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Reve en vert
Clarinet and Piano
Sheetmusic to print
3 sheet music found
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LEAD ON, O KING ETERNAL (Duet – Bb Clarinet & Piano with Parts)
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Clarinet and Piano
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INTERMEDIATE
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Sacred music
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Henry Smart
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Gary Lanier
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LEAD ON, O KING ETERNAL
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The Lanier Company
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SheetMusicPlus
Clarinet,Piano - Level 3 - Digital Download SKU: A0.614705 Composed by Henry Smart. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 7 p...
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.614705 Composed by Henry Smart. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 7 pages. The Lanier Company #2002899. Published by The Lanier Company (A0.614705). LEAD ON, O KING ETERNAL is a hymn arrangement for Bb Clarinet & Piano of one of our most cherished Hymns. It is fun to play in that the first section is stately and somewhat Baroque in style. Then, suddenly departs into a more Jazz style without swing. The 3rd section reverts back to the stately mood with a big ending. This arrangement is perfect for any Church or gathering where hymns of commitment are enjoyed. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: LEAD ON, O KING ETERNAL (Piano Accompaniment for Bb Clarinet). The score, including cover and Bb Clarinet part is 7 pages long.
$6.99
The First Noel (Clarinet and Piano)
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Clarinet and Piano
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INTERMEDIATE
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Christmas
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Traditional English Christmas
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John A
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The First Noel
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John A. Dempsey
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1405492 Composed by Traditional English Christmas Carol, Johannes Brahms. Arranged by John A. ...
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1405492 Composed by Traditional English Christmas Carol, Johannes Brahms. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and part. 12 pages. John A. Dempsey #988547. Published by John A. Dempsey (A0.1405492). Here the classic Christmas carol The First Noel exudes a mood of flowing serenity and reverent prayerfulness that celebrates the Savior's birth that wondrous night in Bethlehem.  With incidental music by Brahms, this arrangement for Bb clarinet and piano is recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, silent prayer accompaniment and more.  Also suitable as an overture or incidental music for Christmas plays, programs and musicals.  8 pages of music (that includes a separate two-page clarinet part).  Concert Key: F major The first noel the angels did say,Was to certain poor shepherds in fields as they lay;In fields where they lay keeping their sheepOn a cold winter's night that was so deep.Noel, noel, noel, noel,Born is the King of Israel.
$6.99
Mendelssohn: Wedding March for Clarinet & Piano
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Clarinet and Piano
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic ...
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602813. Published by jmsgu3 (A0.549889). Score: 12 pages, piano part: 6 pages, clarinet part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$24.95
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