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--INSTRUMENTS--
ACCORDION
AUTOHARP
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All Of Them!
Not classified
266
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Piano solo
200
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21
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19
2 Pianos, 4 hands
6
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5
Piano Trio: piano, violin, cello
4
1 Piano, 4 hands
3
Piano Accompaniment
2
Piano Quintet: piano, 2 violins, viola, cello
1
Piano Quartet: piano, violin, viola, cello
1
Piano Quartet: piano, 2 violins, cello
1
Organ, Trumpet (duet)
1
C Instruments
1
Accordion
1
+ 9 instrumentations
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Retract
Guitars
Bass guitar
13
Guitar
13
Mandolin
1
Ukulele
1
Piano, Guitar (duet)
1
Guitar notes and tablatures
1
2 Guitars (duet)
1
+ 2 instrumentations
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Retract
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Choral SATB
37
Soprano voice, Piano
7
Choral TTBB
6
Baritone voice, Piano
3
Choral SSAA
3
High voice
2
Alto voice, Piano
1
Low voice, Piano
1
+ 3 instrumentations
-
Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
26
Saxophone Quartet: 4 saxophones
17
Flute and Piano
17
Clarinet
16
Saxophone Quintet: 5 Saxophones
14
2 Flutes (duet)
13
Oboe (band part)
11
Alto Saxophone and Piano
9
Clarinet Quartet: 4 clarinets
8
Alto Saxophone
6
Flute, Oboe, Clarinet, Bassoon
5
Flute Quartet: 4 flutes
5
Soprano Saxophone and Piano
5
Oboe, Piano (duet)
5
Clarinet Ensemble
4
Flute
4
Tenor Saxophone
3
Oboe, Clarinet, Bassoon (trio)
3
Saxophone ensemble
3
Flute Quintet : 5 flutes
3
Clarinet and Piano
3
3 Clarinets (trio)
2
Flute (band part)
2
5 Recorders
2
2 Saxophones (duet)
2
Bass Clarinet, Piano
2
English Horn
2
Saxophone (band part)
2
Tenor Saxophone and Piano
2
Baritone Saxophone, Piano
2
Flute, Oboe (duet)
1
Clarinet, Cello, Piano (trio)
1
Oboe, Bassoon and Piano
1
Flute ensemble
1
Flute, Clarinet (duet)
1
Treble (Alto) Recorder, Piano
1
Saxophone
1
Clarinet Quintet: 5 clarinets
1
Flute Trio: 3 flutes
1
Flute, Clarinet and Bassoon.
1
Piccolo
1
Clarinet, Violin (duet)
1
Flute, Oboe, Piano (trio)
1
+ 38 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
35
Brass quartet : 2 trumpets, trombone, tuba
20
Trombone and Piano
19
French horn
11
Trombone ensemble
9
Euphonium, Piano (duet)
8
Brass Quartet: 4 trombones
7
Brass Quartet: 4 horns
5
French Horn and Piano
5
2 Trumpets (duet)
4
Tuba
4
Trombone
4
Trumpet ensemble
4
Tuba and Piano
4
Brass Quartet: 2 trumpets, horn, trombone
4
2 Trombones (duet)
4
Trumpet
3
Trumpet, Piano
3
4 Tubas
2
2 Euphoniums and 2 Tubas
2
English Horn
2
3 Trombones (trio)
2
Horn Ensemble
2
Brass Quartet: 4 trumpets
1
3 Euphoniums
1
Trombone (band part)
1
Brass Quartet
1
Trumpet (band part)
1
Bass Trombone and Piano
1
Bass Trombone
1
+ 25 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
51
Violin and Piano
21
Violin
17
Cello
6
String Trio: violin, viola, cello
6
Viola
6
Harp
5
Cello, Piano
4
Violin, Guitar (duet)
3
Double Bass
3
Viola, Piano
3
Violin, Cello (duet)
3
2 Violins (duet)
3
Violin, Viola (duet)
2
Viola ensemble
2
2 Cellos (duet)
2
String Quintet: 2 violins, viola, cello, bass
2
Viola and Harp
1
2 Violas (duet)
1
String Trio: 2 violins, viola
1
String Quartet : 4 violas
1
Violin, Clarinet, Piano (trio)
1
Cello, String Bass (duet)
1
Cello Ensemble
1
Violin ensemble
1
4 Harps
1
Piano Trio: Violin, Viola, Piano
1
String Trio: 3 cellos
1
+ 23 instrumentations
-
Retract
Orchestra & Percussion
Orchestra
82
Concert band
39
Chamber Orchestra
22
String Orchestra
20
Brass ensemble
20
Jazz Ensemble
9
Percussion Ensemble
7
Jazz combo
3
Handbells
3
Marching band
2
Piano and Orchestra
1
Xylophone
1
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Retract
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Flute and Piano
Sheetmusic to print
17 sheet music found
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1
Sola Scriptura: The Hymns of Martin Luther
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Flute and Piano
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ADVANCED
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Martin Luther
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Carolyn Kelley
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Sola Scriptura: The Hymns of M
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Carolyn Kelley
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1466915 Composed by Martin Luther. Arranged by Carolyn Kelley. Christian,Christmas,Praise & Worship,Reli...
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Flute,Piano - Level 5 - Digital Download SKU: A0.1466915 Composed by Martin Luther. Arranged by Carolyn Kelley. Christian,Christmas,Praise & Worship,Religious,Sacred. Score and part. 32 pages. Carolyn Kelley #1045476. Published by Carolyn Kelley (A0.1466915). The texts and tunes of Martin Luther's hymns have a timeless quality, and Lutherans of every age know these hymns well. The arranger has collected 6 well known hymns written by Martin Luther and arranged them for advanced flute and piano. Musicians will find parts that will demand strengths in every register, expect technical fluidity, and musical expression, particularly for the flutist. The arrangements are designed for a professional flutist, or an advanced college student. Even the most skilled flutist should be able to praise their Lord with their skills that were given to them, rather than being forced to play arrangements far below their best first fruits.This collection includes: Dear Christians, One and All, Rejoice (NUN FREUT EUCH, LIEBEN CHRISTEN); From Heaven Above to Earth I Come (VOM HIMMEL HOCH); Lord, Keep Us Steadfast in Your Word (ERHALT UNS, HERR); A Mighty Fortress (EIN FESTE BURG); Our Father, Who from Heaven Above (VATER UNSER IM HIMMELREICH, DER DU); and Savior of the Nations, Come (NUN KOMM, DER HEIDEN HEILAND).
$14.99
Lord God, To You We All Give Praise (Hymn Tune: DEUS TUORUM MILITUM)
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Flute and Piano
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ADVANCED
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Sacred music
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Public Domain
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Carolyn Kelley
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Lord God, To You We All Give P
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Carolyn Kelley
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1471171 Composed by Public Domain. Arranged by Carolyn Kelley. Christian,Praise & Worship,Religious,Sacr...
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Flute,Piano - Level 5 - Digital Download SKU: A0.1471171 Composed by Public Domain. Arranged by Carolyn Kelley. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score and part. 5 pages. Carolyn Kelley #1048829. Published by Carolyn Kelley (A0.1471171). This work is designed for the advanced flutist, either a professional, or a college student. There are challenges in technical fluidity and extreme registers of the instrument, as well as a lot of the musical expression is left up to the performer. The piano part may also have some challenges.Even the most advanced musicians should be able to praise their Lord to the full extent of their abilities, rather than being limited to extremely basic arrangements that showcase little of the talents and skills God blessed them with.
$4.99
Dear Christians, One and All, Rejoice (Hymn Tune: NUN FREUT EUCH, LIEBEN CHRISTEN)
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Flute and Piano
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ADVANCED
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Sacred music
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Public Domain
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Carolyn Kelley
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Dear Christians, One and All,
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Carolyn Kelley
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1467607 Composed by Public Domain. Arranged by Carolyn Kelley. Christian,Praise & Worship,Religious,Sacr...
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Flute,Piano - Level 5 - Digital Download SKU: A0.1467607 Composed by Public Domain. Arranged by Carolyn Kelley. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score and part. 5 pages. Carolyn Kelley #1045883. Published by Carolyn Kelley (A0.1467607). This work is designed for the advanced flutist, either a professional, or a college student. There are challenges in technical fluidity and extreme registers of the instrument, as well as a lot of the musical expression is left up to the performer. The piano part may also have some challenges.Even the most advanced musicians should be able to praise their Lord to the full extent of their abilities, rather than being limited to extremely basic arrangements that showcase little of the talents and skills God blessed them with.
$4.99
Fastnet Rock
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Flute and Piano
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ADVANCED
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Contemporary
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168...
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Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99
Sonata for Flute and Piano, Op. 12
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Flute and Piano
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ADVANCED
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Tyler J
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Sonata for Flute and Piano, Op
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TJHoltMusic
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. S...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
Friction
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Flute and Piano
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ADVANCED
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Contemporary
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Panayiotis Kokoras
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Friction
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Panayiotis Kokoras
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. Wit...
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Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.1002844 Composed by Panayiotis Kokoras. Contemporary. Score and parts. With Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments couple. 37 pages. Panayiotis Kokoras #431113. Published by Panayiotis Kokoras (A0.1002844). Friction was composed at the beginning for the 8th International Academy for New Composition and Audio Art Avantgarde Schwaz 2000 (Tirol/ Austria), during the Summer 2000. The initial line up adjusted to the Academie’s ensemble in residence Het trio (Flute, Bass Clarinet, Piano) plus Alto Saxophone. Almost One year later I revised the piece and slightly changed the instrumentation, using Violoncello instead of Alto Sax. That gave to the piece more timbral variety with better balance as well as expressed better the work’s musical idea. The starting point of the work is the characteristics of Friction a real world sounding event, which then is abstracted and applied to form the idea for the compositional process. The work has three main sections. The first section is quite homophonic and harmonic; the middle one is inharmonic and energetic and works as crossfade to the last section, which is characterized as a more linear with repeated patterns. The transformation from one section to another is the most important and long part of the composition. It is a kind of transformation of the sound itself, a timbral exploration of the characteristics of the initial idea. Moreover, electroacoustic techniques are modeled using acoustic instrumental means. To achieve that I make use conventional musical instruments, utilizing extended performance techniques (which I could call timbral techniques). As well, instruments coupled with the use of unconventional objects treated as musical instruments or extensions of them (boxes, plastic or metal cards etc). That allows a better development, control and transformation of the sound. Friction was awarded the Second Prize at The Second Seoul International Competition for Composers in Seoul/ Korea and was Finalist at The Ensemble Eleven Young Composers Competition 2002 in Manchester/ United Kingdom. - Panayiotis Kokoras, York 2001-.
$20.00
"Nocturne" for flute, clarinet, cello and piano
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Flute and Piano
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ADVANCED
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Panagiotis Theodossiou
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"Nocturne" for flute, clarinet
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Panagiotis Theodossiou
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.886700 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards....
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Small Ensemble Cello,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.886700 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 36 pages. Panagiotis Theodossiou #3578805. Published by Panagiotis Theodossiou (A0.886700). Nocturne, for flute, oboe (or clarinet), cello and piano (2003). An extended dodecaphonic work in the form of theme and variations. Its mystic mood (like a all night long ritual) follows the strict composing process. It is divided in seven parts: Theme, Var. I – V, and Epilogue. The 5th Variation is a greek dance (Danza alla Greca).Because of the demanding and soloistic part of the cello, the work could be a concertino for this instrument. The performance took place at the Hellenic American Union Theatre by the Hellenic Ensemble for Contemporary Music under Iakovos Konitopoulos.
$20.00
Thérèse Brenet: Sonata for flute and piano
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Flute and Piano
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ADVANCED
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Therese Brenet
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Thérèse Brenet: Sonata for f
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabri...
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Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2894443. Published by Musik Fabrik Music Publishing (A0.533397). A sonata in three movements for flute and piano: I. EphémèreII. La lune s'éteignitIII. Miroirs The sonata lasts aproximately 13 minutes. Thérèse BRENET, born 22 October 1935 in Paris, France began her musical studies at a very early age, receiving her first prize in Piano from the Conservatoire de Reims.At the Paris Conservatory, her prinicipal teachers were Jean Rivier, Darius Milhaud, Maurice Duruflé, Noël Gallon and Henri Dutilleux and she obtained First Prizes in Harmony, Counterpoint, and Fugue. She finished her studies in 1965, receiving a First Prize in Orchestration, A First Prize with highest honors in Composition and the First Grand Prix de Rome in musical composition.She also won the Halphen Prize for Composition and the Fugue, a grant from the Coplay Foundation of Chigaco and was named honorable member of the National Academy of History of Reims. In 1971, she received the Stéphane Chapelier-Clergue-Gabriel Marie Prize from the SACEM and in 1973, the Silver Medal from the City of Paris.After her stay at the French Academy at the Villa Médicis in Rome, Thérèse Brenet undertook several post-graduate voyages for study, notably to Poland. Upon her return in Paris in 1970, she was immediately named to the Faculty of the Paris Conservatory (CNSMD de Paris) where she also was frequently part of the juries for music theory and composition, as well as electroacoustical music.Thérèse Brenet receiving her definitive SACEM membership from Georges Auric She retired from the Paris Conservatory in 2000 and has since devoted her time to musical composition. She uses both tonal and atonal musical language, which she uses to suit her personal style. Her works are strongly influenced by literature, by painting and by science (especially astronomy). She believes that a composer should use all technical means at his or her disposal and use them rather than be used by them.Her first commission from the French National Radio, Clamavit, for Narrator, Chorus and Orchestra which was premièred by the Orchestre Lyrique de l'O.R.T.F., under the direction of André Girard, with Michel Bouquet as the Narrator, was selected to represent France in the Composer's Forum of 'U.N.E.S.C.O., and was performed in many countries. Many other works have also been performed outside of France in countries such as Switzerland, England, Germany, Belgium, Ireland, the former Yugoslavia, Italy, Portugal, the Netherlands, Libya, Canada, Uruguay, Japan and the United States etc...
$16.95
Lohengrin-Fantasy
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Flute and Piano
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ADVANCED
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Giulio Briccialdi
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Lohengrin-Fantasy
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Schott Music - Digital
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SheetMusicPlus
Flute and piano - advanced - Digital Download SKU: S9.Q16070 From the Themes from Richard Wagner's Opera. Composed by Giulio Briccialdi. This edit...
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Flute and piano - advanced - Digital Download SKU: S9.Q16070 From the Themes from Richard Wagner's Opera. Composed by Giulio Briccialdi. This edition: Sheet music. Il Flauto traverso. Downloadable. Op. 129. Schott Music - Digital #Q16070. Published by Schott Music - Digital (S9.Q16070). Giulio Briccialdi was one of the most eminent flute virtuosos of the 19th century. Naturally, apart from one opera, his oeuvre consisted mainly of pieces for the flute. In numerous fantasies on excerpts from popular operas (mainly Italian works and the operas of Meyerbeer) he married dazzling virtuosity with tunes that were popular favourites. As Wagner's music seems rather underrepresented in 19th-century popular flute music the discovery of Briccialdis 'Lohengrin' counts as a pleasant surprise, which should delight flute players and Wagner fans equally.
$15.99
Korean Simple Suite No.2 (For Flute and Piano)
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Flute and Piano
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ADVANCED
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Han-Ki Kim
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Han-Ki Kim
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Korean Simple Suite No.2
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Han-Ki Kim
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SheetMusicPlus
Piano,Soprano Flute - Level 5 - Digital Download SKU: A0.1206204 By Han-Ki Kim. By Traditional. Arranged by Han-Ki Kim. Classical,Instructional,Romantic ...
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Piano,Soprano Flute - Level 5 - Digital Download SKU: A0.1206204 By Han-Ki Kim. By Traditional. Arranged by Han-Ki Kim. Classical,Instructional,Romantic Period,Standards,Traditional. Score and part. 33 pages. Han-Ki Kim #804401. Published by Han-Ki Kim (A0.1206204). This Korean Simple Suite No.2 is consist of 5 movements.1. Prologue-–Ungki Dungki.2. Sound of Piri. 3. Cheerful Semachi.4. Meditation.5. Finale-Perpetuum-Mobile. All piece's main theme is generally based on Korean(Oriental) pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm.  For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo.
$15.99
Cadenza
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Flute and Piano
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ADVANCED
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Contemporary
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Peter Le Tissier
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Cadenza
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Peter Le Tissier
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SheetMusicPlus
Cello,Flute,Piano - Level 5 - Digital Download SKU: A0.1216424 Composed by Peter Le Tissier. Classical,Contemporary. 4 pages. Peter Le Tissier #813031. P...
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Cello,Flute,Piano - Level 5 - Digital Download SKU: A0.1216424 Composed by Peter Le Tissier. Classical,Contemporary. 4 pages. Peter Le Tissier #813031. Published by Peter Le Tissier (A0.1216424). The 'Cadenza' for Flute, Cello, and Piano, was written in late 2018 and updated in the Spring of 2019 for its first performance in London of that year with the Epoch Ensemble. The work is written for highly skilled players, and utilises three sections where the Flute and Cello begin far apart, merge together and then distance onesful from one another again. The piano part is based on the note 'A', and this pitch locks the whole structure together.The piece should be performed with all players using the full score, as the simultaneous use of free-time and very strict coordination requires all players to be aware of what is going on around them. The cello will need to detune their lowest C-string so that its fundamental pitch is now A, and the part has been written such that the fourth string is a transposing line, so that the player can read as if it were in C for the purposes of fingerings, with the sounding pitch a minor third lower.Any performances, particularly those that are local or national premières, must be made aware of by the composer, who appreciates all opportunities for performances.
$16.99
Guthrie: Toccata Agitato for Flute & Piano
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Flute and Piano
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ADVANCED
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James M
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Guthrie: Toccata Agitato for F
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1384671 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score ...
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Flute,Piano - Level 5 - Digital Download SKU: A0.1384671 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 27 pages. Jmsgu3 #968948. Published by jmsgu3 (A0.1384671). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
$32.95
Flute Sonata
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Flute and Piano
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ADVANCED
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Brian Inglis
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Flute Sonata
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Forton Music - Digital
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SheetMusicPlus
Fl. Pft. - Advanced - Digital Download SKU: F2.FM530 Composed by Brian Inglis. Flute and Piano. Score and Part. 29 pages. Forton Music - Digital #FM530. ...
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Fl. Pft. - Advanced - Digital Download SKU: F2.FM530 Composed by Brian Inglis. Flute and Piano. Score and Part. 29 pages. Forton Music - Digital #FM530. Published by Forton Music - Digital (F2.FM530). ISBN 9790570484294.The composition of this sonata spans the period of my undergraduate studies at Durham University. In the first movement, an overall A minor feel is challenged by the near-atonal way in which the main gesture is developed; and by the intermittently chromatic, pentatonic and whole-tone scalic material which emerges in the piano accompaniment. In the coda [from bar 100] obsessive repetition of chords and single notes threatens to take over, until the tension is resolved onto bare E's (the note with which the movement began). Part of this movement was written in Siena on a summer holiday with my parents; the vivid presence of the Tuscan cicadas is echoed in the flute's fluttertonguing. The Passacaglia second movement can also be performed as a standalone piece. Shades of Bartok's 'night music' style are evident in the central section, where after a short flute cadenza the soloist flutters and mutters above limpid piano arpeggios. In the outer sections, a calm flute melody appears above the block chords of the piano's passacaglia cycle. In contrast to the heat of Italy, this movement was inspired by the image of an icy river connecting different wintry landscapes of cold light snow. A scherzo finale rounds off the sonata, dominated by trills emerging from a theme which rhythmically reconfigures the main gesture from the opening movement. In the central Trio [bars 39-49] the melody from the second movement is recalled to bind everything together. As with the first movement, the coda [from bar 99] develops its own repetitive momentum.
$12.95
Vita Nova, For Flute And Piano
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Flute and Piano
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ADVANCED
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Gary Woolf - Flute and Sebasti
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Vita Nova, For Flute And Piano
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Geraldine
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SheetMusicPlus
Flute,Piano - Level 5 - Digital Download SKU: A0.1311840 By Gary Woolf - Flute and Sebastian Kurz - Piano. By Geraldine (Denny) Green. 21st Century,Chamb...
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Flute,Piano - Level 5 - Digital Download SKU: A0.1311840 By Gary Woolf - Flute and Sebastian Kurz - Piano. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary. Score and part. 28 pages. Geraldine (Denny) Green at Oakmountmusic #900774. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1311840). ALL PURCHASES COME WITH SCORE AND PARTSDuration – 12 minutes approx.Vita Nova is a single movement work for flute and piano, commissioned by flautist Gary Woolf and written in July/August 2019. It received its world premiere in September 2019 in Germany as part of a concert to celebrate the retirement of Gary’s Boss, Wolfgang Bernhardt, the work’s dedicatee and himself an excellent musician. It was this special occasion which inspired the work’s title, Latin for New Life.The piece is packed with excitement and has a wide range of moods, from the rather somber opening to the comical, lively main theme, which resembles a strange cross between a fast, crazy waltz and a jig. In the middle there is a flamboyant flute cadenza which leads us into a calm, ethereal, slightly mysterious section, before the lively, mischievous waltzy jig returns, to eventually lead us into a beautiful calm, dignified ending derived from the somber opening melody but now with glorious, positive harmony and a feeling that all is right and good.
$15.00
The Captain's Apprentice
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Flute and Piano
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ADVANCED
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Helmuts Feldmanis
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The Captain's Apprentice
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Forton Music - Digital
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SheetMusicPlus
Fl. Pft. - Advanced - Digital Download SKU: F2.FM542 Composed by Helmuts Feldmanis. Flute and Piano. Score and part. 12 pages. Forton Music - Digital #FM...
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Fl. Pft. - Advanced - Digital Download SKU: F2.FM542 Composed by Helmuts Feldmanis. Flute and Piano. Score and part. 12 pages. Forton Music - Digital #FM542. Published by Forton Music - Digital (F2.FM542). ISBN 9790570484416.This piece is based on an English folk song of the same name. After a short introduction, with fog rising over the sea, the flute introduces the theme, which is more embellished in the second statement. At the peak of the apogee the theme is taken over the piano, supported by a nice counter melody in the flute part. There is a nice conversation between the flute and the piano including several short piano solo sections, bringing in a contrasting colour and allowing the piano to shine. After reaching the peak of the drama the music dies out and vanishes into the silence. Both the melody and the arrangement together mirror the sorrowful life of a fisherman.
$7.95
Concert Piece
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Flute and Piano
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ADVANCED
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Karl Joachim Andersen
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Concert Piece
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Flute and piano - difficult - Digital Download SKU: S9.Q47041 Composed by Karl Joachim Andersen. This edition: Sheet music. The Kyle Dzapo Series. Downlo...
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Flute and piano - difficult - Digital Download SKU: S9.Q47041 Composed by Karl Joachim Andersen. This edition: Sheet music. The Kyle Dzapo Series. Downloadable. Op. 3. Duration 17 minutes. Musikverlag Zimmermann - Digital #Q47041. Published by Musikverlag Zimmermann - Digital (S9.Q47041). German • English.The virtuoso Concertstück, Op. 3, is a masterfully written, large-scale work that Paul Taffanel selected as the required piece for the Paris Conservatory’s concours of 1895. Taffanel had performed the work shortly after it was composed in the early 1880s and remained its enthusiastic admirer. In an age when many flutist-composers were writing only light-hearted theme-and-variation pieces and opera medleys, Andersen, in his Concertstück, demonstrates his ability to create a substantial sonata-form composition that is harmonically, contrapuntally, and formally refined.
$19.99
Arabesque Piano Quartet
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Flute and Piano
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ADVANCED
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Contemporary
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James Gardner
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Arabesque Piano Quartet
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James Gardner
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SheetMusicPlus
Small Ensemble Alto Saxophone,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.982068 Composed by James Gardner. Contemporary. Score and parts. ...
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Small Ensemble Alto Saxophone,Clarinet,Flute,Piano - Level 5 - Digital Download SKU: A0.982068 Composed by James Gardner. Contemporary. Score and parts. 32 pages. James Gardner #6047535. Published by James Gardner (A0.982068). Technically, an ornament in Arabic architecture, this word has meaning in dance as well as music, a flourish of motion or sound. That is certainly what I intended to do with this demanding and brilliant piece! A flowing, powerful theme with sections of virtuoso dialogue separating it's appearances gives the instruments a chance to show their acrobatic abilities! Everything drives along, whipping up a storm of sound, until a very surprise ending, fading away in the distance! .
$6.99
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