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Piano solo
179064
Piano, Vocal and Guitar
120930
Piano, Voice
78497
Easy Piano
40233
Organ
11025
Big Note Piano
6968
C Instruments
6382
Piano Accompaniment
5209
1 Piano, 4 hands
5193
Accordion
4019
Piano Trio: piano, violin, cello
1394
2 Pianos, 4 hands
913
Piano (band part)
612
Piano Quartet: piano, violin, viola, cello
394
Organ, Trumpet (duet)
340
Piano Quartet: piano, 2 violins, cello
306
Organ, Piano (duet)
224
Accordion, Voice
209
Melody line, Piano
206
Piano Quintet: piano, 2 violins, viola, cello
205
Harpsichord
166
1 Piano, 6 hands
116
Keyboard
97
2 Accordions
50
Solo instrument and Organ
44
2 Pianos, 8 hands
38
Accordion ensemble
22
All Instruments
17
Organ, Voice
16
Accordion, Piano
12
2 Organs (duet)
8
Piano Quintet: piano, violin, viola, cello, double bass
6
Accordion and Orchestra
6
Piano ensembles
5
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5
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4
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3
3 Pianos
2
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Guitar notes and tablatures
56284
Melody line, (Lyrics) and Chords
30203
Guitar
20193
Lyrics and Chords
13758
Ukulele
10110
Bass guitar
8308
2 Guitars (duet)
1502
Guitar (band part)
1339
Mandolin
733
Piano, Guitar (duet)
713
4 Guitars (Quartet)
669
Banjo
659
Guitar Ensemble
490
Dulcimer
437
3 Guitars (trio)
284
Band Scores
280
Baritone Ukulele
181
Electric Bass (band part)
162
Lap Steel Guitar
155
Ukulele Ensemble
114
Mandolin, Piano (duet)
57
Guitar, Violin, Cello (trio)
38
Mandolin, Guitar (duet)
37
Dobro
36
2 Dulcimers (duet)
25
2 Ukuleles
19
Guitar, Flute, Clarinet
14
Zither
7
Guitar, Orchestra
7
2 Mandolins (duet)
6
Plectrum Orchestra
5
Guitar, String Quartet
5
Lute
4
Guitar, Harp
2
Guitar Tab, Voice, Bass, Drum
2
2 Guitars and Orchestra
1
2 Guitars, Clarinet (trio)
1
Instrumentations suivantes
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VOICE
Choral SATB
41012
Choral 3-part
16796
Choral 2-part
11950
Choral
7065
Voice solo
6968
Choral TTBB
6765
Choral Unison
4583
Choral SSAA
3856
Vocal duet, Piano
3187
Vocal duet
1279
High voice
1190
Soprano voice, Piano
989
Alto voice, Piano
633
Tenor voice, Piano
587
Low voice, Piano
482
Baritone voice, Piano
427
Voice, Guitar
260
Medium voice, Piano
257
Medium Voice
240
Choral SSATB
126
Tenor voice
117
Mezzo-Soprano voice, Piano
112
Choral SSAATTBB
104
Soprano voice
71
Soli, Mixted choir and accompaniment
68
Choral, Organ
59
Choral SSATBB
50
Choral SSATTB
47
Children choir
42
Low voice
42
Choral SSAB a cappella
41
Choral SSAB, Piano
36
High voice, Piano
17
Baritone voice
17
Choral SSAATB
11
Voix Masculines
10
Choral SATBB
10
Vocal duet, Organ
7
Soprano voice, Orchestra
5
Choral SAATB A Cappella
4
Choral SATTBB A Cappella
4
Lyrics only
3
Choral SATTB
2
Voice, Basso continuo
2
Choral SATTBB, keyboard
2
Children choir, Piano
2
Choral SSAATB A Cappella
2
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WOODWIND
Flute
16752
Saxophone
16498
Saxophone (band part)
14959
Clarinet
14855
Flute and Piano
10189
Clarinet (band part)
9093
Alto Saxophone
8827
Clarinet and Piano
7732
Tenor Saxophone
7570
Saxophone Quartet: 4 saxophones
7462
Oboe, Piano (duet)
5827
2 Saxophones (duet)
5681
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
5678
Alto Saxophone and Piano
5573
2 Flutes (duet)
4981
Clarinet Quartet: 4 clarinets
4796
Flute, Oboe, Clarinet, Bassoon
4743
Oboe (band part)
4424
2 Clarinets (duet)
4263
Tenor Saxophone and Piano
4222
Flute (band part)
3642
Flute Quartet: 4 flutes
2683
Soprano Saxophone and Piano
2496
Saxophone Quintet: 5 Saxophones
2206
Recorder
2103
Oboe
2009
3 Saxophones (trio)
2007
3 Clarinets (trio)
2004
Flute, Clarinet (duet)
1788
Flute and Guitar
1727
Clarinet Ensemble
1472
Flute Trio: 3 flutes
1435
Flute ensemble
1191
Soprano Saxophone
1110
Baritone Saxophone, Piano
1078
2 Oboes (duet)
1061
Saxophone ensemble
1003
Clarinet Quintet: 5 clarinets
951
English horn, Piano
932
Eb Instruments
889
Recorder Quartet
837
Flute, Violin
801
Oboe, Bassoon (duet)
761
2 Recorders (duet)
746
Clarinet, Violin (duet)
739
Ocarina
676
Descant (Soprano) Recorder
665
Oboe, Clarinet (duet)
653
Saxophone, Clarinet (duet)
634
Harmonica
605
Flute, Clarinet and Bassoon.
537
Flute, Oboe, Clarinet (trio)
533
Clarinet, Guitar (duet)
474
Clarinet, Bassoon (duet)
455
Treble (Alto) Recorder
454
Bass Clarinet, Piano
442
Flute, Violoncello
433
Flute, Oboe, Bassoon
423
3 Recorders (trio)
421
Flute, Oboe (duet)
380
Flute Quintet : 5 flutes
379
Oboe, Clarinet, Bassoon (trio)
355
Piccolo
335
Oboe, Flute
331
Clarinet, Trumpet (duet)
324
English Horn
306
Flute, Clarinet, Piano (trio)
305
Flute, Trumpet (duet)
298
Flute, Viola (duet)
297
Clarinet, Cello (duet)
287
Clarinet and Viola
265
5 Recorders
264
Flute, Saxophone (duet)
259
Clarinet, Harp (duet)
255
Flute, Cello, Piano (trio)
246
Flute, Violin, Piano
239
Flute, Violin and Violoncello
228
Baritone Saxophone
215
Recorder Ensemble
215
2 Saxophones, Piano
209
2 Flutes, Piano
195
Bass Clarinet
188
Oboe, Cello
186
Oboe, Violin (duet)
177
3 Oboes
163
2 Clarinets, Piano
153
Descent (Soprano) Recorder, Piano
152
Saxophone and Piano
145
Treble (Alto) Recorder, Piano
138
Flute, Trombone (duet)
126
Flute, Oboe, Violin
122
Saxophone and Guitar
117
Oboe, Guitar (duet)
114
Flute, Bassoon, and Piano
110
Recorder, Piano
110
Pennywhistle
109
Flute, Clarinet, Violin (trio)
104
English Horn, Guitar (duet)
100
Clarinet, Cello, Piano (trio)
90
Tenor Recorder
88
Clarinet, Trombone (duet)
86
Saxophone, Violin (duet)
85
2 Clarinets, Bassoon
85
Flute, Harp and Cello
79
Wind ensemble
79
Flute, harp and violin
77
Oboe, Trumpet (duet)
76
Oboe and viola (duet)
73
4 Oboes
72
Flute, Organ (duet)
70
Saxophone and Organ
61
Recorder, Guitar (duet)
61
Flute, Oboe, Piano (trio)
57
Piccolo, Piano
56
Bagpipe
55
Flute, Clarinet, Horn and Bassoon (Quartet)
52
Flute, Violin, Violoncello and Piano
52
Flute, Viola and Piano
50
Oboe, Harp
46
Saxophone and Harp
44
Harmonica, Piano
42
Saxophone, Bassoon (duet)
41
Treble (Alto) Recorder, Basso continuo
38
Flute and Strings Trio
38
Oboe, Trombone (duet)
36
Clarinet, Bassoon, Piano (trio)
35
Clarinette, Viola and Piano (trio)
33
Flute, trombone and piano
33
Clarinet Quartet: Clarinet, Violin, Viola, Cello
31
Clarinet, Tuba
29
Flute, Tuba (duet)
28
Clarinet Quintet: Clarinet, String Quartet
28
2 English horns and Pianoforte
28
Flute, Violin, Guitar
26
Flute, Cello, Guitar
26
Flute, French horn (duet)
25
Clarinet, trumpet and piano
23
Clarinet, Organ
21
Flute, Orchestra
21
Oboe, Cello and Piano
20
Saxophone and cello
19
Flute and String Quartet
17
2 Oboes, Piano
17
Flute, Viola and harp
16
Clarinet, Double bass (duet)
16
Oboe, Bassoon and Piano
16
2 Recorders, Piano
13
Clarinet, Orchestra
13
Oboe, Violin, Piano
13
2 Flutes and Guitar
13
Oboe ensemble
11
Oboe, Clarinet and Piano (Trio)
11
Recorder, Harp
10
Saxophone, Tuba (duet)
9
English horn, Harp (duet)
9
Oboe, Violin, Viola and Violoncello (Quartet)
8
Flute, Basso continuo
7
Oboe, Organ
7
Flute, Viola and Cello
7
Clarinet, String quartet and Piano
6
Pan Flute
6
2 Oboes and English horn
5
Descant (Soprano) Recorder, Basso continuo
5
2 Oboes and Basson
4
Oboe and String quartet
3
2 Flutes, 2 Clarinets (Quartet)
3
2 Flutes and Harp
3
Melodica
2
Oboe, Clarinet, Bassoon and Piano
2
2 Recorders, Guitar
2
Oboe and Orchestra
2
Clarinet, Saxophone, Piano
1
3 Recorders, Piano
1
Flute, Guitar, Piano
1
2 Flutes, Basso continuo
1
Flute, viola, cello and guitar
1
2 clarinets, 2 bassoons
1
2 Oboes, 2 Horns and 2 Bassoons
1
Instrumentations suivantes
Retracter
WOODBRASS
Trumpet
14272
Trombone
11503
Trombone (band part)
11223
Trumpet (band part)
7636
Brass Quintet: 2 trumpets, horn, trombone, tuba
7452
French horn
5700
Trumpet, Piano
5306
Trombone and Piano
4457
French horn (band part)
4119
Tuba (band part)
3516
French Horn and Piano
3176
Brass quartet : 2 trumpets, trombone, tuba
3125
2 Trumpets (duet)
2409
Tuba
2388
2 Trombones (duet)
2112
Brass Quartet: 2 trumpets, horn, trombone
1534
Tuba and Piano
1484
Brass Quartet
1417
Trumpet, Trombone (duet)
1212
Euphonium
1086
Brass Quartet: 4 trombones
1036
Bass Clef Instruments
980
2 French horns (duet)
950
English horn, Piano
932
Bb Instruments
917
Euphonium, Piano (duet)
882
Brass Quartet: 4 horns
727
Trumpet, Saxophone (duet)
597
4 Tubas
549
Brass Trio
484
Trumpet, Horn (duert)
480
Trombone ensemble
416
Cornet
359
3 Trombones (trio)
353
2 Tubas (duet)
309
English Horn
306
F Instruments
296
3 Trumpets (trio)
241
Trumpet ensemble
226
2 Euphoniums and 2 Tubas
221
Brass Quartet: 4 trumpets
214
Horn Ensemble
207
Tuba or Euphonium or Saxhorn
203
Euphonium, Tuba (duet)
128
2 Trumpets, Keyboard (piano or organ)
124
Trumpet, violin (duet)
109
Trumpet, Tuba (duet)
107
Bass Trombone
101
Trumpet, Bassoon (duet)
101
English Horn, Guitar (duet)
100
Brass Quartet: 2 trumpets, 2 trombones
99
Trombone, cello (duet)
97
Tuba and Organ
92
Horn, Cello (duet)
86
Trombone, Tuba (duet)
80
Bass Trombone and Piano
76
2 Euphoniums (duet)
76
3 French horns (trio)
75
Trombone, Horn (duet)
75
Trombone, Violin (duet)
75
Trumpet, Cello (duet)
72
Tuba ensemble
66
Horn, Tuba (duet)
57
Trombone, Organ
57
French Horn and Harp
52
Trumpet, Harp
39
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
37
Trumpet, Cello, Piano
37
Trumpet, Trombone, Piano
35
French horn and Basson (duet)
35
Clarinet, Horn (duet)
31
2 English horns and Pianoforte
28
Horn and Organ
22
Horn, Trumpet, Trombone (trio)
19
Trumpet and Guitar
17
3 Tubas (trio)
16
Trombone, Viola (duet)
13
2 Trombones, Piano
13
Trumpet, Orchestra
12
Cornet and Piano
11
3 Euphoniums
11
2 French horns, Piano
10
Brass Quintet: 2 trumpets, horn, 2 trombones
9
English horn, Harp (duet)
9
Flügelhorn
6
Horn, Cello and Piano
6
Trombone and Orchestra
6
Trumpet, Euphonium (duet)
5
4 Euphoniums
4
Instruments en Sol
4
Horn and Orchestra
3
Euphonium (band part)
3
Euphonium or Saxhorn and Piano
2
Bass Saxhorn or Euphonium or Tuba and Piano
2
Cornet and Orchestra
2
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
19413
Violin
16627
Violin and Piano
13205
Cello
10755
Viola
9448
Cello, Piano
8315
Harp
6453
Viola, Piano
6148
Violin (band part)
5478
2 Violins (duet)
4356
Violin, Cello (duet)
4081
Doublebass (band part)
3217
String Trio: violin, viola, cello
3112
2 Cellos (duet)
3063
Cello (band part)
2131
Violin, Viola (duet)
2090
Viola (band part)
1827
2 Violas (duet)
1677
Double Bass
1634
String Quintet: 2 violins, viola, cello, bass
1579
Double bass, Piano (duet)
1218
String Trio: 2 violins, cello
1154
Viola, Cello (duet)
902
4 Cellos
767
String Trio: 3 violins
765
Violin, Guitar (duet)
731
Piano Trio: Violin, Viola, Piano
706
Harp, Flute (duet)
685
Cello, Guitar (duet)
555
String trio
511
String Trio: 3 cellos
467
2 Harps (duet)
459
String quartet: 4 violins
361
Harp, Violin (duet)
359
Viola, Guitar (duet)
314
2 Double basses (duet)
259
Cello, String Bass (duet)
235
String Trio: 2 violins, viola
224
String Quartet : 4 violas
219
Violin, Bassoon (duet)
181
String Trio: 3 violas
173
2 Violins, Piano
150
Viola and Bassoon
115
Harp, Cello (duet)
114
String Quintet: 2 violins, 2 violas, cello
91
Viola and Harp
68
Cello Ensemble
65
4 Double Basses
65
Violin, Organ
63
Harp, Voice
61
Violin, Clarinet, Piano (trio)
59
Flute, Doublebass (duet)
52
Harp (band part)
51
2 Cellos, Piano
49
Cello, Organ
49
String Quintet: 2 violins, viola, 2 cellos
45
Violin ensemble
40
Harp, Violin, Violoncello
39
Cello, Orchestra
34
Violin, Tuba (duet)
32
Viola ensemble
31
Harp and Piano
29
3 Harps
29
Harp and mandolin
22
3 double basses
20
Autoharp
18
2 Violas, Piano
17
Cello and Marimba
15
Violin, Cello, Clarinet
15
Harp, Trombone (duet)
14
Viola, Organ
13
Viola and orchestra
11
Violin, Basso continuo
10
4 Harps
10
Violin, Trumpet and Piano
9
Harp and Organ
7
Harp, Orchestra
7
Violoncello, Basso continuo
7
5 Harps
6
Harp, String quartet
5
Double basses ensemble
3
2 Violins and Basso
3
Violin, Double bass (duet)
2
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
37413
Orchestra
14592
String Orchestra
13013
Jazz Ensemble
8867
Drums
8203
Percussion (band part)
4877
Handbells
4548
Brass ensemble
4169
Marching band
3483
Chamber Orchestra
2865
Percussion
2571
Jazz combo
1598
Timpani (band part)
1581
Drum (band part)
1228
Percussion Ensemble
1028
Marimba
431
Xylophone
366
Vibraphone
294
Timpani
286
Snare drums
159
Woodwind Quintet
140
Xylophone, Piano
113
Piano and Orchestra
89
Woodwind Quartet: any 4 woodwinds
74
2 Xylophones
56
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
46
Orchestra, Violin
30
Big band
30
Vibraphone and Marimba
29
Vibraphone, Piano
27
Brass Quintet: other combinaisons
26
Flexible Instrumentation
24
School Ensemble
23
Xylophone or Marimba or Vibraphone
10
2 Marimbas
9
Marimba, Piano (duet)
9
3 Marimbas
8
Marimba and Organ
6
Bongos
6
Woodwind Trio: any 3 woodwinds
5
Mariachi
4
Cajon
4
Voice and Orchestra
3
2 Snare Drums (duet)
3
2 Percussions
2
Vibraphone (band part)
2
Conga
2
Bodhran
2
3 Percussions
2
Symphonic Band
2
Marimba or Xylophone and Piano
2
Marimba, Saxophone (duet)
1
Xylophone (band part)
1
Snare drums, Piano
1
Voice Mezzo-Soprano, Orchestra
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
277
Music Theory
14
Stationery
5
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Clarinet and Piano
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7726
Grieg: Ase's Death from Peer Gynt Suite for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549532 Composed by Edvar…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549532 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505773. Published by jmsgu3 (A0.549532). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
22.47 €
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Clarinet and Piano
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Edvard Grieg
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Grieg: Ase's Death from Peer Gynt Suite for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Alto Clarinet & Piano
Clarinet and Piano
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549561 Composed by Edvar…
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549561 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508011. Published by jmsgu3 (A0.549561). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.47 €
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Clarinet and Piano
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Edvard Grieg
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Grieg: Anitra's Dance from Peer Gynt Suite for Alto Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549575 Composed by Edvar…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549575 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509361. Published by jmsgu3 (A0.549575). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.47 €
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Clarinet and Piano
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Edvard Grieg
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Clarinet & Piano
Clarinet and Piano
Clarinet,Piano - Level 4 - Digital Download SKU: A0.551500 Composed by Edvard Grieg…
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Clarinet,Piano - Level 4 - Digital Download SKU: A0.551500 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306309. Published by jmsgu3 (A0.551500). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
53.99 €
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Clarinet and Piano
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Edvard Grieg
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Grieg: Peer Gynt Suite Complete for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Alto Clarinet & Piano
Clarinet and Piano
E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.551492 Composed by Edvar…
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E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.551492 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306273. Published by jmsgu3 (A0.551492). Morning Mood, Ase's Death, Anitra's Dance, In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
53.99 €
#
Clarinet and Piano
#
Edvard Grieg
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Grieg: Peer Gynt Suite Complete for Alto Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano
Clarinet and Piano
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.550918 Composed by J. S.…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.550918 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888287. Published by jmsgu3 (A0.550918). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.68 €
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Clarinet and Piano
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J
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Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Collaborations 1 for clarinet and piano
Clarinet and Piano
Clarinet and Piano - Easy - Digital Download SKU: F2.FM082 Composed by Lynne Willia…
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Clarinet and Piano - Easy - Digital Download SKU: F2.FM082 Composed by Lynne Williams and Robert Rainford. Score and parts. 28 pages. Forton Music - Digital #FM082. Published by Forton Music - Digital (F2.FM082). ISBN 9790708085812.An attractive book of new repertoire pieces for clarinettists of grade 1 - 3 standard. Various technique aspects such as crossing the break and neat fingering are addressed along with character pieces to develop musicality.
$9.95
8.96 €
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Clarinet and Piano
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Lynne Williams and Robert Rainford
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Collaborations 1 for clarinet and piano
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Forton Music - Digital
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549229 Composed by Johan…
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549229 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468706. Published by jmsgu3 (A0.549229). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.68 €
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Clarinet and Piano
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Johann Sebastian Bach
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Bach: Bist du bei mir BWV 508 for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549841 Composed by Johan…
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549841 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554817. Published by jmsgu3 (A0.549841). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.47 €
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Clarinet and Piano
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Johann Sebastian Bach
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Bach: Wachet auf for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
O Holy Night for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548671 Composed by Adam.…
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B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548671 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410427. Published by jmsgu3 (A0.548671). Duration: 4:56. Score; 5 pg., 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.47 €
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Clarinet and Piano
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Adam
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5 pg
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O Holy Night for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Turkish March by Beethoven for Clarinet
Clarinet and Piano
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1155640 Composed by Ludw…
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B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1155640 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755944. Published by Woods Only, Arrangements (A0.1155640). This arrangement adapted for clarinet and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
1.79 €
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Clarinet and Piano
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Ludwig van Beethoven
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Turkish March by Beethoven for Clarinet
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Woods Only, Arrangements
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SheetMusicPlus
Ode to Joy by Beethoven for Clarinet
Clarinet and Piano
B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.1160384 Composed by Ludw…
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B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.1160384 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760667. Published by Woods Only, Arrangements (A0.1160384). This arrangement adapted for clarinet and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
1.79 €
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Clarinet and Piano
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Ludwig van Beethoven
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Ode to Joy by Beethoven for Clarinet
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Woods Only, Arrangements
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SheetMusicPlus
Ode to Joy by Beethoven for Clarinet in A
Clarinet and Piano
A Clarinet,Piano - Level 1 - Digital Download SKU: A0.1160386 Composed by Ludwig va…
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A Clarinet,Piano - Level 1 - Digital Download SKU: A0.1160386 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760669. Published by Woods Only, Arrangements (A0.1160386). This arrangement adapted for clarinet in A and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
1.79 €
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Clarinet and Piano
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Ludwig van Beethoven
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Ode to Joy by Beethoven for Clarinet in A
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Woods Only, Arrangements
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SheetMusicPlus
Sonata for Clarinet and Piano
Clarinet and Piano
Cl. Pft. - Intermediate-Advanced - Digital Download SKU: F2.FM633 Composed by James…
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Cl. Pft. - Intermediate-Advanced - Digital Download SKU: F2.FM633 Composed by James Pickering. Sonata for Clarinet and Piano. Score and parts. 34 pages. Forton Music - Digital #FM633. Published by Forton Music - Digital (F2.FM633). ISBN 9790570485321.The Sonata for Clarinet in B flat and Piano comes from a relatively unsettled period. Much of the music is a reflection on the cyclic nature of negative thought, the recurring arpeggios at the opening give some indication of this. Breaking out of these patterns only seems to lead to further dissonance and uncertainty. It also explores the effect of lowering notes by a single semitone and how the smallest of intervals can have a significant impact on the harmony at any given moment. The work is in four movements: 1. Andante moderato. This movement features two main musical statements pivoting around a central dance like idea. 2. Largo. A movement exploring a sense of isolation and disconnect between the Clarinet and Piano. 3. Largo con moto. A moment of calm, featuring some of the melodic contours from the previous movement but treated as if heard with a different frame of mind. 4. Allegro con moto. A slightly mischievous finale, featuring moments where the instruments imitate each other in an almost mocking fashion.
$14.95
13.46 €
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Clarinet and Piano
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James Pickering
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Sonata for Clarinet and Piano
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Forton Music - Digital
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SheetMusicPlus
Sonatina for Clarinet and Piano
Clarinet and Piano
Clarinet and Piano - Level 6-7 - Digital Download SKU: F2.FM1141 Composed by Chris …
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Clarinet and Piano - Level 6-7 - Digital Download SKU: F2.FM1141 Composed by Chris Brammeld. 3 movement sonatina, attractive and effective. Classical. Score and Part. 28 pages. Forton Music - Digital #FM1141. Published by Forton Music - Digital (F2.FM1141). ISBN 9790570790401. 8.25 x 11.75 inches.
$14.95
13.46 €
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Clarinet and Piano
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Chris Brammeld
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Sonatina for Clarinet and Piano
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Forton Music - Digital
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SheetMusicPlus
Für Elise, for Solo Clarinet and Piano
Clarinet and Piano
Clarinet,Piano - Level 3 - Digital Download SKU: A0.587563 Composed by Ludwig van B…
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.587563 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361577. Published by David McKeown (A0.587563). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Clarinet with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
4.14 €
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Clarinet and Piano
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Ludwig van Beethoven
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Für Elise, for Solo Clarinet and Piano
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David McKeown
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SheetMusicPlus
LORD, WHO THROUGHOUT THESE FORTY DAYS - clarinet and piano
Clarinet and Piano
Clarinet,Piano - Digital Download SKU: A0.774077 Arranged by Anthony Giamanco. Conc…
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Clarinet,Piano - Digital Download SKU: A0.774077 Arranged by Anthony Giamanco. Concert,Contemporary,Easter,Sacred. Score and part. 11 pages. Whole Tone Press #6657887. Published by Whole Tone Press (A0.774077). Expertly arranged for clarinet and piano, this work, based on the well-known hymn, ST. FLAVIAN, captures the somber mood of the forty-day journey through the Lenten season. Following the opening march-like fanfare, the familiar melody enters in the clarinet above the drone in the piano. The melody is then transferred to the piano (bass clef), transposed to F Dorian, then, briefly to G Mixolydian. At the key change, the melody returns to its original form, taken up again by the clarinet. The opening fanfare returns in an abbreviated form in the coda as the piece ends quietly on a Dmaj9 arpeggio. Particularly appropriate for Lenten services, this short work can be played during the prelude, the offering, or as a meditation during communion.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His music also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channel.
$5.25
4.73 €
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Clarinet and Piano
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LORD, WHO THROUGHOUT THESE FORTY DAYS - clarinet and piano
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Whole Tone Press
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Clarinet and Piano
Clarinet and Piano
Clarinet,Piano - Level 3 - Digital Download SKU: A0.594414 Composed by G F Handel. …
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.594414 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658343. Published by David McKeown (A0.594414). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Clarinet with piano accompaniment. The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament. Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of this arrangement. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.14 €
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Clarinet and Piano
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G F Handel
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Piano
Clarinet and Piano
Clarinet,Piano - Level 2 - Digital Download SKU: A0.550925 Composed by J. S. Bach -…
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Clarinet,Piano - Level 2 - Digital Download SKU: A0.550925 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 7 pages. Jmsgu3 #4888331. Published by jmsgu3 (A0.550925). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.68 €
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Clarinet and Piano
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J
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Bach-Gounod: Ave Maria, Schwencke version for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Goya for Clarinet & String Quartet (Piano reduction)
Clarinet and Piano
B-Flat Clarinet,Piano - Level 5 - Digital Download SKU: A0.962432 Composed by Salva…
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B-Flat Clarinet,Piano - Level 5 - Digital Download SKU: A0.962432 Composed by Salvador Rojo Gamón. 20th Century,Instructional,Standards. Score and part. 52 pages. Salvador Rojo-Gamon #6429753. Published by Salvador Rojo-Gamon (A0.962432). Goya for Clarinet and String QuartetThis work was Commissioned by Bernardino Assunçao Sales for the Final work Master. I just have finished the process and it is based on the next five Paintings of Goya.Corral de locosVuelo de brujasEl aquejareEl ColosoSaturno devorando a su hijoThe general structure of the workRelationship of movementsThe third is the axis, the form is based on a false mirror where the (original) elements are presented by opposite movement forming a false palindrome.The elements thematic of the movements are related, the elements of the first movement reappear in the fifth movement and the elements of the second movement are related in the fourth.I-VII-IVUse of rhythmicsThe predominant rhythm in the first movement is based on a four-beat measure and in the second movement is based on a three-beat measure. These features are even more present in the fourth and the fifth movement.In the third movement (who does the axis of the work) the primary theme is structured over the ternary measure plus a quaternary measure 3/4 + 4/4 and the secondary theme over a quaternary measure plus a ternary measure 4/4 + 3/4.Program notesFirst MovementCorral de LocosThe first movement starts describing the characters of the painting Corral de Locos. The string represents the sick and the clarinet the keeper.In the first section, the language used is formed on the octatonic scale. The second section represents the feelings of the participants, the feelings of the protagonists are described. Nostalgia, longing for freedom, longing, etc. Second MovementVuelo de Brujas
$20.00
18.01 €
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Clarinet and Piano
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Salvador Rojo Gamón
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Goya for Clarinet & String Quartet
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Salvador Rojo-Gamon
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SheetMusicPlus
Sullivan: The Lost Chord for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir A…
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494745. Published by jmsgu3 (A0.549444). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.27 €
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Clarinet and Piano
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
16 Favourite Easter Hymns for Solo Alto Clarinet in Eb and Piano
Clarinet and Piano
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.587868 Composed by Vario…
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.587868 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037717. Published by David McKeown (A0.587868). 16 Favourite Easter Hymns for Solo Alto Clarinet and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Alto Clarinet part are included in the single PDF file.16 Favourite Easter Hymns for Solo Alto Clarinet and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Alto Clarinet and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
6.84 €
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Clarinet and Piano
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Various
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16 Favourite Easter Hymns for Solo Alto Clarinet in Eb and Piano
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David McKeown
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SheetMusicPlus
16 Favourite Easter Hymns for Solo Clarinet and Piano
Clarinet and Piano
Clarinet,Piano - Level 2 - Digital Download SKU: A0.587888 Composed by Various. Arr…
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Clarinet,Piano - Level 2 - Digital Download SKU: A0.587888 Composed by Various. Arranged by David McKeown. Easter,Sacred. Score and part. 26 pages. David McKeown #5037727. Published by David McKeown (A0.587888). 16 Favourite Easter Hymns for Solo Clarinet in Bb and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Clarinet in Bb part are included in the single PDF file.16 Favourite Easter Hymns for Solo Clarinet in Bb and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Clarinet in Bb and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
6.84 €
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Clarinet and Piano
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Various
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16 Favourite Easter Hymns for Solo Clarinet and Piano
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David McKeown
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SheetMusicPlus
16 Favourite Easter Hymns for Solo Clarinet in A and Piano
Clarinet and Piano
Small Ensemble A Clarinet,Piano - Level 2 - Digital Download SKU: A0.587887 Compose…
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Small Ensemble A Clarinet,Piano - Level 2 - Digital Download SKU: A0.587887 Composed by Various. Arranged by David McKeown. Easter,Praise & Worship,Sacred. Score and part. 26 pages. David McKeown #5037725. Published by David McKeown (A0.587887). 16 Favourite Easter Hymns for Solo Clarinet in A and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Clarinet in A part are included in the single PDF file.16 Favourite Easter Hymns for Solo Clarinet in A and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Clarinet in A and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
6.84 €
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Clarinet and Piano
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Various
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16 Favourite Easter Hymns for Solo Clarinet in A and Piano
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David McKeown
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SheetMusicPlus
Fauré: Élégie Op. 24 for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549728 Composed by Gabri…
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549728 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531397. Published by jmsgu3 (A0.549728). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
29.68 €
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Clarinet and Piano
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Gabriel Faure
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Fauré: Élégie Op. 24 for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
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