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Flute and Piano
Sheetmusic to print
18 sheet music found
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1
Flights with my Flute
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Flute and Piano
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ADVANCED
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Paul Saunders
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Flights with my Flute
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Forton Music - Digital
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SheetMusicPlus
Fl. Pft. - Advanced - Digital Download SKU: F2.FM670 Composed by Paul Saunders. This Trilogy of Flute pieces was composed in 2017. All three pieces take ...
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Fl. Pft. - Advanced - Digital Download SKU: F2.FM670 Composed by Paul Saunders. This Trilogy of Flute pieces was composed in 2017. All three pieces take their inspiration from flying. Score and Parts. 30 pages. Forton Music - Digital #FM670. Published by Forton Music - Digital (F2.FM670). ISBN 9790570485697.
$12.95
Elven Lights
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Flute and Piano
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ADVANCED
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Lewis A
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Elven Lights
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Lewis A. Kocher
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.943032 Composed by Lewis A. Kocher. Contemporary,New Age,Standards,World. Score and part. 14 pages. Lewi...
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Flute,Piano - Level 5 - Digital Download SKU: A0.943032 Composed by Lewis A. Kocher. Contemporary,New Age,Standards,World. Score and part. 14 pages. Lewis A. Kocher #4627565. Published by Lewis A. Kocher (A0.943032). ELVEN LIGHTS for FLUTE and PIANOPlaying time: Appx. 3:45 Seasons/Concert venues: Any It is early evening. As the sun sets and the sky darkens, playful and magical lights begin to appear and dance. It is the time of night for the elves, the fairies, and all of their companions to gather and celebrate.Elven Lights is an exciting fantasy for advanced flute and piano performers. Containing both rhythmic and lyrical sections, it also includes a solo passage for the flute as well as for the piano. A perfect concert piece for any time of year, the music conjures up delightful and mystical realms!A special note to dance studios: Elven Lights is an ideal piece to choreograph, and its solo passages can even be used to highlight specific dancers for their own solos. The music can be performed live or prerecorded: local colleges/universities with music departments should be able to supply performers for either option.
$8.95
The Flight of the Bumble Bee - Rimsky Korsakov - for Flute and Piano
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Flute and Piano
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ADVANCED
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Opera
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Classical
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N
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Raymond Fenech
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The Flight of the Bumble Bee -
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Raymond Fenech
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1039634 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Ope...
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Flute,Piano - Level 5 - Digital Download SKU: A0.1039634 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic Period. Score and part. 21 pages. Raymond Fenech #644546. Published by Raymond Fenech (A0.1039634). Flight of the Bumblebee (Russian: Полёт шмелÑ) is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.
$3.99
Flute Sonata
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Flute and Piano
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ADVANCED
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Brian Inglis
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Flute Sonata
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Forton Music - Digital
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SheetMusicPlus
Fl. Pft. - Advanced - Digital Download SKU: F2.FM530 Composed by Brian Inglis. Flute and Piano. Score and Part. 29 pages. Forton Music - Digital #FM530. ...
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Fl. Pft. - Advanced - Digital Download SKU: F2.FM530 Composed by Brian Inglis. Flute and Piano. Score and Part. 29 pages. Forton Music - Digital #FM530. Published by Forton Music - Digital (F2.FM530). ISBN 9790570484294.The composition of this sonata spans the period of my undergraduate studies at Durham University. In the first movement, an overall A minor feel is challenged by the near-atonal way in which the main gesture is developed; and by the intermittently chromatic, pentatonic and whole-tone scalic material which emerges in the piano accompaniment. In the coda [from bar 100] obsessive repetition of chords and single notes threatens to take over, until the tension is resolved onto bare E's (the note with which the movement began). Part of this movement was written in Siena on a summer holiday with my parents; the vivid presence of the Tuscan cicadas is echoed in the flute's fluttertonguing. The Passacaglia second movement can also be performed as a standalone piece. Shades of Bartok's 'night music' style are evident in the central section, where after a short flute cadenza the soloist flutters and mutters above limpid piano arpeggios. In the outer sections, a calm flute melody appears above the block chords of the piano's passacaglia cycle. In contrast to the heat of Italy, this movement was inspired by the image of an icy river connecting different wintry landscapes of cold light snow. A scherzo finale rounds off the sonata, dominated by trills emerging from a theme which rhythmically reconfigures the main gesture from the opening movement. In the central Trio [bars 39-49] the melody from the second movement is recalled to bind everything together. As with the first movement, the coda [from bar 99] develops its own repetitive momentum.
$12.95
Flûte en suite
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Flute and Piano
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ADVANCED
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Joerg Widmann
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Flûte en suite
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Schott Music - Digital
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SheetMusicPlus
Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano ...
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Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99
Lohengrin-Fantasy
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Flute and Piano
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ADVANCED
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Giulio Briccialdi
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Lohengrin-Fantasy
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Schott Music - Digital
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SheetMusicPlus
Flute and piano - advanced - Digital Download SKU: S9.Q16070 From the Themes from Richard Wagner's Opera. Composed by Giulio Briccialdi. This edit...
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Flute and piano - advanced - Digital Download SKU: S9.Q16070 From the Themes from Richard Wagner's Opera. Composed by Giulio Briccialdi. This edition: Sheet music. Il Flauto traverso. Downloadable. Op. 129. Schott Music - Digital #Q16070. Published by Schott Music - Digital (S9.Q16070). Giulio Briccialdi was one of the most eminent flute virtuosos of the 19th century. Naturally, apart from one opera, his oeuvre consisted mainly of pieces for the flute. In numerous fantasies on excerpts from popular operas (mainly Italian works and the operas of Meyerbeer) he married dazzling virtuosity with tunes that were popular favourites. As Wagner's music seems rather underrepresented in 19th-century popular flute music the discovery of Briccialdis 'Lohengrin' counts as a pleasant surprise, which should delight flute players and Wagner fans equally.
$15.99
Nikolai Rimsky-Korsakov: The Flight of the Bumblebee for flute & piano
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Flute and Piano
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ADVANCED
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Classical
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Nikolai Rimsky-Korsakov
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Virtualsheetmusic
This is an exclusive transcription for flute & piano of HIGH skill level from the original composition by Nikolai Rimsky-Korsakov. This title is available as instant sheet music download. Contents: bumblebee,bumble-bee, il volo del calabrone, bumble, bumblee, bumble bee / classical...
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This is an exclusive transcription for flute & piano of HIGH skill level from the original composition by Nikolai Rimsky-Korsakov. This title is available as instant sheet music download. Contents: bumblebee,bumble-bee, il volo del calabrone, bumble, bumblee, bumble bee / classical
$6.99
Vita Nova, For Flute And Piano
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Flute and Piano
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ADVANCED
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Gary Woolf - Flute and Sebasti
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Vita Nova, For Flute And Piano
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Geraldine
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1311840 By Gary Woolf - Flute and Sebastian Kurz - Piano. By Geraldine (Denny) Green. 21st Century,Chamb...
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Flute,Piano - Level 5 - Digital Download SKU: A0.1311840 By Gary Woolf - Flute and Sebastian Kurz - Piano. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary. Score and part. 28 pages. Geraldine (Denny) Green at Oakmountmusic #900774. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1311840). ALL PURCHASES COME WITH SCORE AND PARTSDuration – 12 minutes approx.Vita Nova is a single movement work for flute and piano, commissioned by flautist Gary Woolf and written in July/August 2019. It received its world premiere in September 2019 in Germany as part of a concert to celebrate the retirement of Gary’s Boss, Wolfgang Bernhardt, the work’s dedicatee and himself an excellent musician. It was this special occasion which inspired the work’s title, Latin for New Life.The piece is packed with excitement and has a wide range of moods, from the rather somber opening to the comical, lively main theme, which resembles a strange cross between a fast, crazy waltz and a jig. In the middle there is a flamboyant flute cadenza which leads us into a calm, ethereal, slightly mysterious section, before the lively, mischievous waltzy jig returns, to eventually lead us into a beautiful calm, dignified ending derived from the somber opening melody but now with glorious, positive harmony and a feeling that all is right and good.
$15.00
Murray - A Leap of Faith - Flute & Piano
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Flute and Piano
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ADVANCED
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Contemporary
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TK Tim Murray
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Murray - A Leap of Faith - Flu
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TK
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.823974 Composed by TK Tim Murray. 20th Century,Concert,Contemporary. Score and part. 21 pages. TK (Tim) ...
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Flute,Piano - Level 5 - Digital Download SKU: A0.823974 Composed by TK Tim Murray. 20th Century,Concert,Contemporary. Score and part. 21 pages. TK (Tim) Murray #4758279. Published by TK (Tim) Murray (A0.823974). 'A Leap of Faith' for Flute & Piano is a journey from uncertainty and hesitancy to Joyful daring - taking the risk to dive into the unknown. It has thrilled audiences through it's journey of abrupt contrasts of mood from dark to vibrant light, percussive rhythm and gentle melody to it's final soaring ending full of joie de vivre. Commissioned by Ruth Artmonsky and premiered by Siobahn Greally and TK Murray it has been recorded by Julian Sperry (Flute) and Kathron Sturrock (Piano). (c. 9 mins.)Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).contact; tkmurraycomp@aol.com
$12.95
Images from a Journey for Flute, Clarinet, Cello and Piano
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Flute and Piano
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ADVANCED
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Contemporary
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Piotr Szewczyk
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Images from a Journey for Flut
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Piotr Szewczyk
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.949217 Composed by Piotr Szewczyk. 20th Century,Contemporary. Score and pa...
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Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.949217 Composed by Piotr Szewczyk. 20th Century,Contemporary. Score and parts. 50 pages. Piotr Szewczyk (www.VeryNewMusic.com) #5897239. Published by Piotr Szewczyk (www.VeryNewMusic.com) (A0.949217). Images from a Journey for Flute, Clarinet, Cello and Piano (2010) by Piotr SzewczykI - Through a PrismII - Moonlight PassacagliaIII - Night's EmbraceIV - Gypsy Ballroom .
$12.99
Friction
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Flute and Piano
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ADVANCED
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Contemporary
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Panayiotis Kokoras
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Friction
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Panayiotis Kokoras
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. Wit...
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Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. With Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments couple. 37 pages. Panayiotis Kokoras #431113. Published by Panayiotis Kokoras (A0.1002844). Friction was composed at the beginning for the 8th International Academy for New Composition and Audio Art Avantgarde Schwaz 2000 (Tirol/ Austria), during the Summer 2000. The initial line up adjusted to the Academie’s ensemble in residence Het trio (Flute, Bass Clarinet, Piano) plus Alto Saxophone. Almost One year later I revised the piece and slightly changed the instrumentation, using Violoncello instead of Alto Sax. That gave to the piece more timbral variety with better balance as well as expressed better the work’s musical idea. The starting point of the work is the characteristics of Friction a real world sounding event, which then is abstracted and applied to form the idea for the compositional process. The work has three main sections. The first section is quite homophonic and harmonic; the middle one is inharmonic and energetic and works as crossfade to the last section, which is characterized as a more linear with repeated patterns. The transformation from one section to another is the most important and long part of the composition. It is a kind of transformation of the sound itself, a timbral exploration of the characteristics of the initial idea. Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments coupled with the use of unconventional objects treated as musical instruments or extensions of them (boxes, plastic or metal cards etc). That allows a better development, control and transformation of the sound. Friction was awarded the Second Prize at The Second Seoul International Competition for Composers in Seoul/ Korea and was Finalist at The Ensemble Eleven Young Composers Competition 2002 in Manchester/ United Kingdom. - Panayiotis Kokoras, York 2001-.
$20.00
Concert Piece
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Flute and Piano
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ADVANCED
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Karl Joachim Andersen
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Concert Piece
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Flute and piano - difficult - Digital Download SKU: S9.Q47041 Composed by Karl Joachim Andersen. This edition: Sheet music. The Kyle Dzapo Series. Downlo...
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Flute and piano - difficult - Digital Download SKU: S9.Q47041 Composed by Karl Joachim Andersen. This edition: Sheet music. The Kyle Dzapo Series. Downloadable. Op. 3. Duration 17 minutes. Musikverlag Zimmermann - Digital #Q47041. Published by Musikverlag Zimmermann - Digital (S9.Q47041). German • English.The virtuoso Concertstück, Op. 3, is a masterfully written, large-scale work that Paul Taffanel selected as the required piece for the Paris Conservatory’s concours of 1895. Taffanel had performed the work shortly after it was composed in the early 1880s and remained its enthusiastic admirer. In an age when many flutist-composers were writing only light-hearted theme-and-variation pieces and opera medleys, Andersen, in his Concertstück, demonstrates his ability to create a substantial sonata-form composition that is harmonically, contrapuntally, and formally refined.
$19.99
Breeze for Flute and Piano (2023)
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Flute and Piano
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ADVANCED
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Iva Ugrcic, flute and Satoko H
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Breeze for Flute and Piano
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Mary Ellen Haupert
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1316351 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert (b. 1960). 21st Century,Cha...
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Flute,Piano - Level 5 - Digital Download SKU: A0.1316351 By Iva Ugrcic, flute and Satoko Hayami, piano. By Mary Ellen Haupert (b. 1960). 21st Century,Chamber,Classical. Score and part. 8 pages. Mary Ellen Haupert #905092. Published by Mary Ellen Haupert (A0.1316351). “Breeze†for Flute and Piano (2023) by Mary Ellen Haupert (b.1960)“Breeze†was written for flutist Iva UgrÄić and pianist Satoko Hayami for the Out of Our Minds Chamber Music performance of music by women composers on November 4, 2023. The work was inspired by the sounds of lapping water, loon calls, and wind carried off the shores of Minnesota’s Lake Pokegama, where our family has a summer cabin. Loons are social migratory birds that communicate with each other via wails (calls to one another), tremolos (warnings to others about impending danger), yodels (territorial demonstrations), and coo-ing (quiet contentment). The opening of “Breeze†is a yodel in D Major that dissolves into a lapping piano accompaniment – the backdrop for a measured loon soliloquy. The piano restates the loon tune with the flute echoing in canon.The loon echoes dissipate in an undulating transition to a B section featuring the traditional Irish tune, St. Columba, first published by George Petrie in 1855. The tune is presented in D Mixolydian over a repeated bass line that is meant to evoke the rhythmic paddling of a canoe. As the tune ends, the “loons†pick up their own improvisation over the bass line, again in canon. There are only slight alterations in the closing section, casting “Breeze†in a balanced ABA’ form.
$10.00
A Squirrelly Scherzo
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Flute and Piano
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ADVANCED
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Josh Trentadue
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A Squirrelly Scherzo
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T.U.X. People's Music
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1405204 Composed by Josh Trentadue. 21st Century,Contemporary,Contest,Festival. Score and part. 16 pages...
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Flute,Piano - Level 5 - Digital Download SKU: A0.1405204 Composed by Josh Trentadue. 21st Century,Contemporary,Contest,Festival. Score and part. 16 pages. T.U.X. People's Music #988250. Published by T.U.X. People's Music (A0.1405204). Bring a delightfully quirky spin to your recital program with this musical portrait of the daily life of a squirrel, featuring both the thrills and chills of this animal's various adventures.
$22.00
Flat as a Flute - Flute solo w piano accompaniment
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Flute and Piano
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ADVANCED
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Mike Lyons
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Flat as a Flute - Flute solo w
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Lyons Music Services
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #347...
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Flute,Piano - Level 5 - Digital Download SKU: A0.767321 Composed by Mike Lyons. Concert,Contemporary. Score and part. 23 pages. Lyons Music Services #3473849. Published by Lyons Music Services (A0.767321). A brand new solo for flute and piano. There's a little bit of horseplay between the flute and piano, the flautist needs to be able to double tongue and to use flutter tongue. There's a bit of a simple cadenza to start, followed by some interplay between the flute and piano pretending to tune. Then follows a march-like section with some deliberate discords in the flute. As this section becomes louder and more animated, the players should act cross with each other!Then follows a dreamy little melodic section in waltz time. There's lots of chromatic work in this section. The piano now dominates for a short while with a melodic idea, based on the flute's waltz melody bot with tremolos which gives the music an almost zither-like feel (expect the Third man to walk on stage. After this, the flute returns to dominance but gets interrupted by the piano who is missing being in the limelight!At the change to a quicker tempo and a major key - still with 'out of tune notes' the two 'play nicely together' for a while before it all goes to pot again when the flute develops hiccups! This leads back to an altered version of the original march tune, but faster.This time the two find common ground on the 8ve leaps and the piece finishes with a short codetta. A great show-off piece for the finale of a concert, allowing both the soloist and accompanist to sparkle.
$5.99
Ravel - "Menuet" from 'Sonatine', for Flute and Piano
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Flute and Piano
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ADVANCED
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Maurice Ravel
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Len Rhodes
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Ravel - "Menuet" from 'Sonatin
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Len Rhodes Music
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.739838 Composed by Maurice Ravel. Arranged by Len Rhodes. 20th Century,Contemporary. Score and part. 7 p...
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Flute,Piano - Level 5 - Digital Download SKU: A0.739838 Composed by Maurice Ravel. Arranged by Len Rhodes. 20th Century,Contemporary. Score and part. 7 pages. Len Rhodes Music #3014279. Published by Len Rhodes Music (A0.739838). Ravel's Menuet - the delightful second movement from Ravel's piano work, 'Sonatine'; tastefully transcribed for flute and piano. Download includes part and score.
$5.99
SHOWPIECE for Flute and Piano - Score and Part
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Flute and Piano
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ADVANCED
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Richard St
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SHOWPIECE for Flute and Piano
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Richard St. Clair
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.939809 Composed by Richard St. Clair. 20th Century,Contemporary. Score and part. 32 pages. Richard St. C...
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Flute,Piano - Level 5 - Digital Download SKU: A0.939809 Composed by Richard St. Clair. 20th Century,Contemporary. Score and part. 32 pages. Richard St. Clair #4742209. Published by Richard St. Clair (A0.939809). This brilliant showpiece for flute and piano should delight audiences of new music. It is in four movements, each a world in itself.
$16.95
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