piano (duet)
79
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51
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50
Viola (band part)
49
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37
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35
Harp, Violin (duet)
35
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28
4 Cellos
24
Viola ensemble
18
Violin ensemble
17
2 Double basses (duet)
16
2 Harps (duet)
16
String Trio: 3 cellos
15
Violin, Guitar (duet)
13
Cello, String Bass (duet)
12
Piano Trio: Violin, Viola, Piano
11
String Quintet: 2 violins, 2 violas, cello
10
Cello, Guitar (duet)
10
Harp and mandolin
9
String Trio: 2 violins, viola
9
2 Violins, Piano
9
String Quartet : 4 violas
8
String Trio: 3 violas
8
Harp, Voice
8
String quartet: 4 violins
8
Flute, Doublebass (duet)
5
2 Cellos, Piano
3
Violin, Bassoon (duet)
3
Harp, Cello (duet)
3
Viola and Harp
3
String Quintet: 2 violins, viola, 2 cellos
3
Cello, Organ
3
2 Violas, Piano
3
4 Double Basses
3
Harp and Piano
2
Violoncello, Basso continuo
2
3 double basses
2
Violin, Clarinet, Piano (trio)
2
Cello Ensemble
2
Harp, Trombone (duet)
1
Viola, Guitar (duet)
1
String trio
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1
Violin, Cello, Clarinet
1
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PERCUSSION & ORCHESTRA
Concert band
1415
String Orchestra
579
Jazz Ensemble
446
Orchestra
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Brass ensemble
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Handbells
202
Chamber Orchestra
142
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78
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55
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50
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34
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31
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19
Xylophone, Piano
8
Vibraphone
7
2 Xylophones
4
School Ensemble
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Flexible Instrumentation
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Bongos
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Conga
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Percussion
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SheetMusicPlus
Saxophone
Sheetmusic to print
5 sheet music found
<
1
Quiero Tocar el Saxofon
Saxophone
Composed by Victor Barba. For Saxophone (All). All Styles. Beginning. E-book. 48 pages. Pu…
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Composed by Victor Barba. For Saxophone (All). All Styles. Beginning. E-book. 48 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610659529. Quiero Tocar El Saxofon, del reconocido autor Victor M. Barba es de verdad un libro muy bueno para aprender a tocar el saxofon, porque viene muy bien explicado y facil de entender. Ya sea que quieras tocar tu solo, on en una banda escolar, o en un grupo nortelo, con este libro podras aprender lo basico para tocar tus canciones favoritas en el sax. Desde la primera nota hasta una cancion completa, todos los ejemplos vienen con los nombres de las notas debajo de cada nota para que te cueste menos trabajo leer la musica. Ademas trae la grafica y la posicion de los dedos y el audio online para que sepas como va la cancion. Tiene figuritas, adornos, escalas y estudios, te aseguro que con este libro vas a tocar saxofon bien rapido. De la serie de libros de Easy Music School, y Mel Bay Publications! Viene con el audio online de todos los ritmos.Quiero Tocar El Saxofon by Victor M. Barba is a great book for learning how to play the sax. If you want to play in school bands, jazz bands, or just for yourself, you need this book, because is simple and easy to understand, starting with just one note, all the way to playing nice melodies with the sax. Every song, every study, every example comes with the names of the notes under the music notation, as well as the graphics for the sax and the fingering, so you know where and how you should be playing. You'll find many original songs so you can develop you personal style, and a series of daily studies to expand your skills. If you are a solo player or part of a band, either way this book is a lot of fun! From the series of Easy Music School, and Mel Bay Publications. Companion online audio of examples included.
$12.99
11.93 €
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Saxophone
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Victor Barba
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Quiero Tocar el Saxofon
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Chutes and Ladders (saxophone Solo)
Saxophone
Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.1215228 Composed b…
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Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.1215228 Composed by P. R. Frederick. Arranged by P. R. Frederick. Contemporary,Contest,Festival. Individual part. 2 pages. P. R. Frederick #812097. Published by P. R. Frederick (A0.1215228). Introducing Chutes and Ladders – the ultimate challenge for advanced saxophone players who want to stun their audience with their exceptional skills. With Chutes and Ladders, you will experience the thrill of mastering intricately woven melodies and technical challenges that require a skill and concentration. The show-stopping solo for saxophone is guaranteed to leave a lasting impression on your audience.To excel at Chutes and Ladders, you will need good breath control, precision fingerwork, and mastery of advanced techniques. But with regular practice and dedication, you'll be able to mesmerize your listeners with your virtuosic performances.So, if you're looking for a challenge and want to take your saxophone-playing skills to new heights, Chutes and Ladders is the perfect product for you. With this piece, you'll be able to make a lasting impression on your listeners.Check out my other solos here
$8.00
7.35 €
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Saxophone
#
P
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Chutes and Ladders
#
P. R. Frederick
#
SheetMusicPlus
The Four Horsemen (unaccompanied sax)
Saxophone
Instrumental Solo,Saxophone - Level 5 - Digital Download SKU: A0.1202307 Composed b…
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Instrumental Solo,Saxophone - Level 5 - Digital Download SKU: A0.1202307 Composed by Brandon Nelson. 20th Century,Chamber,Christian,Classical,Contemporary. Individual part. 11 pages. Brandon Nelson #800991. Published by Brandon Nelson (A0.1202307). Dr. Brian Kauth assembled a consortium of saxophone players to commission me to write a piece in four movements, each to be for a different member of the saxophone family(soprano, alto, tenor, baritone). He chose the theme of the “four horsemen of the apocalypse†because, as he puts it, “the saxophone was long considered ‘the devil’s instrument’due to the seedy and sultry qualities associated with it.â€ProgramThe story of the Four Horsemen comes from the biblical Book of Revelation. Each of the Horsemen is said to represent events that are supposed to usher in the Apocalypse, the final battle between good and evil. As with many biblical passages, there are numerous interpretations of this account debated among theologians. Those that I’ve taken in thispiece are strictly based on my own aesthetic requirements and should not be construed as taking any particular sides in these spiritual debates.The Four Horsemen symbolize the evils to come before the end of the world. It is said that a quarter of the world’s population is to be wiped out by a combination of these ills. The Horsemen pave the way for the finalbattle, the final judgement, and the Second Coming.The account begins with the White Horsemen, symbolizing pestilence. Next comes the Red Horse, representing war. Then the Black Horse, bringing widespread famine, especially against the poor of the world.Finally, the Pallid Horse, the personification of Death, reaping his reward in the victims of the tribulations.Performance NoteEach movement is assigned a different member of the saxophone family. Ideally it should be performed as such. However, if you do not have access to all four saxes, you may perform the movements on the sax or saxesof your choosing. The movements are written such that they will sound satisfactory on any of the saxes.
$12.99
11.93 €
#
Saxophone
#
Brandon Nelson
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The Four Horsemen
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Brandon Nelson
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SheetMusicPlus
Wonderland By Night
Saxophone
Instrumental Solo,Saxophone - Level 3 - Digital Download SKU: A0.1393278 By Bert Ka…
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Instrumental Solo,Saxophone - Level 3 - Digital Download SKU: A0.1393278 By Bert Kaempfert. By Klauss Gunter-Neuman and Lincoln Chase. Arranged by P. R. Frederick. Pop,Standards. Individual part. 2 pages. P. R. Frederick #976760. Published by P. R. Frederick (A0.1393278). Here's the great Bert Kaempfert tune transcribed from the original recording. Â It can be played on any saxophone be it Alto, Tenor or Baritone. Â It ends in a key that might be difficult for the young saxophone player. Â Requires the ability to hit high F on the horn. Â It is a great tune to add to your repetoire.See my other saxophone solos here
$6.00
5.51 €
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Saxophone
#
Bert Kaempfert
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Wonderland By Night
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P. R. Frederick
#
SheetMusicPlus
Nevermore
Saxophone
Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.983172 Composed by…
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Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. 18 pages. Wadley Publications #4638491. Published by Wadley Publications (A0.983172). Nevermore for Unaccompanied Saxophone by Craig Wadley. As this is an unaccompanied piece, ANY saxophone is acceptable. While most soloists will undoubtedly opt to use alto or soprano, the composer welcomes renditions of this piece on any of the larger saxes as well. This piece was inspired by Nevermore: An Evening With Edgar Allen Poe, a single act play featuring Jeffrey Combs. My good friend, Dr. Brent Bristow of Arkansas State University, Beebe, convinced me to go see the play when it was presented there in March of 2018. That performance by the legendary Mr. Combs inspired this piece. Why unaccompanied saxophone? Brent Bristow and I have been close friends since high school, and since he is the one who convinced me to see this show, and given that he plays classical saxophone (yes, that IS a thing!), I figured saxophone would kill two birds with one reed… or something like that. The show itself is a one-man performance, so that’s why this piece is unaccompanied. I toyed with the notion of including some text from the show. Eventually, I decided to go with The Raven, which is featured prominently in Combs’ monologue. But I didn’t want to RELY on The Raven, so I wrote the piece in such a way that it can be performed with OR without the narrator. I took a bit of inspiration from Bach’s cello music and brought in some more modern elements such as shifting meters and limited use of slap-tongue and multiphonics to keep things interesting. No altissimo is used.This work would make for excellent solo repertoire at the collegiate level, while still being potentially accessible to advanced high school players. If the narrator is used, this work would also be great as part of a Halloween/horror variety show!You may note that the mp3 demo preview uses a cello sound (placing the transposition in the range of the baritone sax, though again, any saxophone is acceptable). A cello sound is used because samples of saxophone sounds generally leave much to be desired, and they are most commonly based on jazz tone qualities which would be completely inappropriate for this piece.
$17.99
16.52 €
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Saxophone
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Craig Wadley
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Nevermore
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Wadley Publications
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