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PIANO & KEYBOARDS

Piano solo 23 Organ 4 Piano, Voice 4 Piano, Vocal and Guitar 3 1 Piano, 4 hands 1

GUITARS

VOICE

Choral SATB 15 Choral 3-part 4 Choral TTBB 3 Vocal duet, Piano 2 Soprano voice, Piano 1

Choral 2-part 1 Baritone voice, Piano 1 Choral SSAA 1 Alto voice, Piano 1 Medium voice, Piano 1 Low voice, Piano 1 High voice 1 Mezzo-Soprano voice, Piano 1

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WOODWIND

English horn, Piano 5 Alto Saxophone and Piano 5 Soprano Saxophone and Piano 4 Tenor Saxophone and Piano 3 Clarinet and Piano 3

Flute and Piano 3 Oboe, Piano (duet) 3 Clarinet Quartet: 4 clarinets 2 Tenor Recorder 2 Descant (Soprano) Recorder 1 Descent (Soprano) Recorder, Piano 1 2 Flutes, Piano 1 Flute, Clarinet (duet) 1 Clarinet, Cello, Piano (trio) 1 Tenor Saxophone 1 Flute, Violin, Piano 1 3 Clarinets (trio) 1 2 Oboes (duet) 1 2 Clarinets (duet) 1 Flute, Oboe, Piano (trio) 1 Clarinet Quartet: Clarinet, Violin, Viola, Cello 1 Flute, Clarinet, Piano (trio) 1 Oboe (band part) 1

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WOODBRASS

Trumpet, Piano 6 Tuba and Piano 5 English horn, Piano 5 Trombone and Piano 3 Euphonium, Piano (duet) 2

4 Tubas 1 Trumpet 1 French Horn and Piano 1 Tuba 1 2 Tubas (duet) 1 French horn 1

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STRINGS

Violin and Piano 10 String Quartet: 2 violins, viola, cello 7 Viola, Piano 3 Cello, Piano 3 2 Violins (duet) 2

Violin 1 String Trio: 2 violins, cello 1 Double Bass 1 2 Cellos (duet) 1

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PERCUSSION & ORCHESTRA

Concert band 9 Orchestra 8 Chamber Orchestra 4 String Orchestra 3 Jazz combo 1

Jazz Ensemble 1

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Clarinet and Piano

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3 sheet music found

Bach-Gounod: Ave Maria for Clarinet and Piano Clarinet and Piano

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…(+)

Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.

$7.95 7.33 € #Clarinet and Piano #J #Bach-Gounod: Ave Maria for Clarinet and Piano #Colin Kirkpatrick Publications #SheetMusicPlus

Handel's Largo from Xerxes, Ombra Mai Fù, for solo Clarinet and Piano Clarinet and Piano

Clarinet,Piano - Level 2 - Digital Download SKU: A0.587903 Composed by G F Handel. …(+)

Clarinet,Piano - Level 2 - Digital Download SKU: A0.587903 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042567. Published by David McKeown (A0.587903). Ombra Mai FÃ¹ is the beautiful opening aria from Handelâ€™s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handelâ€™s best-loved works nearly two hundred years later. Ombra Mai FÃ¹ is often referred to as Handelâ€™s Largo. In 1906 Ombra Mai FÃ¹ gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai FÃ¹ is arranged as a Solo for Clarinet and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai FÃ¹ ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

$4.60 4.24 € #Clarinet and Piano #G F Handel #Handel's Largo from Xerxes, Ombra Mai Fù, for solo Clarinet and Piano #David McKeown #SheetMusicPlus

Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Clarinet and Piano Clarinet and Piano

Clarinet,Piano - Level 2 - Digital Download SKU: A0.587917 Composed by G F Handel. …(+)

Clarinet,Piano - Level 2 - Digital Download SKU: A0.587917 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044821. Published by David McKeown (A0.587917). Lascia châ€™io Pianga is a beautiful aria from Handelâ€™s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handelâ€™s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia châ€™io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia châ€™io Pianga is arranged as a Solo for Clarinet and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.ï»¿Musicians at an early intermediate level and above will find Lascia châ€™io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

$4.60 4.24 € #Clarinet and Piano #G F Handel #Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Clarinet and Piano #David McKeown #SheetMusicPlus