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Lean On Me

#Lean On Me

Lean On Me #Saxophone #Bill Withers #Paul Hollis #Lean On Me #SaxExpress #SheetMusicPlus

Instrumental Solo,Saxophone - Digital Download SKU: A0.1443855 By Bill Withers. By Bill Withers. Arranged by Paul Hollis. Jazz,Pop. Individual part. 2 pa...(+)

Instrumental Solo,Saxophone - Digital Download SKU: A0.1443855 By Bill Withers. By Bill Withers. Arranged by Paul Hollis. Jazz,Pop. Individual part. 2 pages. SaxExpress #1023796. Published by SaxExpress (A0.1443855). 'Lean On Me' EASY SAXOPHONE VERSION This is an arrangement of Bill Withers Song ‘Lean On Me’ using the revolutionary Presto Saxophone System. The system is a short cut to being able to easily play songs on the saxophone using a combination of music notation and Presto. It is by far the simplest way to master songs on the saxophone. Within a very short period of time songs become incredibly easy to play. For more information on the 'Presto' system visit SaxExpress.com.

#INTERMEDIATE/ADVANCED

Instrumental Solo,Saxophone - Level 4 - Digital Download SKU: A0.983172 Composed by Craig Wadley. 21st Century,Contemporary,Contest,Festival,Halloween. Individual part. 18 pages. Wadley Publications #4638491. Published by Wadley Publications (A0.983172). Nevermore for Unaccompanied Saxophone by Craig Wadley. As this is an unaccompanied piece, ANY saxophone is acceptable. While most soloists will undoubtedly opt to use alto or soprano, the composer welcomes renditions of this piece on any of the larger saxes as well. This piece was inspired by Nevermore: An Evening With Edgar Allen Poe, a single act play featuring Jeffrey Combs. My good friend, Dr. Brent Bristow of Arkansas State University, Beebe, convinced me to go see the play when it was presented there in March of 2018. That performance by the legendary Mr. Combs inspired this piece. Why unaccompanied saxophone? Brent Bristow and I have been close friends since high school, and since he is the one who convinced me to see this show, and given that he plays classical saxophone (yes, that IS a thing!), I figured saxophone would kill two birds with one reedâ€¦ or something like that. The show itself is a one-man performance, so thatâ€™s why this piece is unaccompanied. I toyed with the notion of including some text from the show. Eventually, I decided to go with The Raven, which is featured prominently in Combsâ€™ monologue. But I didnâ€™t want to RELY on The Raven, so I wrote the piece in such a way that it can be performed with OR without the narrator. I took a bit of inspiration from Bachâ€™s cello music and brought in some more modern elements such as shifting meters and limited use of slap-tongue and multiphonics to keep things interesting. No altissimo is used.This work would make for excellent solo repertoire at the collegiate level, while still being potentially accessible to advanced high school players. If the narrator is used, this work would also be great as part of a Halloween/horror variety show!You may note that the mp3 demo preview uses a cello sound (placing the transposition in the range of the baritone sax, though again, any saxophone is acceptable). A cello sound is used because samples of saxophone sounds generally leave much to be desired, and they are most commonly based on jazz tone qualities which would be completely inappropriate for this piece.

The Four Horsemen (unaccompanied sax)

#The Four Horsemen

Instrumental Solo,Saxophone - Level 5 - Digital Download SKU: A0.1202307 Composed by Brandon Nelson. 20th Century,Chamber,Christian,Classical,Contemporary. Individual part. 11 pages. Brandon Nelson #800991. Published by Brandon Nelson (A0.1202307). Dr. Brian Kauth assembled a consortium of saxophone players to commission me to write a piece in fourÂ movements, each to be for a different member of the saxophone family(soprano, alto, tenor, baritone). HeÂ chose the theme of the â€œfour horsemen of the apocalypseâ€ because, as he puts it, â€œthe saxophone was longÂ considered â€˜the devilâ€™s instrumentâ€™due to the seedy and sultry qualities associated with it.â€ProgramThe story of the Four Horsemen comes from the biblical Book of Revelation. Each of the Horsemen is said toÂ represent events that are supposed to usher in the Apocalypse, the final battle between good and evil. As withÂ many biblical passages, there are numerous interpretations of this account debated among theologians. ThoseÂ that Iâ€™ve taken in thispiece are strictly based on my own aesthetic requirements and should not be construedÂ as taking any particular sides in these spiritual debates.The Four Horsemen symbolize the evils to come before the end of the world. It is said that a quarter of theÂ worldâ€™s population is to be wiped out by a combination of these ills. The Horsemen pave the way for the finalbattle, the final judgement, and the Second Coming.The account begins with the White Horsemen, symbolizing pestilence. Next comes the Red Horse,Â representing war. Then the Black Horse, bringing widespread famine, especially against the poor of the world.Finally, the Pallid Horse, the personification of Death, reaping his reward in the victims of the tribulations.Performance NoteEach movement is assigned a different member of the saxophone family. Ideally it should be performed asÂ such. However, if you do not have access to all four saxes, you may perform the movements on the sax orÂ saxesof your choosing. The movements are written such that they will sound satisfactory on any of the saxes.

DON'T START NOW - by Dua Lipa - for Alto Sax #Saxophone #EASY #Rock #Dua Lipa #Ivan Marini #DON'T START NOW - by Dua Lipa #Ivan Marini #SheetMusicPlus

Alto Sax, Baritone Sax - Early Intermediate - Digital Download By Dua Lipa. Arranged by Ivan Marini. Sheet Music Single. 2 pages. Published by Ivan M...(+)

Alto Sax, Baritone Sax - Early Intermediate - Digital Download By Dua Lipa. Arranged by Ivan Marini. Sheet Music Single. 2 pages. Published by Ivan Marini
A complete and accurate transcription of the 2019 hit by Dua Lipa for Alto Sax, complete with chords.

Other transpositions or custom settings available at simply request.

Duration: 3' mins., 2 pages.

Feel free to contact me at info@dalsegno.eu for any other setting!
Please, check my other works at
https://www.sheetmusicplus.com/publishers/ivan-marini/7964?aff_id=606631
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www.dalsegno.eu

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